使 圭尔奇诺 声名鹊起的画作是 Pietà (1638)；它现收藏于 尚蒂伊 的 康德博物馆。 St Peter and the angel (1650) 与 David with the Head of Goliath (1657) 在收藏家和博物馆参观者心中紧随其后。 在 圭尔奇诺 的 367 件作品中，这 100 件是最受推崇的杰作，每件作品均附有创作日期、馆藏机构及其独特之处。
排名依据为我们的热度评分，该评分综合了每件作品的搜索量、访问量及订单量。更新于 October 2026。 本页面的每一件杰作均可根据您选择的尺寸，定制为博物馆级手工油画复制品或艺术微喷画。
This painting, titled Pietà (or La Pietà), is a significant work by the Italian artist Giovanni Francesco Barbieri, known to history by his nickname Guercino. Created between 1635 and 1640, the work reflects the artist's profound command over the dramatic language of the Baroque period. It is an oil on canvas that captures a moment of intense human sorrow through a highly controlled use of light and shadow.
Guercino’s “St Peter and the Angel” is not merely a depiction of biblical figures; it's an intensely felt moment of solace, rendered with a raw emotionalism that distinguishes the artist from his more polished contemporaries. Painted in 1650, this work, measuring a modest 30 x 21 cm, embodies the turbulent spirit of Baroque Italy – a world grappling with religious fervor and social upheaval, yet simultaneously yearning for moments of…
A single, heavy silence hangs in the air. David lunges forward, his muscular torso caught in a sudden, sharp light that carves his anatomy from the surrounding shadows. He does not wear the triumphant grin of a conqueror; instead, his face holds a quiet, introspective gravity. His golden cloak, lined with white fur, sweeps across the composition in a diagonal arc, pulling the eye toward the severed head of Goliath.…
The room is heavy with silence and the weight of unseen truths. A woman, the Samian Sibyl, sits anchored beside a weathered wooden desk, her body forming a stable, pyramidal shape that commands the center of this shadowed space. She is lost in deep introspection, perhaps mourning or contemplating a future only she can perceive. Her face and chest catch a sudden, directional light emerging from the upper left, pulling…
The oil on canvas titled SAINT JEAN-BAPTISTE A LA SOURCE depicts the figure of Saint-Jean-Baptiste. This work was executed by the Italian artist Giovanni Francesco Barbieri, known as Guercino. The painting emerged from his brush about 1661, during the later years of his creative life. It captures a moment of quietude through the depiction of the saint at a spring.
In this intimate composition, we find a moment of profound stillness between a mother and her child. The Virgin Mary, draped in a deep red garment, holds the infant Jesus with a tenderness that feels both sacred and deeply human. A small sparrow rests near them, its presence drawing the gaze of both figures. This bird is not merely a casual addition to the scene; it acts as a focal…
The oil on canvas titled Painting and Drawing was executed by the artist Guercino in 1656. This allegorical work captures a quiet moment of creative exchange between two figures. A woman sits at the center, her hands engaged in the act of creation, while an older man observes the progress of a sketch. The scene functions as a visual metaphor for the relationship between different modes of artistic expression.
Guercino’s Portrait of a Woman, created about 1628, presents a close-up bust portrait of a young woman. The subject is positioned with her body slightly turned to her right, while her gaze is directed downward and toward the viewer's left. This orientation creates a sense of quiet introspection. The monochromatic color palette of this specific image emphasizes tonal range and the interplay of light rather than hue.
