GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON (1972) 是 Mingering Mike 最著名的画作。 THE FREEDOM STOMPERS (1969) 和 3 FOOTSTEPS away from the altar, mingering mike the big D (1969) 是世界上知名度最高的两件作品。 在 Mingering Mike 的 151 件作品中,我们为您精选了收藏家和博物馆观众最关注的 100 件作品,并附上创作年份、馆藏机构及每件作品背后的故事。
排名依据为我们的热度评分,该评分综合了每件作品的搜索量、访问量及订单量。更新于 October 2026。
We are looking at Lord's House JUST IN TIME FOR Easter THE SPIRIT OF PEACE AND LOVE IS UPON AND AMONG US. OPENING SONGS Lord's House JUST IN…
这些杰作中最常出现的四个主题,以及各主题的最佳代表作。
从 1968 年到 1975 年,这十年间涵盖了 Mingering Mike 所有的传世杰作:按年份为您呈现。
We are looking at Lord's House JUST IN TIME FOR Easter THE SPIRIT OF PEACE AND LOVE IS UPON AND AMONG US. OPENING SONGS Lord's House JUST IN…
GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON (1972)。紧随其后的是 THE FREEDOM STOMPERS (1969) 和 3 FOOTSTEPS away from the altar, mingering mike the big D (1969)。
22岁:GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON创作于1972,Mingering Mike出生于1950。
GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON, THE FREEDOM STOMPERS, 3 FOOTSTEPS away from the altar, mingering mike the big D, THE MINGERING MIKE SHOW LIVE FROM THE HOWARD THEATER, 3 FOOT STEPS DUET CLOSE, EAT MYSELF SILLY (M. MIKE), Gold Pot Records LIVE, FROM PARIS, MINGERING MIKE REVUE (C), PIANOMAN, MINGERING MIKE, MING · WAR ARRANGES AND DIRECT ARRANGES AND DIRECTS, A AGA MING WAR PRODUCTION MINGERING MIKE THE BIG D THE COLTS BAND SUPER GOLD GREATEST HITS 及 DON'T TRY AND TAKE IT ALL IN (MINGERING MIKE) MIKE THE MONITORS LOVE COMES AND GOES (JUST LIKE A RAINBOW) M. MIKE Y, RIGHT OF WAY MINGERING MIKE。上方排名列出了每件作品的创作年份及所属博物馆。
我们的目录收录了 Mingering Mike 的 151 件作品,创作时间从 1968 年至 1975 年。
在 1972 期间:本页 100 件作品中有 45 件创作于该时期,其中包含 GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON。
本页最早的作品创作于 MOTHER GOOSE IT'S A BOYS LIFE (MINGERING MIKE) TWO WAY TRAFFIC (1968),最晚于 MERCY LET THE MUSIC TAKE YOUR MIND (1975)。
在本文页面的 100 件作品中,共有 Social commentary (8), Music memorabilia (4) 及 Vintage vinyl (4) 件 Social commentary (8), Music memorabilia (4) 及 Vintage vinyl (4)
正如本页展示的画作所体现的那样,Pop art 及 Contemporary realism。
Mingering Mike, born in Washington, D.C., in 1950, wasn't simply an artist; he was the architect of his own elaborate and entirely self-contained universe. From roughly 1968 to 1977, this young man meticulously crafted a career as a soul singer and songwriter, producing over fifty “albums” – each a painstakingly assembled cardboard record complete with intricate gatefolds, handwritten liner notes, and simulated vinyl grooves. This wasn’t mere performance art; it was the embodiment of a teenage fantasy, a deeply personal project born from the vibrant, often turbulent, landscape of his youth.
The genesis of this singular endeavor lies in a potent blend of influences – the burgeoning soul music scene of the era, fueled by artists like Aretha Franklin and Otis Redding; the social unrest simmering within American cities during the Civil Rights Movement; and perhaps most crucially, the imaginative world of a young man seeking an outlet for his emotions and aspirations. Mingering Mike’s work wasn't about replicating reality; it was about constructing an idealized version of it, one where he held the microphone, commanded sold-out stadiums, and expressed profound truths through carefully crafted lyrics and soulful melodies.
What distinguishes Mingering Mike’s work is not just its scale – over fifty albums! – but the sheer dedication to detail in each piece. He didn't simply draw album covers; he built entire worlds within them, meticulously crafting cardboard records that resembled authentic vinyl releases. The liner notes were handwritten, often filled with biographical details about his “band,” tour dates, and personal reflections on the songs. This level of commitment transformed a simple artistic project into a fully realized, immersive experience.
The albums themselves are remarkable feats of miniature engineering. They’re layered constructions, incorporating elements like simulated album jackets, meticulously drawn grooves on the “vinyl,” and even tiny photographs depicting concert scenes. The process involved an obsessive attention to detail, reflecting a deep understanding of the music industry and a desire to replicate it with painstaking accuracy. This wasn't about creating art; it was about recreating a career – a career entirely within his own imagination.
For decades, Mingering Mike’s work remained largely unknown outside a small circle of collectors. It wasn’t until 2003 that the world began to take notice when record collectors Dori Hadar and Frank Beylotte stumbled upon his collection at a flea market in Washington, D.C. This serendipitous discovery sparked an intense interest in Mingering Mike's unique project, leading to exhibitions, publications, and widespread recognition within the art world.
The Smithsonian American Art Museum acquired his entire collection in 2015, solidifying his place as a significant figure in contemporary art. The museum’s exhibition, “Mingering Mike’s Supersonic Greatest Hits,” offered visitors a rare glimpse into this extraordinary artist's constructed reality – a testament to the power of imagination and the enduring appeal of a dream realized.
While seemingly fantastical, Mingering Mike’s work resonates with profound themes. It explores ideas of identity, ambition, performance, and the construction of self. His albums often touch upon social issues – civil rights, political upheaval, and personal struggles – reflecting the realities of his youth while simultaneously offering a utopian vision of success and fulfillment.
Mingering Mike’s legacy lies not just in his unique artistic practice but also in challenging our understanding of art itself. He demonstrated that an artwork doesn't need to be “real” to be meaningful, and that the act of creation can be as important as the final product. His work continues to fascinate and inspire artists and collectors alike, reminding us of the boundless possibilities of the human imagination.