من نحن اتصل بنا / المساعدة بِع أعمالك الفنية
      x
      من نحن اتصل بنا / المساعدة بِع أعمالك الفنية
          Flora (1720) للفنان Frans van Mieris the Younger، نسخة مطبوعة من لوحة زيتية مرسومة يدوياً بواسطة فنان محترف
          معاينة الحجم الواقعي معاينة بالواقع المعزز التبديل إلى نسخة مطبوعة الانتقال إلى الصورة الرقمية مشاركة
          التفاصيل دليل أضف إلى المفضلة تحميل الملف قطع مشابهة الأشعة السينية عرض شرائح الأسئلة والأجوبة عرض تقديمي الإحصائيات
          Frans van Mieris the Younger

          Flora نسخة مطبوعة من لوحة زيتية مرسومة يدوياً

          الأبعاد
          15.0 x 12.0cm

          This luminous Baroque oil painting by Frans van Mieris the Younger depicts the goddess Flora. Discover this classical masterpiece today.
          عرض المزيد

          A Leiden school painter known for Old Peasant Holding a Jug. Discover his exquisite Dutch masterpieces today.
          عرض المزيد

          نسخة زيتية مرسومة يدوياً

          لوحة زيتية مرسومة يدوياً على الكانفاس بالمقاس والإطار الذي تفضله، تُنفذ حسب الطلب على أيدي فنانينا. ( التبديل إلى نسخة مطبوعة الانتقال إلى الصورة الرقمية)

          Corner sample of the P118B picture frame: بوليسترين مُشكّل, 5 cm wide and 3 cm thick
          P118B E£10
          Corner sample of the P118H picture frame: بوليسترين مُشكّل, 5 cm wide and 3 cm thick
          P118H E£10
          Corner sample of the P118W picture frame: بوليسترين مُشكّل, 5 cm wide and 3 cm thick
          P118W E£10
          Corner sample of the P438Z picture frame: بوليسترين مُشكّل, 5.5 cm wide and 3.5 cm thick
          P438Z E£10
          Corner sample of the P508JH picture frame: بوليسترين مُشكّل, 7 cm wide and 3.5 cm thick
          P508JH E£12
          Corner sample of the P508YH picture frame: بوليسترين مُشكّل, 7 cm wide and 3.5 cm thick
          P508YH E£12
          Corner sample of the P805H picture frame: بوليسترين مُشكّل, 5 cm wide and 3.5 cm thick
          P805H E£10
          Corner sample of the P805Z picture frame: بوليسترين مُشكّل, 5 cm wide and 3.5 cm thick
          P805Z E£10
          Corner sample of the P919BZ picture frame: بوليسترين مُشكّل, 7 cm wide and 3.5 cm thick
          P919BZ E£10
          Corner sample of the P919G picture frame: بوليسترين مُشكّل, 7 cm wide and 3.5 cm thick
          P919G E£10
          Corner sample of the P919XJ picture frame: بوليسترين مُشكّل, 7 cm wide and 3.5 cm thick
          P919XJ E£10
          Corner sample of the P959ZH picture frame: بوليسترين مُشكّل, 5 cm wide and 3 cm thick
          P959ZH E£10
          Corner sample of the P968JZ picture frame: بوليسترين مُشكّل, 6 cm wide and 4 cm thick
          P968JZ E£12
          Corner sample of the W106C picture frame: خشب طبيعي صلب, 5 cm wide and 3 cm thick
          W106C E£8
          Corner sample of the W218G picture frame: خشب طبيعي صلب, 5 cm wide and 3 cm thick
          W218G E£10
          Corner sample of the W218JH picture frame: خشب طبيعي صلب, 5 cm wide and 3 cm thick
          W218JH E£8
          Corner sample of the W218Y picture frame: خشب طبيعي صلب, 5 cm wide and 3 cm thick
          W218Y E£10
          Corner sample of the W307PJ picture frame: خشب طبيعي صلب, 6 cm wide and 3 cm thick
          W307PJ E£10
          Corner sample of the W316G picture frame: خشب طبيعي صلب, 6 cm wide and 3 cm thick
          W316G E£10
          Corner sample of the W316PJ picture frame: خشب طبيعي صلب, 6 cm wide and 3 cm thick
          W316PJ E£8
          Corner sample of the W316Y picture frame: خشب طبيعي صلب, 6 cm wide and 3 cm thick
          W316Y E£10
          Corner sample of the W398PJ picture frame: خشب طبيعي صلب, 5 cm wide and 3 cm thick
          W398PJ E£8
          Corner sample of the W4111J picture frame: خشب طبيعي صلب, 6.5 cm wide and 3.5 cm thick
          W4111J E£10
          Corner sample of the W500HY picture frame: خشب طبيعي صلب, 7 cm wide and 5 cm thick
          W500HY E£15
          Corner sample of the W500JH picture frame: خشب طبيعي صلب, 7 cm wide and 5 cm thick
          W500JH E£15
          Corner sample of the W692G picture frame: خشب طبيعي صلب, 8 cm wide and 4 cm thick
          W692G E£12
          Corner sample of the W849H picture frame: خشب طبيعي صلب, 5 cm wide and 3 cm thick
          W849H E£8
          Corner sample of the W940BG picture frame: خشب طبيعي صلب, 7.5 cm wide and 4.5 cm thick
          W940BG E£15
          Corner sample of the W953PJ picture frame: خشب طبيعي صلب, 6 cm wide and 3.5 cm thick
          W953PJ E£8

