使 彼得·莱利 声名鹊起的画作是 Queen Mary II (1677)；它现收藏于 伦敦 的 国家肖像美术馆。 James VII and II, when Duke of York (1661) 与 Portrait of a man, thought to be George Booth, Lord Delamere (1660) 在收藏家和博物馆参观者心中紧随其后。 在 彼得·莱利 的 240 件作品中，这 100 件是最受推崇的杰作，每件作品均附有创作日期、馆藏机构及其独特之处。
排名依据为我们的热度评分，该评分综合了每件作品的搜索量、访问量及订单量。更新于 October 2026。 本页面的每一件杰作均可根据您选择的尺寸，定制为博物馆级手工油画复制品或艺术微喷画。
In this oil on canvas, Peter Lely captures Queen Mary II at a threshold of life and sovereignty. Painted about 1677, the portrait finds the subject at the age of fifteen. She is the eldest daughter of James, Duke of York, and Anne Hyde. A quiet stillness settles over the young woman, even as her life moves toward the gravity of the throne.
In this commanding 1661 portrait, Sir Peter Lely captures the essence of a man destined for the throne: James VII and II during his tenure as the Duke of York. The painting serves as a breathtaking window into the late Stuart period, presenting a subject of profound importance with an air of effortless sophistication. Clad in a magnificent gold coat that catches the light, accented by a striking red sash,…
A man of significant standing is captured in this mid-seventeenth-century oil on canvas, his presence defined by a heavy, dark suit and a prominent collar. He holds a piece of paper, a gesture suggesting literacy, legal authority, or perhaps a specific political mandate. His long, curly hair and well-groomed beard frame a face marked by intricate detail, conveying a sense of individual temperament. The composition focuses on the interplay between…
The sitter emerges from a shadowed landscape, a vision of 17th-century nobility caught in a moment of quiet poise. Henrietta Boyle, Countess of Rochester, is rendered with a serene expression that masks a subtle, underlying gravity. Her gown, a luminous sky blue, catches the light from the upper left, casting soft shadows into the voluminous folds of silk. A string of pearls rests against her neck, their pale luster contrasting…
The room seems to quiet as Elizabeth Lady Monson meets the viewer's gaze. She sits in a three-quarter length pose, her body angled with a poise that speaks of a life lived within the high circles of the court. A deep, cerulean blue velvet gown envelops her, the heavy fabric catching the light in a way that suggests both weight and a soft, lustrous sheen. This intense blue cuts through…
This formal and somber seventeenth-century oil portrait depicts Oliver Cromwell in a bust-length composition. Positioned slightly off-center and looking toward the right of the frame, the subject is presented within a painted trompe l'oeil oval frame. The color palette is dominated by dark, earthy tones, including deep browns, blacks, and shadows, which contrast sharply against the bright white of the subject's collar and the metallic highlights of his armor.
The air feels heavy with the scent of damp earth and blooming roses as Lady Penelope Spencer pauses in a quiet, shadowed landscape. She exists in a moment of poised stillness, her gaze meeting the viewer with a grace that suggests both high status and a gentle, private thought. The light, streaming from the upper left, washes over her skin with a soft, luminous glow, catching the delicate curve of…
皮埃特·凡德法斯（Peter Lely），生於德國索伊斯特，是一位跨越兩大陸域的藝術家，最終成為英國晚期斯圖亞特時期最傑出的宮廷畫家。他的藝術生涯始於三十年戰爭的動盪之中，荷蘭血統塑造了他對藝術的敏銳感知，深深紮根於北歐傳統和巴洛克風格。他最初在哈爾勒學會聖路加指導下學習繪畫技巧，這為他早期的作品奠定了堅實基礎。然而，他在約1643年移居英國之後，徹底改變了他的身份，從熟練工藝師轉變為宮廷成員和塑造英國藝術認知的關鍵人物。
The Portrait of George Monck, 1st Duke of Albemarle, English Admiral and Statesman is an oil on canvas work by the artist Pieter Van Der Faes (Peter Lely). This portrait captures George Monk (1608-69), 1st Duke of Albemarle, in a moment of formal stillness. The paint holds the weight of a man defined by his titles and his service to the crown.
