معاينة الحجم الحقيقي معاينة بالواقع المعزز اشترِ لوحة مرسومة يدويًا الانتقال إلى الصورة الرقمية مشاركة
التفاصيل الدليل أضف إلى المفضلة تحميل الملف قطع مشابهة الأشعة السينية عرض شرائح الإحصائيات

Them and Us

  • تاريخ الإنشاء1969
  • الأبعاد149.0 x 343.0 cm

Neil Jenney: Stark paintings & sculptures exploring symbolic narratives. 'Bad painting' embraced, realism redefined – a unique NYC artist.

طباعة جيلي / مطبوعات فنية

طباعة جيكلي أو كانفاس بجودة المتاحف، مع سرعة في التنفيذ وخيارات متنوعة للتشطيب. ( اشترِ لوحة مرسومة يدويًا الانتقال إلى الصورة الرقمية)

قياسي
حسب الطلب
CM
INCH

اختر من بين أحجامنا المُعدّة مسبقًا والتي تتطابق مع النسب الأصلية للعمل الفني.

العرض
الارتفاع

يمكنك إدخال أبعادك الخاصة لتناسب إطاراً أو مساحة معينة. وإذا لم يتطابق الحجم الذي اخترته مع نسب الصورة الأصلية، فسنقوم إما بقص العمل الفني أو تمديد الصورة باستخدام حافة معكوسة أو بلون مصمت. سيتم إرسال نموذج تجريبي رقمي لاعتمادك قبل بدء الإنتاج.
يرجى ملاحظة أن المعاينة على الشاشة لا تعكس عملية القص أو التمديد الفعلية؛ حيث سيوضح النموذج التجريبي فقط التكوين النهائي بدقة.
وعلى الرغم من توفر أحجام مخصصة، إلا أننا نوصي باختيار أبعاد من القائمة المحددة مسبقاً للحفاظ على النسب الأصلية.

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إجمالي السعر

$ 68

reproduction

Them and Us

طباعة جيلي / مطبوعات فنية

مقاس النسخة المطبوعة

-

السعر الإجمالي النهائي

$ 68


السيرة الذاتية للفنان

Neil Jenney: Stark Paintings & Sculptures Exploring Symbolic Narratives

Neil Jenney, born November 6, 1945, in Torrington, Connecticut, is an American painter and sculptor whose distinctive style—characterized by dark-colored frames surrounding stark paintings and a deliberately crude approach to technique—has cemented his place as a pivotal figure in contemporary art. Emerging from the late 1960s reaction against Minimalism and Photo-Realism, Jenney’s oeuvre explores themes of narrative truth and physical framing, rejecting polished surfaces for an uncompromising aesthetic that has been described by critics as “bad painting,” a label he embraced with conviction.

Early Life & Education

Jenney attended Massachusetts College of Art from 1964 to 1966, where he initially focused on interior environmental sculpture—a departure from the prevailing trends of his time—before recognizing that paintings generated sufficient income. His formative years were marked by a resourceful spirit; he secured art materials from dumpsters and worked as a taxicab driver to sustain himself while honing his craft. This pragmatic background undoubtedly influenced his artistic vision, fostering an appreciation for simplicity and directness.

The “Bad Painting” Aesthetic & Influences

Jenney’s breakthrough came in 1978 with the critique of Marcia Tucker, who famously termed his style “bad painting.” Rather than dismissing this assessment as disparaging, Jenney adopted it as a guiding principle—a deliberate rejection of conventional artistic standards—embracing an aesthetic that prioritized raw emotion and intuitive expression. He cites Hudson River School painters as inspiration for his later work, particularly their masterful depiction of landscapes imbued with spiritual significance. However, Jenney’s approach differs markedly from theirs; he seeks to convey environmental destruction through meticulously rendered canvases framed in monumental black wood panels—a visual statement reflecting the urgency of contemporary concerns.

Notable Paintings & Sculpture

Among Jenney's most celebrated works are *Sawn and Saw* (1969) and *Girl and Doll* (1969), which exemplify his reaction against Minimalism and Photo-Realism, prioritizing narrative truth over technical virtuosity. These paintings—characterized by a deliberate lack of polish—capture the essence of human experience with unflinching honesty. Subsequent series, such as *Meltdown Morning*(1975), delve into similar subjects—climate change and ecological issues—but employ a refined oil painting technique reminiscent of Luminist painters who sought to capture the sublime beauty of nature. His sculptures explore similarly symbolic narratives, reflecting his belief that “stories find truth in simple relationships.”

Recognition & Legacy

Neil Jenney received a Guggenheim Fellowship for Fine Arts in 1978—a testament to his artistic merit and visionary approach—further solidifying his reputation as one of America’s most influential sculptors. His work has been exhibited extensively at institutions including The Museum of Modern Art, The Metropolitan Museum of Art, The Whitney Museum of American Art, and The Corcoran Gallery of Art, demonstrating the enduring relevance of his distinctive style and thematic concerns. Today, Jenney's paintings—held in collections worldwide—continue to inspire artists and scholars alike, securing his place as a cornerstone of American Realism and a champion of uncompromising artistic vision.
Neil Jenney

Neil Jenney

1945 - , United States of America

حقائق سريعة

  • Artistic Movement Or Style: Realism (idiosyncratic)
  • Artists Or Movements Influenced By This Artist: ['Hudson River School']
  • Artists Who Influenced This Artist:
    • Minimalism
    • Photo-realism
  • Date Of Birth: November 6, 1945
  • Date Of Death: Living
  • Full Name: Neil Jenney
  • Nationality: American
  • Notable Artworks:
    • Sawn and Saw
    • Girl and Doll
    • Meltdown Morning
  • Place Of Birth: Torrington, United States of America