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معاينة الحجم الحقيقيمعاينة الحجم الحقيقي معاينة بالواقع المعززمعاينة بالواقع المعزز اشترِ لوحة مرسومة يدويًا اشترِ لوحة مرسومة يدويًااشترِ الصورة اشترِ الصورة مشاركةمشاركة
التفاصيلالتفاصيل أضف إلى المفضلة أضف إلى المفضلة تحميل الملفتحميل الملف قطع مشابهةقطع مشابهة الأشعة السينيةالأشعة السينية عرض شرائحعرض شرائح

Compulsory wedding

Explore 'Compulsory Wedding' by Mikayil Abdullayev – a stunning Persian miniature painting of a royal procession. Discover intricate details & dramatic colors in this Azerbaijani masterpiece.

Mikayil Abdullayev (1921-2002): Soviet & Azerbaijani painter renowned for vibrant portraits, 'Through India' series, and social realism. People’s Artist of the USSR.

طباعة جيلي / مطبوعات فنية

طباعة جيكلي أو كانفاس بجودة المتاحف، مع سرعة في التنفيذ وخيارات متنوعة للتشطيب. (اشترِ لوحة مرسومة يدويًا اشترِ لوحة مرسومة يدويًااشترِ الصورة اشترِ الصورة)

Standard
custom
CM
INCH

اختر من بين أحجامنا المُعدّة مسبقًا والتي تتطابق مع النسب الأصلية للعمل الفني.

العرض
الارتفاع

يمكنك إدخال أبعادك الخاصة لتناسب إطاراً أو مساحة معينة. وإذا لم يتطابق الحجم الذي اخترته مع نسب الصورة الأصلية، فسنقوم إما بقص العمل الفني أو تمديد الصورة باستخدام حافة معكوسة أو بلون مصمت. سيتم إرسال نموذج تجريبي رقمي لاعتمادك قبل بدء الإنتاج.
يرجى ملاحظة أن المعاينة على الشاشة لا تعكس عملية القص أو التمديد الفعلية؛ حيث سيوضح النموذج التجريبي فقط التكوين النهائي بدقة.
وعلى الرغم من توفر أحجام مخصصة، إلا أننا نوصي باختيار أبعاد من القائمة المحددة مسبقاً للحفاظ على النسب الأصلية.

توصيل عالمي إلى خلال أسبوعين بدلاً من المدة القياسية البالغة 4/5 أسابيع. 15 أغسطس

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شحن سريع ومجاني لجميع أنحاء العالم
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قماش كتان عالي الجودة
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تأمين شحن شامل
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ضمان استرداد الرسوم الجمركية
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ضمان مطابقة الألوان الحقيقية
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سياسة الإرجاع خلال 60 يومًا (في حالات العيوب فقط)
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ضمان استرداد نقدي بنسبة 100%
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خصم عند طلب عدة قطع

إجمالي السعر

$ 68

reproduction

Compulsory wedding

طباعة جيلي / مطبوعات فنية

مقاس النسخة المطبوعة

-

السعر الإجمالي النهائي

$ 68

وصف القطعة الفنية

In the work of art the composition is consist of three parts, the wedding party of Layla and Ibn Salam has been depicted. In lower left part, Ibn Salam with white aba sitting in tent and sunk in thoughts, in the right side next to him crying Layla in red dress has been depicted who has turned her face from him. In the center of the painting guests surrounding the golden coloured wedding tent and in the upper part camel caravan going in the darkness have been painted.The composition full of dramatic effects is in a dark purple frame. Dark blue, red, yellow and green colours have been used.

السيرة الذاتية للفنان

The Formative Years: A Synthesis of Tradition and Light



Born in the vibrant, oil-scented atmosphere of Baku in 1921, Mikayil Huseyn oglu Abdullayev emerged as a pivotal figure whose brushstrokes would eventually bridge the gap between Soviet realism and a deeply personal, lyrical expression. His artistic journey began within the hallowed halls of the Baku Art College, where he was nurtured by the legendary Azim Azimzadeh, a master who instilled in him a profound respect for Azerbaijani heritage. This foundational period was soon followed by a transformative era in Moscow at the Surionkov Art Institute. Under the mentorship of Sergei Vasilyevich Gerasimov, Abdullayev absorbed the sophisticated techniques of Russian masters like Konstantin Korovin and Sergei Ivanov, learning to balance the structural integrity of realism with a delicate, impressionistic sensitivity to light and atmosphere.

A Global Odyssey: The Colors of the East and Beyond



The true expansion of Abdullayev’s visual vocabulary occurred through his intrepid travels across the globe between 1956 and 1971. His expeditions to India, Afghanistan, Hungary, Poland, and Italy were not merely journeys of discovery but profound artistic pilgrimages that birthed his most celebrated works. It was during his time in Asia that he developed the iconic Through India series, a collection that remains a testament to his ability to capture the soul of a culture through color and narrative depth. His palette, characterized by a masterful use of subtle tonal variations and radiant pigments, allowed him to weave stories of human experience that transcended borders. Some of his most evocative subjects included:

  • Bengali Girls, capturing the soft light of the subcontinent;
  • Rajasthani Women, rendered with striking color;
  • An Old Afghan, a study in weathered dignity and texture.


Legacy: The Painter of People and National Identity



Beyond the sweeping landscapes and exotic portraits, Abdullayev’s work remained deeply rooted in the social fabric of his homeland. He possessed a rare ability to capture the essence of character through portraiture, immortalizing Azerbaijani cultural icons such as Uzeyir Hajibeyov and Samad Vurgun with a dignity that reflected their historical importance. This profound connection to his people earned him the highest accolades of his era, including the prestigious titles of People's Painter of the USSR and People's Painter of the Azerbaijan SSR in 1963. His legacy is not merely found in museums but in the very way he taught the world to see the beauty in the intersection of tradition and modernity. Through his eyes, we see a master who could find the epic within the everyday, leaving behind an indelible mark on the history of Azerbaijani art.
mikayil huseyn oglu abdullayev

mikayil huseyn oglu abdullayev

1921 - 2002 , Azerbaijan

حقائق سريعة

  • Artistic Movement Or Style: Social realism
  • Artists Or Movements Influenced By This Artist: ['Impressionism']
  • Artists Who Influenced This Artist: ['Sergei Vasilyevich Gerasimov']
  • Date Of Birth: December 19, 1921
  • Date Of Death: August 21, 2002
  • Full Name: Mikayil Huseyn oglu Abdullayev
  • Nationality: Azerbaijani
  • Notable Artworks:
    • Bengali Girls
    • Rajasthani Women
    • An Old Afghan
  • Place Of Birth: Baku, Azerbaijan