菲利普·德拉斯洛, 1869 – 1937

菲利普·德拉斯洛 最著名的 100 幅画作

让 菲利普·德拉斯洛 声名鹊起的画作是 Andrew W. Mellon (1932)。 Lady Rachel Cavendish, later Viscountess Stuart of Findhorn 与 Professor Johann Nepomuk Oser (1904) 在收藏家和博物馆参观者心中紧随其后。 在 菲利普·德拉斯洛 的 216 件作品中,这 100 件是最受推崇的杰作,每件作品均附有创作日期、馆藏机构及其独特之处。

排名依据为我们的热度评分,该评分综合了每件作品的搜索量、访问量及订单量。更新于 October 2026。 本页面的每一件杰作均可根据您选择的尺寸,定制为博物馆级手工油画复制品或艺术微喷画。

菲利普·德拉斯洛 肖像
菲利普·德拉斯洛 · 1869 – 1937
生卒年份
1869 – 1937, 佩斯
流派
Academic realism
目录中的作品
216
最知名
Andrew W. Mellon (1932)
馆藏作品最多于
国家肖像美术馆

菲利普·德拉斯洛:十件杰作

Andrew W. Mellon (1932) 由 菲利普·德拉斯洛
1

Andrew W. Mellon

1932 · Oil

In this 1932 bust-length depiction, Philip de László captures the presence of Andrew W. Mellon. The subject is presented in profile, his gaze directed slightly off to the right. A quiet dignity settles over the figure, suggesting a man of significant status and intellect. The composition focuses on the head and shoulders, isolating the sitter against a muted, tan background that offers no distraction from the man himself.

Lady Rachel Cavendish, later Viscountess Stuart of Findhorn 由 菲利普·德拉斯洛
2

Lady Rachel Cavendish, later Viscountess Stuart of Findhorn

Oil On Panel

Philip de László rendered this portrait of Lady Rachel Cavendish, later Viscountess Stuart of Findhorn. The sitter, who would eventually become the Viscountess, is presented here in a likeness captured by the Hungarian-born artist during a significant period of transition in her life. The work was executed just before her marriage to James Gray Stuart on 4th August 1923.

Professor Johann Nepomuk Oser (1904) 由 菲利普·德拉斯洛
3

Professor Johann Nepomuk Oser

1904 · Oil On Canvas

In this portrait, Philip de László presents us with Professor Johann Nepomuk Oser, an intellectual figure captured with a quiet, commanding presence. Created about 1904, the work offers a glimpse into the dignified character of a man defined by his scholarly pursuits. The subject is dressed in formal attire, a choice that reflects his status and the professional gravity of his position. There is a certain stillness in his posture…

Cosmo Gordon Lang (1864–1945), Baron Lang of Lambeth, Scholar (1882), Honorary Fellow (1928), Archbishop of York (1908–1928), Archbishop of Canterbury (1928–1942) (1933) 由 菲利普·德拉斯洛
4

Cosmo Gordon Lang (1864–1945), Baron Lang of Lambeth, Scholar (1882), Honorary Fellow (1928), Archbishop of York (1908–1928), Archbishop of Canterbury (1928–1942)

1933 · Oil On Canvas · Balliol College, Oxford

A heavy silence settles over the canvas. The Archbishop sits in a three-quarter pose, his body angled slightly away while his gaze drifts toward the left of the frame. He is a man of shadows and stark light. The darkness of the background presses inward, forcing the viewer to focus on the pale, steady presence of his face and the pale grip of his hands. It is a study in…

Lt-Col. Risaldar Jagat Singh and Risaidar Man Singh (1916) 由 菲利普·德拉斯洛
5

Lt-Col. Risaldar Jagat Singh and Risaidar Man Singh

1916 · Oil On Board

The oil on board painting titled Lt-Col. Risaldar Jagat Singh and Risaidar Man Singh was executed by the artist Philip de László in 1916. This work depicts two Sikh cavalry officers serving within the British Indian Army. The subjects are identified as Jagat Singh of the 12th Cavalry and Man Singh of the 21st Cavalry. The portrait captures the two men in a single sitting that lasted approximately two to…

Regret (also known as Love Spurned) (1892) 由 菲利普·德拉斯洛
6

Regret (also known as Love Spurned)

1892

Three men sit anchored around a wooden table, their silhouettes etched against the dim light of a tavern. The air in the room feels heavy, thick with the scent of spilled spirits and unspoken words. Bottles rest on the scarred surface, catching the pale light like glass eyes watching the quiet drama unfold. A single chair sits empty nearby, a silent witness to a presence that has already departed. The…