Edward Montagu, first Earl of Sandwich, is presented in a formal, full-length Baroque portrait that asserts his high social standing and political importance. He stands with an imposing presence, his figure slightly off-center against a dark, shadowy background. The composition utilizes a vertical arrangement to emphasize his stature. Light enters from the upper left, striking his face and the brilliant white satin of his garments, while the rest of the…
A young man sits suspended in a moment of quietude, his presence defined by the heavy, luminous folds of a golden ochre silk robe. The fabric catches a…
订购复刻品 →
Diana Kirke, later Countess of Oxford is a portrait executed by Sir Peter Lely. Created about 1665, the work captures the likeness of the sitter in a formal…
带回家 →
A three-quarter length portrait of a nobleman, positioned slightly off-center and leaning against a classical stone plinth. The subject, Sir John Nicholas, is rendered with a calm expression…
订购复刻品 →
The oil on canvas titled Arthur Capel, 1st Earl of Essex; Elizabeth, Countess of Essex captures a moment of aristocratic stillness. Sir Peter Lely rendered the figures with…
订购复刻品 →
In this 1665 portrait, we encounter Lady Diana Bruce in a moment of quiet, aristocratic poise. She is positioned in a three-quarter view, her silhouette emerging from a…
带回家 →
This portrait of George Villiers, 2nd Duke of Buckingham, was painted by Peter Lely in about 1675. The subject is depicted as a man of significant social and…
带回家 →
Nymphs by a Fountain is an oil on canvas by Peter Lely. The artist, born in Soest, Germany, in 1618, produced this work around 1650. Lely remained a…
定制手绘复刻画 →
The sitter, Henrietta Anne, Duchess of Orleans, is presented in a three-quarter view within an oval-shaped format. She is positioned against a dark, shadowed background that pushes her…
带回家 →
In this 1662 portrait, Peter Lely presents Anne Hyde, Duchess of York (1637-71). The sitter is depicted as a single female figure, captured in a moment of quiet…
订购复刻品 →
In this oil on canvas, we find a formal three-quarter-length depiction of John Maitland, 2nd Earl and 1st Duke of Lauderdale, 1616 - 1682. Statesman. The artist, Peter…
定制手绘复刻画 →
In this bust-length portrait, we encounter Anna Maria Talbot, née Brudenell, Countess of Shrewsbury, presented within an illusionistic painted oval frame. The composition is quiet, yet it carries…
订购复刻品 →
This three-quarter length portrait presents a noblewoman positioned slightly off-center, creating a balanced yet dynamic arrangement. The subject is depicted with a sense of poised dignity, her skin…
带回家 →
The Portrait of Aphra Behn is an oil on canvas painting by Sir Peter Lely. The subject of this work is Aphra Behn. It is a formal bust-length…
定制手绘复刻画 →
This oil on canvas presents John Hay, 1st Marquess of Tweeddale, 1626 - 1697. Lord High Chancellor of Scotland. The portrait is the work of Sir Peter Lely.…
订购复刻品 →
In this intimate bust portrait, we find ourselves in a private moment with a young man, often identified as Samuel Pepys. The composition is quiet, almost hushed, as…
带回家 →
This portrait, titled Henry Marten (Martin), was executed by the artist Peter Lely. The work dates to about 1650. It depicts the subject, Henry Marten, in a bust-length…
带回家 →
Sir Peter Lely captures the likeness of Edward Montagu, 2nd Earl of Manchester, in this oil on canvas. Created about 1661-1665, the portrait presents a man of significant…
