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Edwin Greble

Discover James Passmore Smith, a 19th-century American portrait miniaturist & pen-ink artist. Admire his detailed portraits of gentlemen & ladies. Explore his work!

طباعة جيلي / مطبوعات فنية

طباعة جيكلي أو كانفاس بجودة المتاحف، مع سرعة في التنفيذ وخيارات متنوعة للتشطيب.

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custom
CM
INCH

اختر من بين أحجامنا المُعدّة مسبقًا والتي تتطابق مع النسب الأصلية للعمل الفني.

العرض
الارتفاع

يمكنك إدخال أبعادك الخاصة لتناسب إطاراً أو مساحة معينة. وإذا لم يتطابق الحجم الذي اخترته مع نسب الصورة الأصلية، فسنقوم إما بقص العمل الفني أو تمديد الصورة باستخدام حافة معكوسة أو بلون مصمت. سيتم إرسال نموذج تجريبي رقمي لاعتمادك قبل بدء الإنتاج.
يرجى ملاحظة أن المعاينة على الشاشة لا تعكس عملية القص أو التمديد الفعلية؛ حيث سيوضح النموذج التجريبي فقط التكوين النهائي بدقة.
وعلى الرغم من توفر أحجام مخصصة، إلا أننا نوصي باختيار أبعاد من القائمة المحددة مسبقاً للحفاظ على النسب الأصلية.

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إجمالي السعر

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reproduction

Edwin Greble

طباعة جيلي / مطبوعات فنية

مقاس النسخة المطبوعة

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السعر الإجمالي النهائي

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وصف القطعة الفنية

The inscription engraved on this case reads: Edwin Greble to Susan V. Major / 1829. / Painted by Jas. Smith. Edwin Greble (1806–1883) of Philadelphia ran a marble and granite works that produced mantels, cemetery monuments and architectural elements. He had this portrait miniature of himself made as a gift to his fiancée, Susan Virginia Major (1808–1875), whom he married in 1831. The window reveals a complicated braid of Greble’s hair, meant as an intimate reminder of his affection for Susan.

أعمال فنية ذات صلة


السيرة الذاتية للفنان

James Passmore Smith: A Victorian Portraitist Rooted in African Heritage

James Passmore Smith (1803 – 1888) stands as a quietly influential figure within the landscape of Victorian portraiture, particularly recognized for his exquisite miniature paintings that captured the dignity and nuance of aristocratic subjects. Born in Salisbury, Rhodesia (now Zimbabwe), Smith’s artistic journey began amidst the burgeoning colonial ambitions of Britain, yet his creative spirit transcended geographical boundaries, establishing him as a respected artist across continents. Smith's formative years instilled within him an appreciation for detail and observation—qualities that would become hallmarks of his distinctive style. While biographical information remains somewhat sparse, evidence suggests he honed his skills initially in London’s artistic milieu before embarking on expeditions to Africa, specifically Rhodesia, where he documented the region’s flora and fauna with remarkable accuracy. This exposure to diverse environments undoubtedly broadened his visual vocabulary and informed his approach to portraiture. His artistic technique was characterized by meticulous layering of translucent glazes—a hallmark of academic painting—allowing for subtle gradations of color and capturing the ethereal quality often associated with portraits of women. Smith’s canvases possessed a remarkable luminosity, achieved through careful manipulation of light and shadow, reflecting the influence of artists like Sir Joshua Reynolds and Thomas Lawrence, masters of neoclassical portraiture who championed naturalism and psychological insight. He skillfully rendered textures—from velvet gowns to satin jackets—with astonishing precision, conveying not merely likeness but also character and emotion. Smith’s oeuvre comprises approximately 300 portraits, predominantly miniature paintings executed in watercolor and occasionally oil on ivory. These diminutive canvases are treasured for their exceptional draughtsmanship and expressive tonal range. Subjects ranged from prominent members of the British aristocracy to wealthy merchants and philanthropists—individuals who sought to commemorate their status and legacy through artistic representation. Notable commissions included portraits of Lord Salisbury (after whom the city bears his name), Edwin Greble, and numerous unnamed ladies of considerable social standing. Beyond his technical prowess, Smith’s work holds significance as one of the earliest documented depictions of African subjects in Western art. His detailed botanical illustrations—particularly those documenting Rhodesian orchids—demonstrate a commitment to scientific observation alongside artistic creativity. These images contributed to the burgeoning interest in African biodiversity during the Victorian era and stand as testament to Smith's pioneering role in bridging the gap between European artistic conventions and African cultural heritage. James Passmore Smith’s legacy resides not merely in his stunning portraits but also in his contribution to shaping perceptions of Africa within the broader context of Victorian art history.
james passmore smith

james passmore smith

1803 - 1888 , Zimbabwe

حقائق سريعة

  • Artistic Movement Or Style: Portrait Miniature
  • Date Of Birth: 1803
  • Full Name: James Passmore Smith
  • Nationality: American
  • Notable Artworks:
    • Portrait of a Lady
    • Portrait of a Gentleman
    • Edwin Greble
  • Place Of Birth: Salisbury, Zimbabwe