Self-Portrait (1911) 由 菲利普·德拉斯洛
7

Self-Portrait

1911 · Oil On Canvas · 匈牙利國家美術館, 布达佩斯

In this 1911 oil on canvas, the artist Philip de László turns the gaze inward. Titled Self-Portrait, the work presents a direct encounter with the painter himself, Philip Alexius de László. It is a quiet moment of introspection captured during a period of established professional standing. The subject and the creator are one and the same, offering a rare glimpse into the man behind the formal portraits of the European…

Count Albert Mensdorff-Pouilly-Dietrichstein (1900) 由 菲利普·德拉斯洛
8

Count Albert Mensdorff-Pouilly-Dietrichstein

1900 · Oil · 国家肖像美术馆, 伦敦

Philip de László captured the likeness of Count Albert Mensdorff-Pouilly-Dietrichstein in this oil on cardboard portrait. The sitter, an Austro-Hungarian diplomat who lived from 1861 to 1945, is presented with the quiet dignity characteristic of the era's high society. Created before 1907, the work reflects the artist's early period of establishing his reputation among the European elite.

Portrait of Fürstin Dietrichstein zu Nikolsburg, née Princess Olga Dolgouruky (1907) 由 菲利普·德拉斯洛
9

Portrait of Fürstin Dietrichstein zu Nikolsburg, née Princess Olga Dolgouruky

1907 · Oil · 加泰罗尼亚国家艺术博物馆, 巴塞罗那

Philip de László’s Portrait of Fürstin Dietrichstein zu Nikolsburg, née Princess Olga Dolgouruky presents an oval-shaped bust-length study of the subject. The composition centers on the face and upper shoulders of Princess Olga Dolgouruky, establishing an intimate connection through a direct, eye-level view. She is rendered in regal attire, distinguished by a delicate jeweled tiara that catches the light. The arrangement focuses the viewer's attention on her calm expression and…

Sir George Henschel (Isidor Georg Henschel) (1917) 由 菲利普·德拉斯洛
10

Sir George Henschel (Isidor Georg Henschel)

1917 · Oil On Canvas · 国家肖像美术馆, 伦敦

The portrait presents an elderly gentleman, captured in a bust-length composition that emphasizes psychological depth. Positioned slightly off-center, the subject gazes toward the viewer's left, creating an intimate, quiet connection. The lighting is dramatic, utilizing a chiaroscuro effect where a strong light source from the upper left defines the facial structure, the texture of the white beard, and the deep wrinkles of age. This illumination contrasts sharply against the dark,…

更多 菲利普·德拉斯洛 杰作,从 11 到 100

Frank Billings Kellogg (1925) 由 菲利普·德拉斯洛
#11

Frank Billings Kellogg

1925 · 国家肖像画廊

Philip de László painted this portrait of Frank Billings Kellogg in 1925. The subject was a prominent American politician and statesman. His career reached a significant milestone in…

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Portrait of Madame Vanier (1929) 由 菲利普·德拉斯洛
#12

Portrait of Madame Vanier

1929 · 加拿大国家美术馆

The subject turns her face toward the viewer, a soft profile emerging from a shadow of ochre and deep brown. She wears a gown of luminous teal and…

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John Loader Maffey, 1st Baron Rugby (1923) 由 菲利普·德拉斯洛
#19

John Loader Maffey, 1st Baron Rugby

1923 · 国家肖像美术馆

Philip de László captures the presence of John Loader Maffey, 1st Baron Rugby, in this 1923 oil on canvas. The subject sits with a quiet, dignified weight, his…

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Sir Thomas Gardner Horridge (1914) 由 菲利普·德拉斯洛
#21

Sir Thomas Gardner Horridge

1914 · 曼彻斯特艺术馆

This oil on canvas portrait, titled Sir Thomas Gardner Horridge, was executed by the artist Philip de László. The work depicts Sir Thomas Gardner Horridge, who held the…

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Edward Drummond Libbey (1922) 由 菲利普·德拉斯洛
#24

Edward Drummond Libbey

1922 · 托莱多艺术博物馆

In this 1922 oil on canvas, Philip de László captures the likeness of Edward Drummond Libbey. The subject sits with a quiet, settled presence, his form defined by…

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Portrait of John H. McFadden (1916) 由 菲利普·德拉斯洛
#27

Portrait of John H. McFadden

1916 · 费城艺术博物馆

The Portrait of John H. McFadden by Philip de László is a three-quarter length oil painting. The subject is positioned slightly off-center, facing the viewer directly with a…

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Alfonso XIII (1927) 由 菲利普·德拉斯洛
#28