订购复刻品 →
The oil on canvas titled James Sharp, 1618 - 1679. Archbishop of St. Andrews presents a formal portrait of the subject. This work, created by the artist Peter…
带回家 →
In this three-quarter length portrait, we encounter a man captured with a quiet, dignified presence. Painted by the hand of Peter Lely, the work dates to about 1660,…
带回家 →
This oil on canvas portrait depicts Simon Patrick and was executed by the artist Peter Lely. The work is dated about 1668. It is held within the National…
带回家 →
Margaret Brooke, Lady Denham (ca 1647-67) is a portrait by Sir Peter Lely. This work belongs to the Windsor Beauties, a series of portraits produced in the early…
带回家 →
In this 1659 portrait, we encounter a young woman emerging from a deep, near-black background. The composition is a bust-length study, positioned slightly off-center to create a sense…
带回家 →
This portrait of John Ogilby, executed by Peter Lely, offers a quiet glimpse into the likeness of a man of significant intellectual pursuits. Created in 1662, the work…
订购复刻品 →
A young woman reclines in a state of repose, her pale skin emerging from a dark, indistinct background through a dramatic use of chiaroscuro. Beside her, an older,…
带回家 →
This oil on canvas portrait, titled Unknown woman, formerly known as Elizabeth Hamilton, Countess de Gramont, was executed by the artist Peter Lely. The work dates to 1665.…
带回家 →
This portrait of Bartholomew Beale, painted by Sir Peter Lely, captures a young man at a threshold of identity. Created about 1670, the work presents the son of…
订购复刻品 →
This oil on canvas portrait, titled King James II, was executed by the artist Peter Lely. The work is dated about 1667. It depicts a man, identified as…
订购复刻品 →
Portrait of P. Lenéve, Alderman of Norwich is an oil on canvas painted by Peter Lely between 1656 and 1658. The sitter, a prominent Alderman of Norwich, is…
定制手绘复刻画 →
The oil painting titled Diana and her Nymphs at a Fountain captures a moment of classical myth. It was executed by the artist Peter Lely. The work dates…
订购复刻品 →
In this portrait, the poet Abraham Cowley is captured by the brush of Sir Peter Lely. The sitter emerges from a dark, heavy atmosphere, his presence defined by…
带回家 →
This portrait by Peter Lely depicts Sir Edward Nicholas. Dated 1662, the work presents the subject as a man of significant political standing. Nicholas was an English officeholder…
定制手绘复刻画 →
The oil on canvas titled Anne Hyde, Duchess of York; King James II presents a formal union of two figures. Sir Peter Lely captured the likenesses of Anne…
订购复刻品 →
Portrait of Anne Digby, Countess of Sunderland is a formal oil on canvas by the artist Peter Lely. Created about 1666, the work presents the subject, Anne Digby,…
带回家 →
Henry Stone is a portrait executed by Peter Lely in 1648. The work captures the subject in a three-quarter length composition, presenting a formal study of character and…
订购复刻品 →
In this bust-length portrait, Lady Frances Savile, Later Lady Brudenell, is presented by Peter Lely in a composition that utilizes a painted trompe l'oeil oval frame. This framing…
带回家 →
这些杰作中最常出现的四个主题，以及各主题的最佳代表作。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 彼得·莱利 的作品 | 此列表中的画作 |
|---|---|---|---|
 国家肖像美术馆 |