The composition presents a close-up profile view of two male figures positioned against a dark, indistinct background. On the left, a figure with long dark hair and a beard looks downward, his expression settled into a contemplative or sorrowful state. He is dressed in a reddish-brown garment. To the right, a second figure is shown in profile, wearing a white turban accented with blue stripes. This man possesses a weathered…
In this intimate composition, we find St. Anthony of Padua cradling the Infant Christ. The scene is stripped of grandiosity, focusing instead on the profound connection between the Franciscan friar and the child. There is a palpable tenderness in the way the figures interact, a moment of stillness that invites the viewer into a private space of devotion. The light falls softly upon the figures, pulling them from the shadows…
In Lot and His Daughters, Guercino captures a moment of profound tension drawn from the Old Testament story of Genesis 19. The scene unfolds against a backdrop of…
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Guercino presents God the Father as a singular presence upon the canvas. This religious art piece captures a divine figure through the medium of oil on canvas. The…
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A dramatic diagonal movement defines this Baroque composition, pulling the eye from an angelic figure in the upper left toward the kneeling saint below. Perched upon dark, billowing…
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The canvas pulls the eye upward, following a trajectory of light and fabric. At the center, the Virgin Mary rises, her form caught in a moment of celestial…
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In the profound stillness of 17th-century Baroque mastery, Guercino’s "The Vocation of Saint Aloysius (Luigi) Gonzaga" emerges as a breathtaking window into the celestial realm. This oil on…
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In this oil on canvas, we find ourselves in the presence of Saint Margaret of Cortona, a figure of profound spiritual intensity. She is depicted as a nun,…
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The oil on canvas depicts a religious encounter between Jesus Christ and Saint Therese of Lisieux. Christ is positioned beside the saint, appearing to speak directly to her.…
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A highly talented and prolific draftsman, Guercino spent his career almost exclusively in Emilia. This drawing is unique in his oeuvre for its high degree of finish and…
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In the grand, sweeping theater of the Italian Baroque, few moments possess the psychological tension found in Guercino’s 'Amnon and Tamar'. Created between 1649 and 1650, this evocative…
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This Baroque oil painting presents an intimate and tender scene of a Madonna and Child. The composition is tightly focused on the central figures of a nursing woman…
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Guercino's 1750 depiction of *Esther before Ahasuerus* is not merely a biblical scene; it’s a masterclass in Baroque drama, an intimate tableau brimming with unspoken tension and profound…
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这些杰作中最常出现的四个主题，以及各主题的最佳代表作。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 圭尔奇诺 的作品 | 此列表中的画作 |
|---|---|---|---|
 巴伐利亚州绘画收藏馆 |
慕尼黑 | 8 | Portrait of a Woman, Christ and the Moneylender, The Persian Sybil |
 爱尔兰国家美术馆 |
都柏林 | 6 | Saint Joseph with the Christ Child, The Pensive Muse, Saint Agatha |
 华沙国家博物馆 |
华沙 | 2 | God the Father, Saint Francis with an angel playing violin |
 Rhode Island School of Design Museum of Art |
普罗维登斯 | 2 | Study for St. William of Aquitaine, Bust of a Soldier in Armor |
 国家美术馆 |
伦敦 | 8 | The Samian Sibyl with a Putto |
 德累斯顿国家艺术收藏馆 |
德累斯顿 | 4 | Painting and Drawing |
 Fitzwilliam Museum |
3 | The Holy Family on the Flight meets the infant St John | |
 苏格兰国家美术馆 |
爱丁堡 | 3 | The Virgin and Child with the Infant Saint John the Baptist |
Guercino’s Portrait of a Woman, created about 1628, presents a close-up bust portrait of a young woman. The subject is positioned with her body slightly turned to her…
This painting, titled Pietà (or La Pietà), is a significant work by the Italian artist Giovanni Francesco Barbieri, known to history by his nickname Guercino. Created between 1635…
Guercino’s “St Peter and the Angel” is not merely a depiction of biblical figures; it's an intensely felt moment of solace, rendered with a raw emotionalism that distinguishes…
The oil on canvas titled SAINT JEAN-BAPTISTE A LA SOURCE depicts the figure of Saint-Jean-Baptiste. This work was executed by the Italian artist Giovanni Francesco Barbieri, known as…
Pietà (1638)，康德博物馆, 尚蒂伊。紧随其后的是St Peter and the angel (1650)和David with the Head of Goliath (1657)。
47岁：Pietà创作于1638，圭尔奇诺出生于1591。
Pietà, St Peter and the angel, David with the Head of Goliath, The Samian Sibyl with a Putto, Saint-Jean-Baptiste, La Madonna del passero, Painting and Drawing, Portrait of a Woman, Christ and the Moneylender 及 St Anthony of Padua with the Infant Christ。上方排名列出了每件作品的创作年份及所属博物馆。
我们的目录收录了 圭尔奇诺 的 367 件作品，创作时间从 1613 年至 1666 年。
其中大部分藏于 巴伐利亚州绘画收藏馆 (慕尼黑), 爱尔兰国家美术馆 (都柏林) 及 华沙国家博物馆 (华沙)。上表逐一列出了这些博物馆。
在 1650s 期间：本页 100 件作品中有 9 件创作于该时期，其中包含 St Peter and the angel。
本页最早的作品创作于 The Glory of All the Saints. Fragment (1613)，最晚于 Virtuous Love (1666)。
在本文页面的 100 件作品中，共有 Woman (11), Man (10) 及 Religious (9) 件 Woman (11), Man (10) 及 Religious (9)
Oil On Canvas：本页 100 件作品中的第 15 件
正如本页展示的画作所体现的那样，Baroque。
Portrait of a Woman, Christ and the Moneylender 及 The Persian Sybil 是该页面中由 巴伐利亚州绘画收藏馆, 慕尼黑 收藏的 5 件作品之一。
是的。本页面的每一幅画作均可在画作详情页中，根据您选择的尺寸，定制为博物馆级手工油画复制品或艺术精美版画。