Alfonso XIII

1927 · 普拉多博物馆

In this 1927 portrait, Philip de László presents King Alfonso XIII in a moment of quiet dignity. The subject is depicted in military attire, a choice that speaks…

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Clara Cook Kellogg (1929) 由 菲利普·德拉斯洛
#29

Clara Cook Kellogg

1929 · 国家肖像画廊

In this 1929 oil on canvas, Philip de László captures Clara Cook Kellogg, a woman defined by the quiet gravity of her social standing. She sits as a…

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Richard Burdon Haldane, Viscount Haldane (1928) 由 菲利普·德拉斯洛
#30

Richard Burdon Haldane, Viscount Haldane

1928 · 国家肖像美术馆

Philip de László presents Richard Burdon Haldane, Viscount Haldane, a portrait executed in 1928. The subject, Richard Burdon Haldane, 1st Viscount Haldane, was a prominent figure in British…

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Luke Fildes (1914) 由 菲利普·德拉斯洛
#34

Luke Fildes

1914 · 国家肖像美术馆

The brush captures Sir (Samuel) Luke Fildes in a moment of quiet dignity. Painted by Philip de László in 1914, this portrait brings the sitter into a direct,…

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Iphigenia Wise Ochs (1930) 由 菲利普·德拉斯洛
#37

Iphigenia Wise Ochs

1930 · 国家肖像画廊

In this 1930 oil on canvas, Philip de László presents a formal portrait of Iphigenia Wise Ochs. Painted in London, Greater London, England, United Kingdom, the work captures…

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Viscount Lee of Fareham (1921) 由 菲利普·德拉斯洛
#38

Viscount Lee of Fareham

1921 · 柯尔德美术馆

In this 1921 oil on canvas, Philip de László presents a formal study of Arthur Hamilton Lee, 1st Viscount Lee of Fareham. The sitter, born in 1868, is…

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Adolph Ochs (1926) 由 菲利普·德拉斯洛
#40

Adolph Ochs

1926 · 国家肖像画廊

In this 1926 oil on canvas, Philip de László captures the likeness of Adolph Simon Ochs. Painted in New York City, United States, the work presents the subject…

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Sir (William Matthew) Flinders Petrie (1934) 由 菲利普·德拉斯洛
#50

Sir (William Matthew) Flinders Petrie

1934 · 国家肖像美术馆

This oil on canvas portrait, titled Sir (William Matthew) Flinders Petrie, was executed by the artist Philip de László in 1934. The work depicts the archaeologist in his…

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Vita Sackville-West (1910) 由 菲利普·德拉斯洛
#59

Vita Sackville-West

1910 · Sissinghurst Castle

A Glimpse into Aristocratic Life: Vita Sackville-West by Philip de László This captivating oil on canvas portrait, "Vita Sackville-West," painted in 1910 by the renowned Philip Alexius de…

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菲利普·德拉斯洛 的不同时期作品

菲利普·德拉斯洛 最常描绘的主题

这些杰作中最常出现的四个主题,以及各主题的最佳代表作。

在哪里可以欣赏到 菲利普·德拉斯洛 的画作

收藏了本页中大部分画作的 8 家博物馆。

博物馆 城市 菲利普·德拉斯洛 的作品 此列表中的画作
国家肖像美术馆, 伦敦国家肖像美术馆 伦敦 11 Count Albert Mensdorff-Pouilly-Dietrichstein, Sir George Henschel (Isidor Georg Henschel), Julian Byng, 1st Viscount Byng of Vimy
匈牙利國家美術館, 布达佩斯匈牙利國家美術館 布达佩斯 9 Self-Portrait, The Storyteller, At Vesper Bell
国家肖像画廊, 华盛顿特区国家肖像画廊 华盛顿特区 7 Frank Billings Kellogg, Clara Cook Kellogg, Iphigenia Wise Ochs
普拉多博物馆, 马德里普拉多博物馆 马德里 4 Victoria Eugenie of Battenberg with mantilla, Alfonso XIII in Hussar Uniform, Alfonso XIII
柯尔德美术馆, 伦敦柯尔德美术馆 伦敦 4 Viscount Lee of Fareham, Sketch for Portrait of the Viscountess Lee of Fareham
冬宫博物馆, 圣彼得堡冬宫博物馆 圣彼得堡 2 Portrait of a Lady and her Daughter (Portrait of Anya and Lanya), Portrait of a Lady and her Daughter
奥赛博物馆, 巴黎奥赛博物馆 巴黎 2 Portrait of Marshal Lyautey, Countess Anna de Noailles
华沙国家博物馆, 华沙华沙国家博物馆 华沙 2 Lady with a pearl earring, Portrait of a lady in a large hat