伦敦 | 18 | Queen Mary II, Arthur Capel, 1st Earl of Essex; Elizabeth, Countess of Essex, George Villiers, 2nd Duke of Buckingham |
 Petworth House |
Petworth | 10 | Lady Anne Percy, Lady Stanhope (1633-1654) or Lady Isabella Sydney, Viscountess Strangford (d.1663), The Three Younger Children of Charles I, Lady Elizabeth Percy, Lady Capel, later Countess of Essex (1636 - 1717/18) |
 伯明翰博物馆与美术馆 |
伯明翰 | 6 | Portrait of Elizabeth Lady Monson, Portrait of Oliver Cromwell (1599-1658), Portrait Of Sir John Nicholas |
 耶鲁英国艺术中心 |
纽黑文 | 6 | Edward Montagu, first Earl of Sandwich, Sir Ralph Bankes, Diana Kirke, later Countess of Oxford |
 Ham House |
14 | Elizabeth Murray, Countess of Dysart, later Duchess of Lauderdale (1626-1698), Sir William Compton (1625-1663), An Unknown Gentleman, called Lionel Tollemache, 3rd Earl of Dysart (1649-1727) | |
 苏格兰国家肖像画廊 |
Edinburgh | 8 | James VII and II, when Duke of York, John Maitland, 2nd Earl and 1st Duke of Lauderdale, 1616 - 1682. Statesman, John Hay, 1st Marquess of Tweeddale, 1626 - 1697. Lord High Chancellor of Scotland |
 汉普顿宫 |
伦敦 | 11 | Henrietta Boyle, Countess of Rochester (1646-1687), Anne Hyde, Duchess of York (1637-71), Margaret Brooke, Lady Denham (ca 1647-67) |
 Kingston Lacy |
Wimborne Minster | 7 | N. Wray, The Penitent Magdalen, Sir Ralph Bankes, MP (?1631-1677) |
The oil painting titled Diana and her Nymphs at a Fountain captures a moment of classical myth. It was executed by the artist Peter Lely. The work dates…
This formal and somber seventeenth-century oil portrait depicts Oliver Cromwell in a bust-length composition. Positioned slightly off-center and looking toward the right of the frame, the subject is…
In this commanding 1661 portrait, Sir Peter Lely captures the essence of a man destined for the throne: James VII and II during his tenure as the Duke…
In this oil on canvas, Peter Lely captures Queen Mary II at a threshold of life and sovereignty. Painted about 1677, the portrait finds the subject at the…
This oil on canvas portrait depicts Simon Patrick and was executed by the artist Peter Lely. The work is dated about 1668. It is held within the National…
Queen Mary II (1677)，国家肖像美术馆, 伦敦。紧随其后的是James VII and II, when Duke of York (1661)和Portrait of a man, thought to be George Booth, Lord Delamere (1660)。
59岁：Queen Mary II创作于1677，彼得·莱利出生于1618。
Queen Mary II, James VII and II, when Duke of York, Portrait of a man, thought to be George Booth, Lord Delamere, Henrietta Boyle, Countess of Rochester (1646-1687), Portrait of Elizabeth Lady Monson, Portrait of Oliver Cromwell (1599-1658), Portrait of Lady Penelope Spencer, 亨丽埃塔·玛丽亚女王 英格兰, Portrait of George Monck, 1st Duke of Albemarle, English Admiral and Statesman 及 Edward Montagu, first Earl of Sandwich。上方排名列出了每件作品的创作年份及所属博物馆。
我们的目录收录了 彼得·莱利 的 240 件作品，创作时间从 1640 年至 1680 年。
其中大部分藏于 国家肖像美术馆 (伦敦), Petworth House (Petworth) 及 伯明翰博物馆与美术馆 (伯明翰)。上表逐一列出了这些博物馆。
在 1660s 期间：本页 100 件作品中有 41 件创作于该时期，其中包含 James VII and II, when Duke of York。
本页最早的作品创作于 John Bainbridge (1582–1643) and daughter (1640)，最晚于 Simon Patrick (1680)。
在本文页面的 100 件作品中，共有 Man (24), Woman (19) 及 Lace (12) 件 Man (24), Woman (19) 及 Lace (12)
Oil On Canvas：本页 100 件作品中的第 40 件
正如本页展示的画作所体现的那样，Baroque style。
Queen Mary II, Arthur Capel, 1st Earl of Essex; Elizabeth, Countess of Essex 及 George Villiers, 2nd Duke of Buckingham 是该页面中由 国家肖像美术馆, 伦敦 收藏的 15 件作品之一。
是的。本页面的每一幅画作均可在画作详情页中，根据您选择的尺寸，定制为博物馆级手工油画复制品或艺术精美版画。