          قياسي
          حسب الطلب
          CM
          INCH

          اختر من بين أحجامنا المُعدّة مسبقاً والتي تتوافق مع النسب الأصلية للعمل الفني.

          العرض
          الارتفاع

          أدخل العرض والارتفاع اللذين تحتاجهما ليتناسب العمل مع إطارك أو جدارك. وبما أن هذه اللوحة مرسومة يدوياً، ففي حال اختيار مقاس بأبعاد مختلفة، يمكن للفنان رسم مساحة إضافية حول الصورة أو تقليصها قليلاً — الخيار لك. سنرسل لك نموذجاً رقمياً تجريبياً لاعتماده قبل البدء في الرسم. علماً بأن الصورة المعروضة في هذه الصفحة لا تعكس النتيجة النهائية الحقيقية، فالنموذج التجريبي هو الوحيد الذي يوضح ذلك بدقة.

          للمزيد من المعلومات

          أمثلة على التعديلات الممكنة: استبدال الوجه بصورة العميل؛ إضافة حيوان أليف (مثل استبدال قطة بكلب)؛ تضمين رسالة مخفية في الخلفية؛ تغيير المناظر الطبيعية أو العناصر في الخلفية.
          بعد إتمام الطلب، سيرسل فريق WahooArt.com بريداً إلكترونياً للعميل لطلب التعليمات وتزويده بمعاينة تجريبية (mockup).
          للمزيد من المعلومات

          للمزيد من المعلومات

          للمزيد من المعلومات

          للمزيد من المعلومات

          توصيل عالمي إلى خلال 3 إلى 4 أسابيع بدلاً من المدة المعتادة البالغة 5 أسابيع. (16 نوفمبر). جودة لا تهاون فيها.

          للمزيد من المعلومات

          شحن سريع ومجاني لجميع أنحاء العالم
          قماش كتان عالي الجودة
          تأمين شامل على الشحن
          ضمان استرداد الرسوم الجمركية
          ضمان مطابقة الألوان الحقيقية
          سياسة الإرجاع خلال 100 يوم (في حالات العيوب فقط)
          ضمان استرداد نقدي بنسبة 100%
          خصم عند طلب كميات
          للمزيد من المعلومات

          إجمالي السعر

          E£ 14559

          Flora

          خامة النسخة المطبوعة

          مقاس النسخة المطبوعة

          -

          إجمالي السعر النهائي

          E£ 14559

          معلومات سريعة

          • Notable elements or techniques: Chiaroscuro, impasto-like texture
          • Year: circa 1720
          • Location: Los Angeles County Museum of Art, Los Angeles
          • Artist: Frans van Mieris the Younger
          • Title: Flora

          اختبار الفنون

          لكل سؤال إجابة صحيحة واحدة فقط.

          سؤال 1:
          What is the medium used in the painting 'Flora'?
          سؤال 2:
          In which city was the artist Frans van Mieris the Younger born?
          سؤال 3:
          What is the approximate date of this artwork?
          سؤال 4:
          What color is the subject's hat in the painting?
          سؤال 5:
          Which museum holds the artwork 'Flora' by Frans van Mieris the Younger?