菲利普·德拉斯洛 的年代演变:各时期的代表作

  1. 1890s
    Regret (also known as Love Spurned) (1892) 由 菲利普·德拉斯洛
    排名 6 / 100

    Regret (also known as Love Spurned)

    年龄 21 – 30

    Three men sit anchored around a wooden table, their silhouettes etched against the dim light of a tavern. The air in the room feels heavy, thick with the…

  2. 1900s
    Professor Johann Nepomuk Oser (1904) 由 菲利普·德拉斯洛
    第 3 / 共 100

    Professor Johann Nepomuk Oser

    年龄 31 – 40

    In this portrait, Philip de László presents us with Professor Johann Nepomuk Oser, an intellectual figure captured with a quiet, commanding presence. Created about 1904, the work offers…

  3. 1910s
  4. 1920s
    Frank Billings Kellogg (1925) 由 菲利普·德拉斯洛
    排名 11 / 100

    Frank Billings Kellogg

    年龄 51 – 60 · 国家肖像画廊

    Philip de László painted this portrait of Frank Billings Kellogg in 1925. The subject was a prominent American politician and statesman. His career reached a significant milestone in…

  5. 1930s
    Andrew W. Mellon (1932) 由 菲利普·德拉斯洛
    排名 1 / 100

    Andrew W. Mellon

    年龄 61 – 68

    In this 1932 bust-length depiction, Philip de László captures the presence of Andrew W. Mellon. The subject is presented in profile, his gaze directed slightly off to the…

菲利普·德拉斯洛 的杰作:问答环节

菲利普·德拉斯洛 最著名的作品是哪一幅?显示答案

Andrew W. Mellon (1932)。紧随其后的是 Lady Rachel Cavendish, later Viscountess Stuart of Findhorn 和 Professor Johann Nepomuk Oser (1904)。

创作 Andrew W. Mellon 时,菲利普·德拉斯洛 的年龄是多少?显示答案

63岁:Andrew W. Mellon创作于1932,菲利普·德拉斯洛出生于1869。

菲利普·德拉斯洛 最伟大的十幅画作是什么?显示答案

Andrew W. Mellon, Lady Rachel Cavendish, later Viscountess Stuart of Findhorn, Professor Johann Nepomuk Oser, Cosmo Gordon Lang (1864–1945), Baron Lang of Lambeth, Scholar (1882), Honorary Fellow (1928), Archbishop of York (1908–1928), Archbishop of Canterbury (1928–1942), Lt-Col. Risaldar Jagat Singh and Risaidar Man Singh, Regret (also known as Love Spurned), Self-Portrait, Count Albert Mensdorff-Pouilly-Dietrichstein, Portrait of Fürstin Dietrichstein zu Nikolsburg, née Princess Olga Dolgouruky 及 Sir George Henschel (Isidor Georg Henschel)。上方排名列出了每件作品的创作年份及所属博物馆。

菲利普·德拉斯洛 创作了多少件作品?显示答案

我们的目录收录了 菲利普·德拉斯洛 的 216 件作品,创作时间从 1891 年至 1937 年。

可以在哪些博物馆看到 菲利普·德拉斯洛 的杰作?显示答案

其中大部分藏于 国家肖像美术馆 (伦敦), 匈牙利國家美術館 (布达佩斯) 及 国家肖像画廊 (华盛顿特区)。上表逐一列出了这些博物馆。

菲利普·德拉斯洛 是何时创作出这些杰作的?显示答案

在 1910s 期间:本页 100 件作品中有 42 件创作于该时期,其中包含 Lt-Col. Risaldar Jagat Singh and Risaidar Man Singh。

菲利普·德拉斯洛 的首幅与末幅名画是什么?显示答案

本页最早的作品创作于 The Storyteller (1891),最晚于 William Richard Morris, Viscount Nuffield (1937)。

菲利普·德拉斯洛 最钟爱的题材是什么?显示答案

在本文页面的 100 件作品中,共有 Man (25), Portrait (15) 及 Woman (9) 件 Man (25), Portrait (15) 及 Woman (9)

菲利普·德拉斯洛 青睐哪种技法?显示答案

Oil On Canvas:本页 100 件作品中的第 25 件

菲利普·德拉斯洛 属于哪种艺术流派?显示答案

正如本页展示的画作所体现的那样,Academic realism 及 Realism。

菲利普·德拉斯洛 的哪些杰作收藏于 国家肖像美术馆?显示答案

Count Albert Mensdorff-Pouilly-Dietrichstein, Sir George Henschel (Isidor Georg Henschel) 及 Julian Byng, 1st Viscount Byng of Vimy 是该页面中由 国家肖像美术馆, 伦敦 收藏的 11 件作品之一。

