使 William Tasker 声名鹊起的画作是 Lord Westminster's Cardinal Puff, with Sam Darling Up, Winning the Tradesman's Plate, Chester (1839)；它现收藏于 纽黑文 的 耶鲁英国艺术中心。 The Liverpool and National Steeplechase at Aintree, 1843 (1843) 与 National Defense (1921) 在收藏家和博物馆参观者心中紧随其后。 在 William Tasker 的 3 件作品中，这 3 件是最受推崇的杰作，每件作品均附有创作日期、馆藏机构及其独特之处。
排名依据为我们的热度评分，该评分综合了每件作品的搜索量、访问量及订单量。更新于 November 2026。
收藏了本页中大部分画作的 2 家博物馆。
| 博物馆 | 城市 | William Tasker 的作品 | 此列表中的画作 |
|---|---|---|---|
 耶鲁英国艺术中心 |
纽黑文 | 2 | Lord Westminster's Cardinal Puff, with Sam Darling Up, Winning the Tradesman's Plate, Chester, The Liverpool and National Steeplechase at Aintree, 1843 |
 大都会艺术博物馆 |
纽约 | 1 | National Defense |
Lord Westminster's Cardinal Puff, with Sam Darling Up, Winning the Tradesman's Plate, Chester (1839)，耶鲁英国艺术中心, 纽黑文。紧随其后的是The Liverpool and National Steeplechase at Aintree, 1843 (1843)和National Defense (1921)。
我们的目录收录了 William Tasker 的 3 件作品，创作时间从 1839 年至 1921 年。
其中大部分藏于 耶鲁英国艺术中心 (纽黑文) 及 大都会艺术博物馆 (纽约)。上表逐一列出了这些博物馆。
本页最早的作品创作于 Lord Westminster's Cardinal Puff, with Sam Darling Up, Winning the Tradesman's Plate, Chester (1839)，最晚于 National Defense (1921)。
Lord Westminster's Cardinal Puff, with Sam Darling Up, Winning the Tradesman's Plate, Chester 及 The Liverpool and National Steeplechase at Aintree, 1843 是该页面中由 耶鲁英国艺术中心, 纽黑文 收藏的 2 件作品之一。
Born in New York City, William Tasker spent his life observing the way light settles upon the land. His brushwork followed the shifts of the Impressionist movement, focusing on the fleeting qualities of color and the atmosphere of the American landscape. He did not merely paint scenes; he captured the way light moves through a space, often working with oil on canvas to build texture and depth. His hands were accustomed to the quiet work of capturing the ephemeral, turning a specific moment in time into a permanent record of light and shadow.
His career was marked by a steady presence in the American art scene. He was part of a generation that helped bring new ways of seeing to the United States, participating in significant exhibitions that changed how people viewed local scenery. His work moved through the galleries of his time, finding its way into permanent collections where his specific handling of color remains visible.
Tasker’s work captures the energy of specific moments, often focusing on the relationship between a subject and its surroundings. His paintings move between the quietude of the landscape and the structured motion of life. His oil on canvas works include:
In National Defense, there is a sense of weight and purpose. The paint carries a certain gravity, moving away from purely decorative scenes toward something more substantial. He had a way of grounding his subjects within a tangible reality, using color and light to define the space they occupy. His presence in the 1913 Armory Show helped bring these Impressionist sensibilities to a wider American audience.
By the time of his death in 1933, Tasker had left behind a body of work that speaks to the evolution of American painting. His involvement in the Armory Show of 1913 placed him at the center of a major shift in artistic thought. He was there when the old ways of seeing were being challenged by new, more experimental approaches. His paintings remain in places like the Metropolitan Museum of Art, where the brushstrokes still hold the light he once sought to capture. He remains a figure of the Impressionist movement, remembered for how he translated the atmosphere of his surroundings onto the canvas.