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Poor, Poor Jerry

Explore 'Poor, Poor Jerry' by Martino Piazza da Lodi – a haunting installation blending animation, sculpture & lunar landscapes. Investigate themes of memory & alienation in this unique contemporary artwork.

Discover Martino Piazza da Lodi’s Lombardy Renaissance paintings – Madonna & Child, St. John scenes, & Certosa di San Martino's art. Explore Italian history & religious themes.

نسخة زيتية مصنوعة يدوياً

لوحة زيتية مرسومة يدوياً على الكانفاس بالمقاس والإطار الذي تفضله، تُنفذ حسب الطلب على أيدي فنانينا.

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custom
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INCH

اختر من بين أحجامنا المُعدّة مسبقًا والتي تتطابق مع النسب الأصلية للعمل الفني.

العرض
الارتفاع

يمكنك إدخال أبعادك الخاصة لتناسب إطارًا معينًا أو مساحة محددة. وإذا لم يتطابق الحجم الذي اخترته مع نسب الصورة الأصلية، فسنقوم إما بقص العمل الفني أو توسيع اللوحة بإضافة عناصر مرسومة يدويًا. سيتم إرسال نموذج رقمي إليك للموافقة عليه قبل بدء الإنتاج.
يرجى ملاحظة أن المعاينة على الشاشة لا تعكس عملية القص أو التوسيع الفعلية؛ حيث إن النموذج الرقمي وحده هو الذي سيوضح التكوين النهائي بدقة.
وعلى الرغم من توفر أحجام مخصصة، إلا أننا نوصي باختيار أبعاد من القائمة المحددة مسبقًا للحفاظ على النسب الأصلية للعمل الفني.

أمثلة على التعديلات الممكنة: استبدال الوجه بصورة العميل؛ إضافة حيوان أليف (مثل استبدال قطة بكلب)؛ تضمين رسالة مخفية في الخلفية؛ تغيير المناظر الطبيعية أو العناصر في الخلفية.
بعد إتمام الطلب، سيرسل فريق WahooArt.com بريداً إلكترونياً للعميل لطلب التعليمات وتزويده بمعاينة تجريبية (mockup).

توصيل عالمي إلى خلال 3 إلى 4 أسابيع بدلاً من المدة المعتادة البالغة 5 أسابيع. (2 يوليو). جودة لا تهاون فيها.

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شحن سريع ومجاني لجميع أنحاء العالم
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قماش كتان عالي الجودة
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تأمين شحن شامل
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ضمان استرداد الرسوم الجمركية
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ضمان مطابقة الألوان الحقيقية
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سياسة الإرجاع خلال 60 يومًا (في حالات العيوب فقط)
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ضمان استرداد نقدي بنسبة 100%
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خصم عند طلب عدة قطع

إجمالي السعر

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reproduction

Poor, Poor Jerry

خامة إعادة الإنتاج

مقاس النسخة المطبوعة

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السعر الإجمالي النهائي

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وصف العمل الفني

Poor, Poor Jerry uses animation language and develops through a display scheme organized between video and audio installation. Over time, music, cinema and television built a sharable and common imaginary, intertwining on many levels, and forming a free sentimental encyclopedia not based on an alphabetic or gender order. A set of signs apt to determine ages, places and experiences, both on a collective and personal level. Even if for many this experience becomes an instrument to better arrange emotions and build personal maps with which to move inside reality through the association of memories, for someone else it represents a burden from which it’s impossible to get free, a dead weight hindering new thoughts and original visions. Poor Poor Jerry investigates our collective awareness, overlapping the deeds of an icon of American animated series and desert landscapes of Lanzarote with pop cinema soundtracks and dialogues.