          Identification of Flora by Frans van Mieris the Younger

          The painting titled Flora emerged from the studio of Frans van Mieris the Younger around 1720. This oil on panel work originated in Holland, capturing a moment of quietude through the meticulous hand of the Leiden school. The subject is rendered with a precision that reflects a lineage of technical rigor.

          A single figure occupies the space, a woman holding a bouquet of various blossoms. She wears a wide-brimmed blue hat adorned with flowers, her pale skin catching a light that seems to descend from the upper left. The composition focuses on her upper body, setting her against a background of deep greens and ochres. It is a study of light and organic form.

          The work remains part of the European Painting collection. It exists as a physical record of the artist's specific, controlled detail. A soft light rests upon the silk-like drapery and the petals of the bouquet. The paint holds the shape of a quiet, classical beauty.

          Composition and Visual Elements of the Work

          The composition is a vertical portrait that centers on the upper body of a woman, likely the goddess Flora. She is positioned slightly off-center, creating a subtle tension within the frame. A close-up, eye-level view brings the viewer into her immediate space. She wears a wide-brimmed blue hat, its edges decorated with small blossoms, which rests atop her head. Her skin is pale against the darker, organic shapes of the background. She holds a bouquet of various blossoms, the petals gathered in her hands.

          Light falls from the upper left, illuminating her face, chest, and arm. This light creates a sense of three-dimensional depth, casting the background into deep shadow. The lines of her blonde hair and the folds of her garment are soft and fluid. The textures shift from the smooth surface of her skin to the tactile, impasto-like quality of the floral elements. Every detail is rendered with a meticulous hand, capturing the weight of the silk-like drapery and the delicate structure of the bouquet.

          Related Works by Frans van Mieris the Younger

          The artist’s hand often sought the quietude of a single, still moment. In his 1720 work Flower, he captured the delicate nature of botanical life, much like the blossoms held by his subject here. His brush moved between the intimate and the formal, tracing the lines of a Rev. dr. Cox Macro between 1703 and 1715. He found weight in the everyday, such as the heavy presence of an Old Peasant Holding a Jug in 1731. These studies of texture and utility define a life spent observing the tangible world.

          Portraiture provided another vessel for his meticulous precision. He fixed the likenesses of individuals with a steady gaze, including the Portrait of Pieter de la Court in 1750 and the Portrait of Andreas Weiss in 1752. These faces exist alongside more complex social arrangements, such as the composition of Three Generations in 1742. Even the mundane tasks of a market are rendered with clarity, seen in the depiction of The Fishmonger in 1738. He also turned his attention to the solitary figure, as seen in the Old Man With the Book.

          Each canvas remains a fragment of a larger, disciplined vision. He worked with the fine, controlled detail required by his training, capturing the glint of a ceramic surface or the fold of a garment. The light falls upon the subject, leaving the rest to the shadows. A quiet stillness remains.

          الأسئلة والأجوبة

          ما هو شكل وأبعاد "Flora" للفنان Frans van Mieris the Younger؟

          تأتي لوحة "Flora" للفنان Frans van Mieris the Younger بتكوين من نوع Portrait، وتبلغ أبعاد العمل الأصلي 14.6 x 12.06cm.

          ما هو الحجم المثالي لطباعة "Flora" بما يتناسب مع غرفتي؟

          في Bedroom، يُقترح طباعة "Flora" بحجم Small.

          أين يمكنني العثور على أعمال فنية مشابهة لـ "Flora" للفنان Frans van Mieris the Younger؟

          يمكنكم العثور على أعمال مشابهة لـ "Flora" في صفحة أعمال مشابهة الخاصة بالعمل الفني.

