2016
40.0 x 3.0 cm
Fondazione Hospice Seràgnoli Onlusطباعة جيكلي أو كانفاس بجودة المتاحف، مع سرعة في التنفيذ وخيارات متنوعة للتشطيب. (
اطلب نسخة مرسومة يدويًا التحويل إلى الصورة الرقمية)
اختر من بين أحجامنا المُعدّة مسبقاً والتي تتوافق مع النسب الأصلية للعمل الفني.
يمكنك إدخال أبعاد خاصة لتناسب إطاراً أو مساحة معينة. وفي حال عدم تطابق الحجم المختار مع نسب الصورة الأصلية، سنقوم إما بقص العمل الفني أو تمديد الصورة باستخدام حافة معكوسة أو لون مصمت. وسيتم إرسال نموذج تجريبي رقمي لاعتمادك قبل بدء عملية الإنتاج.
يرجى ملاحظة أن المعاينة على الشاشة لا تعكس عملية القص أو التمديد الفعلية؛ حيث سيوضح النموذج التجريبي فقط التكوين النهائي بدقة.
وعلى الرغم من توفر أحجام مخصصة، إلا أننا نوصي باختيار أبعاد من القائمة المحددة مسبقاً للحفاظ على النسب الأصلية.
توصيل عالمي إلى خلال أسبوعين بدلاً من المدة القياسية البالغة 4/5 أسابيع. (26 سبتمبر)
Pangea
مقاس النسخة المطبوعة
Michele De Lucchi was born in Ferrara, Italy, in 1951. He received his architectural degree from Florence University, setting the stage for a career that would challenge conventional design norms. His formative years coincided with a period of radical experimentation in architecture and art, profoundly influencing his artistic trajectory.
De Lucchi emerged during a time of significant upheaval in the design world. He became a key figure within movements like Cavart, Studio Alchimia, and most notably, the Memphis Group. These groups rejected the austerity of Modernism, embracing playful forms, bold colors, and unconventional materials. His early work was heavily influenced by artists and designers who questioned established aesthetics and sought to create a more expressive and human-centered design language.
De Lucchi’s career spans both industrial design and architecture. He has designed iconic lamps and furniture for leading Italian and European companies, including Artemide, Olivetti, Alias, Unifor, Hermès, and Alessi. Some of his most recognizable works include:
Beyond product design, De Lucchi has undertaken numerous architectural projects, including building designs and restorations in Japan, Germany, Switzerland, and Italy. He’s worked with major corporations like NTT, Deutsche Bank, Novartis, Enel, Olivetti, Piaggio, Poste Italiane, and Telecom Italia.
In 1999, De Lucchi was commissioned to renovate a series of Enel power plants, demonstrating his ability to blend aesthetic sensitivity with functional requirements. He also played a crucial role in developing the corporate image for several prominent banks and organizations – Deutsche Bank, Deutsche Bundesbahn, Enel, Poste Italiane, Telecom Italia, Hera, and Intesa Sanpaolo – introducing both technical and aesthetic innovation into workplace environments.
De Lucchi’s involvement extends to the cultural sphere. He has contributed to building plans for significant museums including the Triennale di Milano, Palazzo delle Esposizioni in Rome, Neues Museum in Berlin, Fondazione Cini in Venice, and Gallerie d’Italia. His work consistently demonstrates a commitment to creating spaces that are both functional and inspiring.
De Lucchi's artistic development reflects a continuous exploration of form, material, and function. He transitioned from the radical experimentation of his early years to a more refined and sophisticated approach while retaining a commitment to innovation. His work is significant for its contribution to Postmodern design, challenging the dominance of Modernism and paving the way for a more diverse and expressive aesthetic landscape. He remains an active figure in contemporary design, continuing to push boundaries and inspire new generations of architects and designers.
1951 - , Italy
معاينة الحجم الواقعي
إرسال
مشاركة
عرض التفاصيل
دليل الأعمال الفنية للطلاب
تحميل
قطع مشابهة
الأشعة السينية
عرض شرائح متتابع
الإحصائيات
اقرأ المزيد
خيار الزجاج متاح فقط للمقاسات التي تقل عن 110 سم