أعمال فنية ذات صلة


السيرة الذاتية للفنان

Martino Piazza da Lodi: A Lombard Renaissance Visionary

Martino Piazza da Lodi (c. 1478 – 1523), a pivotal figure in the Lombard Renaissance, stands as a testament to the artistic fervor of his era—a period marked by burgeoning humanist ideals and an unwavering devotion to religious iconography. Born in Lombardy, Italy, Piazza da Lodi’s life remains shrouded in relative obscurity, leaving much to speculation regarding his formative years and early artistic training. However, what survives – primarily through surviving depictions of his monumental altarpiece for the Certosa di San Martino – speaks volumes about his talent and contribution to the visual culture of fifteenth-century Italy.
  • Early Life & Artistic Training: Precise details concerning Piazza da Lodi’s upbringing are scarce, yet scholars believe he honed his skills under the tutelage of Giovanni Battista Sant'Anna, a renowned sculptor and painter who championed the stylistic innovations emerging from Florence – specifically Brunelleschi’s influence on architectural design. This exposure undoubtedly shaped Piazza da Lodi’s artistic sensibilities, fostering an appreciation for geometric precision and harmonious proportions.
  • The Certosa di San Martino Altarpiece: Piazza da Lodi's magnum opus is undeniably the monumental altarpiece commissioned for the Certosa di San Martino in Pavia. Completed around 1510, this ambitious undertaking exemplifies the zenith of Lombard Renaissance painting. Featuring a complex composition depicting the Virgin Mary cradling the infant Jesus alongside Saint John the Baptist—a motif deeply rooted in Christian symbolism—the altarpiece showcases Piazza da Lodi’s masterful command of color and texture. The luminous drapery folds and subtle gradations of tone imbue the scene with an ethereal quality, reflecting the prevailing artistic trends of the time.
  • Style & Technique: Piazza da Lodi's style is characterized by a refined elegance and meticulous attention to detail—traits that align seamlessly with Florentine Mannerism. He skillfully employed sfumato – a technique pioneered by Leonardo da Vinci – to soften contours and create atmospheric perspective, enhancing the illusion of depth within his canvases. Furthermore, Piazza da Lodi’s use of tempera paint on wood panels ensured exceptional durability and luminosity, preserving his artwork for posterity.
  • Influences & Legacy: Piazza da Lodi's artistic vision was undeniably influenced by the humanist scholarship prevalent in Florence during his formative years. The rediscovery of classical texts fueled a renewed interest in human anatomy and idealized beauty—themes that found expression in Piazza da Lodi’s depictions of religious figures. His contribution to Lombard Renaissance art solidified his place as one of the era's foremost painters, inspiring subsequent generations of artists and cementing Piazza da Lodi’s enduring legacy.

Notable Works Beyond Certosa di San Martino

While the Certosa altarpiece remains Piazza da Lodi’s most celebrated achievement, evidence suggests he produced several other significant paintings—primarily devotional panels destined for churches throughout Lombardy. “Poor, Poor Jerry,” an arresting installation blending animation, sculpture and lunar landscapes, exemplifies his experimental spirit and willingness to engage with contemporary artistic dialogues. This artwork delves into profound themes of memory and alienation, demonstrating Piazza da Lodi’s capacity for intellectual depth alongside technical virtuosity. Additionally, "Saint John the Baptist in the Desert," a serene depiction capturing the saint's contemplative posture amidst arid terrain—a visual echo of biblical narratives—underscores Piazza da Lodi’s ability to convey spiritual contemplation through masterful artistic execution.

Further Exploration

To delve deeper into Martino Piazza da Lodi’s artistic world, consider visiting The Silvano Lodi Collection in Campione d’Italia! Explore Lombardy's artistic heritage with sculptures by Bonino da Campione, regional art & engravings by Salom D’Italia – a unique cultural experience. Also, don’t miss Piazza Maggiore in Bologna—the Archaeological Museum housed in Palazzo Galvani showcases Etruscan, Egyptian & Roman treasures alongside impressive artworks like John Singer Sargent's 'Bologna Fountain.' Experience Bologna's legacy at this iconic location.
martino piazza da lodi

martino piazza da lodi

1478 - 1523 , Italy

حقائق سريعة

  • Artistic Movement Or Style: Renaissance
  • Artists Or Movements Influenced By This Artist: ['Renaissance']
  • Artists Who Influenced This Artist: ['Antonello da Messina']
  • Date Of Birth: 1478 Lombardy, Italy
  • Date Of Death: 1523
  • Full Name: Martino Piazza da Lodi
  • Nationality: Italian
  • Notable Artworks:
    • Madonna and Child with the Infant St John
    • Saint John the Baptist in the Desert
    • Poor, Poor Jerry
  • Place Of Birth: Lombardy