          أعمال فنية ذات صلة

          إمبراطورية فلورا — نيكولا بوزان, الرسم الباروكي
          نيكولا بوزان إمبراطورية فلورا
          انتصار فلورا — نيكولا بوزان, الباروك
          نيكولا بوزان انتصار فلورا
          سكازيا مرتديةً زي فلورا — رامبرانت, باروك
          رامبرانت سكازيا مرتديةً زي فلورا
          عذراء كانيجاني، زيت على لوح خشبي، 131 × - — رفائيل, عصر النهضة
          رفائيل عذراء كانيجاني، زيت على لوح خشبي، 131 × -
          Artist In His Studio, Oil On Panel — رامبرانت, Baroque
          رامبرانت Artist in his studio, oil on panel
          Oil Sketch For High Altarpiece, St Bavo, Ghent — بيتر بول روبنس, Flemish Baroque
          بيتر بول روبنس Oil Sketch for High Altarpiece, St Bavo, Ghent
          The Meeting Of David And Abigail — بيتر بول روبنس, Baroque Art
          بيتر بول روبنس The Meeting of David and Abigail
          هيغيا، إلهة الصحة — بيتر بول روبنس, Baroque
          بيتر بول روبنس هيغيا، إلهة الصحة
          Flora — فرانشيسكو ميلزي, Baroque
          فرانشيسكو ميلزي Flora
          Sts Peter And Paul — جويدو ريني, Baroque
          جويدو ريني Sts Peter and Paul

          السيرة الذاتية للفنان

          The Shadow of a Legacy

          Leiden, 1689. The air in the studio is thick with the scent of linseed oil and the weight of expectation. Frans van Mieris the Younger enters a world already defined by the brushstrokes of his grandfather, the celebrated Frans van Mieris the Elder. He is born into a lineage of precision, the son of Willem van Mieris, inheriting a space where light and texture are the primary languages. The studio is a family inheritance, a physical continuation of a visual tradition that demands a specific, meticulous hand.

          The transition of the workshop is a quiet, inevitable movement. When Willem passes the tools of the trade to his son, the expectation is not merely to paint, but to maintain a standard of excellence established by a predecessor whose reputation looms large. Frans moves through the Leiden school, navigating the narrow path between personal expression and the rigid requirements of a family name. He is a painter, a historian, and an archaeologist, a man whose life is deeply anchored in the intellectual and visual soil of the Dutch Republic.

          The Precision of the Leiden School

          His work often finds its focus in the quietude of the everyday, rendered with a clarity that demands close inspection. He captures the textures of existence—the rough fabric of a peasant's garment, the glint of a ceramic jug, or the subtle play of light across a surface. His output spans various subjects, from the intimate to the formal:

          • Rev. dr. Cox Macro (1703–1715)
          • Flower (1720)
          • Old Peasant Holding a Jug (1731)
          • Old Man With the Book
          • Three Generations (1742)
          • Portrait of Pieter de la Court (1750)
          • Portrait of Andreas Weiss (1752)
          • The Fishmonger (1738)

          In 1731, the canvas Old Peasant Holding a Jug captures a moment of stillness, a study of form and utility that would eventually find its way to the Hermitage in St. Petersburg. There is a tension in his compositions, a struggle to match the heights of the Elder while carving out a space for his own observations. He works in oils on panel, a medium that allows for the fine, controlled detail required by his training.

          The Final Act in Leiden

          The later years of his life see him continuing to navigate the artistic landscape of the Netherlands. He remains a figure of the Leiden school, a practitioner of a style that values the tangible over the abstract. His portraits, such as those of Andreas Weiss or Pieter de la Court, attempt to fix a likeness with the same technical rigor applied to his still lifes and genre scenes. He does not seek to reinvent the wheel, but to refine the wheel's edge.

          By 1763, the cycle of the studio reaches its conclusion. Frans van Mieris the Younger dies in Leiden, the same city where his journey began. He leaves behind a body of work that remains a vital link in the history of Dutch painting, a bridge between the high achievements of his grandfather and the evolving tastes of the mid-eighteenth century. He remains a painter of the detail, a man who understood that the smallest stroke could hold the weight of a whole world.

          Frans van Mieris the Younger

          Frans van Mieris the Younger

          1689 - 1763 , Netherlands

          حقائق سريعة

          • Full Name: Frans van Mieris the Younger
          • Nationality: Dutch
          • Notable Artworks:
            • The Hermit
            • The Grocer’s Shop
            • Portrait of Adrianus van Boscheiden
            • Flower
            • Old Peasant Holding a Jug
            • Three Generations
            • Portrait of Pieter de la Court
            • Portrait of Andreas Weiss
            • The Fishmonger
          • Place Of Birth: Leiden, Netherlands
          • Date Of Birth: 1689
          • Date Of Death: 1763