2006
169.0 x 133.0 cm
MACBA - متحف الفن المعاصر في بوينس آيرسلوحة زيتية مرسومة يدوياً على الكانفاس بالمقاس والإطار الذي تفضله، تُنفذ حسب الطلب على أيدي فنانينا. ( اشترِ نسخة مطبوعة
اشترِ الصورة)
اختر من بين أحجامنا المُعدّة مسبقًا والتي تتطابق مع النسب الأصلية للعمل الفني.
يمكنك إدخال أبعادك الخاصة لتناسب إطارًا معينًا أو مساحة محددة. وإذا لم يتطابق الحجم الذي اخترته مع نسب الصورة الأصلية، فسنقوم إما بقص العمل الفني أو توسيع اللوحة بإضافة عناصر مرسومة يدويًا. سيتم إرسال نموذج رقمي إليك للموافقة عليه قبل بدء الإنتاج.
يرجى ملاحظة أن المعاينة على الشاشة لا تعكس عملية القص أو التوسيع الفعلية؛ حيث إن النموذج الرقمي وحده هو الذي سيوضح التكوين النهائي بدقة.
وعلى الرغم من توفر أحجام مخصصة، إلا أننا نوصي باختيار أبعاد من القائمة المحددة مسبقًا للحفاظ على النسب الأصلية للعمل الفني.
توصيل عالمي إلى خلال 3 إلى 4 أسابيع بدلاً من المدة المعتادة البالغة 5 أسابيع. (6 سبتمبر). جودة لا تهاون فيها.
Rhombus
مقاس النسخة المطبوعة
Born in the vibrant cultural landscape of Buenos Aires in 1975, Carla Paola Bertone has emerged as a profound architect of space and texture. Her journey into the heart of abstraction was not merely a pursuit of aesthetic beauty, but a rigorous intellectual exploration of lineage and form. Through her formal training at the National University of Arts in Buenos Aires, culminating in an MFA in 2004, Bertone began to weave herself into the rich tapestry of the Argentine geometric tradition. Her academic pursuits were deeply rooted in the study of masters such as Yente, Diyi Laañ, and Lidy Prati, a scholarly endeavor that allowed her to understand the genealogical evolution of abstraction in her homeland.
Bertone’s work serves as a bridge between the historical weight of geometric movements and a contemporary, tactile sensibility. While her influences can be traced back to the monumental simplicity of Josef Albers and the spiritual expansiveness of Barnett Newman, she departs from their pursuit of flatness. Instead, Bertone invites the viewer into a multidimensional realm where light and shadow dance across manipulated surfaces. Her practice is characterized by an extraordinary dedication to craftsmanship, where the canvas becomes a site of physical transformation through the application of pigment layers, resin coatings, and complex additive and subtractive techniques.
The essence of Bertone’s artistic language lies in her ability to imbue geometric precision with organic depth. Her repertoire is remarkably diverse, spanning various mediums that challenge the boundaries between painting, sculpture, and environment. To experience a Bertone piece is to engage with a deliberate manipulation of materiality:
In each of these mediums, Bertone seeks to achieve a state of luminosity and simplicity. She avoids the trap of mere decoration, instead using texture to create a sense of "living" geometry. By meticulously building up surfaces, she creates a topography that changes as the viewer moves around the work, ensuring that her art is never static but rather a continuous dialogue between the object and the observer.
The significance of Carla Paola Bertone’s contribution to contemporary abstraction lies in her refusal to let geometry remain purely cerebral. While her foundations are built upon the rigorous logic of the Argentine tradition, her execution is deeply sensory. She has successfully modernized the geometric lexicon by introducing a tactile dimension that speaks to the human desire for touch and physical connection.
Through her innovative use of resin and pigment layering, she has redefined how we perceive the "flat" plane of abstract art. Her work stands as a testament to the idea that abstraction can be both intellectually rigorous and emotionally resonant. As she continues to push the boundaries of what geometric art can achieve, Bertone remains a vital figure in the ongoing evolution of contemporary Argentine abstraction, leaving an indelible mark on the way we perceive form, light, and the very substance of space.
1975 - , Argentina