伊格纳西奥·苏洛阿加's most famous painting is Portrait of Maurice Barrès. With Woman in Andalusian Dress (1911) and Anita Ramírez, in black (1915), it completes the three works everyone recognises. Our catalogue lists 108 works by 伊格纳西奥·苏洛阿加; the 100 below are the ones the world looks at most, each with its year, the museum that holds it and why it matters.
Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated October 2026. Every masterpiece on this page can be ordered as a museum-quality, hand-painted oil reproduction or a fine art print, at the size you choose.
A woman emerges from a swirl of deep blues and teals. She is captured from the waist up, her presence anchored by the heavy textures of her attire. An orange headpiece rests upon her hair, pinned with pink and white floral accents that catch the light. Her skin glows with warmth against the cool, atmospheric clouds that churn in the background. There is a stillness in her gaze, a poised…
Ignacio Zuloaga y Zabaleta painted Anita Ramírez, in black in 1916. The subject was a Spanish dancer and one of the artist's favorite models during this period. At the time of the work's creation, both the artist and Ramírez were living in Paris.
In this 1923 oil on canvas, Ignacio Zuloaga captures Julia Wainwright Robbins as a solitary figure. She occupies the center of the frame, a single female presence held within a quiet, dark space. Her posture is formal, defined by an aristocratic poise that commands the stillness of the composition. She holds a closed fan, a small, rigid object that anchors her hands against the soft volume of her attire.
This portrait of Mrs. Philip M. Lydig (Rita H. de Alba de Acosta) was painted by Ignacio Zuloaga in 1912. The subject, a stylish New York socialite, is captured with a sense of poise that reflects her standing in society. Her presence in the work is marked by a quiet, self-assured dignity.
A full-length portrait depicts a man positioned centrally against a desolate, rocky landscape. He is oriented slightly toward the viewer, maintaining a frontal posture that occupies much of…
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The portrait presents a woman positioned slightly off-center, draped in a voluminous blue gown that dominates the composition. Her form is defined by organic, curvilinear lines that follow…
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Ignacio Zuloaga y Zabala's 1898 painting, *My Uncle and My Cousins*, offers a poignant window into the formal portraiture traditions of late 19th-century Spain. More than simply a…
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The oil on canvas titled Sepúlveda was painted in 1909. It is a work by the Spanish artist Ignacio Zuloaga, who lived from 1870 to 1945. The painting…
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![Retrato de Madame Malinowska (La Rusa) (Portrait of Madame Malinowska [The Russian]) by 伊格纳西奥·苏洛阿加](/media/artworks/images-thumb/49/46/4946a65b389f33b02cea7f193f402e9f.jpg)
In the evocative portrait titled Torero, created in 1902 by the master of Spanish realism, Ignacio Zuloaga y Zabala, we are invited into a moment of profound stillness…
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The four subjects that return most often among these masterpieces, with the finest example of each.
The 8 museums that hold the most of the paintings on this page.
| Museum | City | Works by 伊格纳西奥·苏洛阿加 | Paintings from this list |
|---|---|---|---|
 西班牙裔学会博物馆与图书馆 |
纽约 | 12 | The Penitents, My Cousin Cándida, Self-Portrait |
 大都会艺术博物馆 |
纽约 | 4 | Julia Wainwright Robbins, Alva B. Gimbel, Mountains of Calatayud |
 布宜诺斯艾利斯国家美术馆 |
布宜诺斯艾利斯 | 4 | The Witches of San Millán, Gitanilla, Return of the Harvest |
 国立索菲亚艺术中心 |
马德里 | 3 | Tipo de Segovia (Man from Segovia), Retrato de Madame Malinowska (La Rusa) (Portrait of Madame Malinowska [The Russian]), Don Placido Zuloaga in his studio |
 国家美术馆 |
华盛顿 | 2 | Woman in Andalusian Dress, Sepulveda |
 波士顿美术馆 |
波士顿 | 2 | My Uncle Daniel and his Family, Castilian Landscape |
 冬宫博物馆 |
圣彼得堡 | 3 | Portrait of Ivan Shchukin (1869-1908) |
 布鲁克林博物馆 |
布鲁克林 | 1 | Anita Ramírez, in black |
A full-length portrait depicts a man positioned centrally against a desolate, rocky landscape. He is oriented slightly toward the viewer, maintaining a frontal posture that occupies much of…
A woman emerges from a swirl of deep blues and teals. She is captured from the waist up, her presence anchored by the heavy textures of her attire.…
In this 1923 oil on canvas, Ignacio Zuloaga captures Julia Wainwright Robbins as a solitary figure. She occupies the center of the frame, a single female presence held…
Portrait of Maurice Barrès. Next come Woman in Andalusian Dress (1911) and Anita Ramírez, in black (1915).
Portrait of Maurice Barrès, Woman in Andalusian Dress, Anita Ramírez, in black, My cousin Candida, Alice Lolita Muth Maacha, Celestina, Julia Wainwright Robbins, Segoviano, My friends and Mrs. Philip M. Lydig (Rita H. de Alba de Acosta). The ranking above gives the year and the museum of each.
Our catalogue lists 108 works by 伊格纳西奥·苏洛阿加, dated from 1898 to 1931.
Most of them are in 西班牙裔学会博物馆与图书馆 (纽约), 大都会艺术博物馆 (纽约) and 布宜诺斯艾利斯国家美术馆 (布宜诺斯艾利斯). The table above lists the museums one by one.
In 1920s: 11 of the 100 works on this page date from then, among them Julia Wainwright Robbins.
The earliest on this page is My Uncle and My Cousins (1898), the latest Carlos de Beistegui (Mexico, 1863 - Biarritz, 1953) (1931).
Portraits (9), Portraiture (7) and Landscape (6), among the 100 works on this page.
Oil On Canvas: 9 of the 100 works on this page.
Spanish realism, as the paintings on this page show.
The Penitents, My Cousin Cándida and Self-Portrait are among the 10 works on this page held by the 西班牙裔学会博物馆与图书馆, 纽约.
Yes. Every painting on this page can be ordered as a museum-quality, hand-painted oil reproduction or a fine art print, in the size you choose, from the painting's own page.