我可以收藏 菲利普·德拉斯洛 名作的复制品吗?显示答案

是的。本页面的每一幅画作均可在画作详情页中,根据您选择的尺寸,定制为博物馆级手工油画复制品或艺术精美版画。

菲利普·德拉斯洛 的生平

菲利普·亚历克修斯·德·拉斯洛:生命与传承

早年生活与艺术启蒙

1869年4月30日,菲利普·亚历克修斯·德·拉斯洛(Philip Alexius de László)出生于匈牙利的布达佩斯,原名富洛普·劳布(Fülöp Laub)。他出身平凡,父母阿道夫与约汉娜·劳布分别是犹太裔的裁缝与缝纫女工。这段早年的生活背景,或许为他日后对织物纹理的敏锐捕捉埋下了伏笔。在追求艺术梦想的道路上,他最初曾跟随摄影师学习,这段经历磨炼了他观察光影的眼力。随后,他考入了布达佩斯国立美术学院,师从贝特兰·塞凯伊(Bertalan Székely)与卡洛伊·洛茨(Károly Lotz)。此后,他在慕尼黑与巴黎的深造,进一步拓宽了他的艺术视野,使其艺术风格逐渐走向成熟。

艺术演进与时代影响

德拉斯洛早期的作品便展现出对细节的敏锐洞察力以及对写实主义日益精湛的掌控。他的艺术根基植根于学院派传统,同时也深受19世纪末至20世纪初肖像画流行趋势的影响。他很快便脱颖而出,因为他不仅能捕捉模特的容貌特征,更能通过笔触传达出人物的性格特质与社会地位。1900年成为了他艺术生涯的关键转折点,当时他创作的教皇利奥十三世肖像在巴黎国际博览会上荣获大金奖,这一成就让他一举奠定了享誉国际的声望。

职业生涯与辉煌成就

在巴黎取得成功后,德拉斯洛于1903年移居维也纳,并于1907年在伦敦定居,直至终老。他成为了欧洲精英阶层争相追捧的肖像画家,其客户名单涵盖了君主、贵族、工业家、科学家以及各界显赫人物。

  • 著名模特:阿尔弗雷德·伊斯特爵士、温妮弗雷德·卡文迪什-本廷克(波特兰公爵夫人)、路易丝·蒙巴顿夫人(瑞典王后)、维塔·萨克维尔-威斯特、教皇利奥十三世、奥古斯塔·维多利亚(德国皇后)、巴滕堡的爱丽丝公主等众多名流。
  • 荣誉与认可:1909年被爱德华七世授予皇家维多利亚勋章成员(MVO)称号;1912年受匈牙利国王弗朗茨·约瑟夫一世封爵,并改名为“德·拉斯洛·德·隆波斯”。

个人生活与时代磨难

1900年,德拉斯洛迎来了人生重要的时刻,他与出身显赫银行家族的露西·马德琳·金尼迎结为连理。两人育有六名子女,并留下了十七位孙辈。在经历过对天主教的早期向往后,他在婚后皈依了圣公会。尽管他已获得英国国籍并在英国建立了稳固的生活,但在第一次世界大战期间(1917-1918年),由于其奥地利背景引发的猜疑,他曾面临被关押的困境,那是一段充满艰辛的岁月。

艺术风格与主题探索

德拉斯洛的艺术风格以写实、细腻的细节处理以及鲜艳的色彩运用为显著特征。他极其擅长表现织物的质感、珠宝的光泽以及皮肤的色调,使画面充满了生命力。他的肖像画往往传递出一种优雅、高贵且富有社会地位的氛围。虽然他以肖像创作闻名于世,但其作品中也不乏风景与风俗画的探索。

历史意义与艺术遗产

菲利普·德·拉斯洛的作品为我们洞察19世纪末至20世纪初欧洲上流社会的日常生活与面貌提供了珍贵的窗口。他的肖像画如同历史文献,捕捉了一个特定时代的社会动态。尽管有时会被批评过于专注于社交名流的描绘,但他那无可辩驳的技术造诣和捕捉人物灵魂的能力,使其艺术地位无可撼动。他的作品总量接近4000件(含素描),目前相关的作品全集编纂工作正在进行中。1937年11月22日,他于伦敦逝世,作为那个时代最杰出的肖像画家之一,他留下了永恒的艺术遗产。

菲利普·德拉斯洛 的全部 216 件作品 →