本·尼科尔森, 1894 – 1982

本·尼科尔森 最著名的 100 幅画作

使 本·尼科尔森 声名鹊起的画作是 1946 (cerulean abstraction) (1946);它现收藏于 Chichester 的 Pallant House Gallery。 1933 (St Rémy self portrait with Barbara Hepworth) (1933) 与 1934 (painted relief) (1934) 在收藏家和博物馆参观者心中紧随其后。 在 本·尼科尔森 的 127 件作品中,这 100 件是最受推崇的杰作,每件作品均附有创作日期、馆藏机构及其独特之处。

排名依据为我们的热度评分,该评分综合了每件作品的搜索量、访问量及订单量。更新于 October 2026。

本·尼科尔森 肖像
本·尼科尔森 · 1894 – 1982
生卒年份
1894 – 1982, 白金汉郡
流派
Cubism
目录中的作品
127
最知名
1946 (cerulean abstraction) (1946)
馆藏作品最多于
Kettle's Yard

本·尼科尔森:十件杰作

1946 (cerulean abstraction) (1946) 由 本·尼科尔森
1

1946 (cerulean abstraction)

1946 · Acrylic On Canvas · Pallant House Gallery, Chichester

Ben Nicholson OM’s “1946,” a cerulean abstraction housed at Pallant House Gallery, stands as a testament to the burgeoning modernist movement and Nicholson's singular vision for capturing emotion through geometric form. Painted in 1946 amidst the postwar landscape of Britain—a period marked by rebuilding efforts and a fervent embrace of experimental artistic approaches—the canvas embodies a profound stillness punctuated by dynamic interplay between color and shape.

1934 (painted relief) (1934) 由 本·尼科尔森
3

1934 (painted relief)

1934 · Acrylic On Canvas · University of Hertfordshire, North Hatley

Exploring Geometric Minimalism: Ben Nicholson’s ‘1934 (relief)’ Ben Nicholson OM's '1934 (relief)' stands as a testament to the understated elegance of geometric abstraction, embodying the spirit of mid-century modern design and inviting contemplation on form and texture. Created in 1934, this mahogany painted relief exemplifies Nicholson’s pioneering exploration of spatial relationships within simplified shapes—a deliberate departure from representational art that sought to capture the essence of experience rather than visual…

1932–33 (musical instruments) (1933) 由 本·尼科尔森
7

1932–33 (musical instruments)

1933 · Oil On Canvas · Kettle's Yard, 剑桥

A violin and a cello emerge from a quiet, gray landscape. They are not drawn with the soft curves of a musician's hand, but through the sharp, disciplined language of geometric abstraction. In this 1933 oil on canvas, the instruments lose their wooden warmth to become a series of intersecting planes and incised lines. The composition relies on a muted palette, where shades of gray dictate the mood, creating a…

更多 本·尼科尔森 杰作,从 11 到 100

May 1956 (hendrifter) (1956) 由 本·尼科尔森
#12

May 1956 (hendrifter)

1956 · Arts Council Collection

To stand before Ben Nicholson’s May 1956 (hendrifter) is to encounter a moment of profound, almost crystalline stillness. This work does not shout its presence; rather, it invites…

c.1922 (Balearic Islands) (1924) 由 本·尼科尔森
#13

c.1922 (Balearic Islands)

1924 · Kettle's Yard

Ben Nicholson's "c.1922 (Balearic Islands)" isn’t merely a painting; it’s a distilled moment of introspection, captured with the quiet intensity characteristic of the artist’s mature style. Painted in…

1927 (Winifred and Jake) (1928) 由 本·尼科尔森
#14

1927 (Winifred and Jake)

1928 · Pallant House Gallery

The artwork titled 1927 (Winifred and Jake) is a painting by the artist Ben Nicholson. Completed in 1927, this work functions as a portrait of Winifred and Jake…

1938 (1938) 由 本·尼科尔森
#15

1938

1938 · 维多利亚州国立美术馆

is an oil on canvas work by the British artist Ben Nicholson. Created in 1938, the piece marks a significant period in the artist's career, coinciding with a…

1930 (Christmas night) (1930) 由 本·尼科尔森
#16

1930 (Christmas night)

1930 · Kettle's Yard

The painting 1930 (Christmas night) is a work by Ben Nicholson OM. Created in 1930, the piece captures a quiet domestic scene through a lens of geometric simplicity.…

1925 (风景) (1925) 由 本·尼科尔森
#17

1925 (风景)

1925 · Pallant House Gallery

Ben Nicholson OM’s “1925” is more than just a landscape painting; it's a distillation of the artistic spirit of its era—the burgeoning abstractionism that sought to transcend representational…

1925 (jar and goblet) (1925) 由 本·尼科尔森
#19

1925 (jar and goblet)

1925 · Kettle's Yard

Ben Nicholson OM's "Jar and Goblet," created in 1925, stands as a cornerstone of British Modernism—a deceptively simple painting that belies its profound exploration of form, color, and…

1944–5 (painted relief) (1945) 由 本·尼科尔森
#22

1944–5 (painted relief)

1945 · The Pier Arts Centre

In the quiet, profound stillness of Ben Nicholson’s 1944–5, one encounters more than just an arrangement of shapes; one enters a meticulously constructed universe of balance and light.…

Exhibition Sign (1933) 由 本·尼科尔森
#72

Exhibition Sign

1933 · Kettle's Yard

The Quiet Geometry of “Exhibition Sign” Ben Nicholson’s “Exhibition Sign,” painted in 1933, isn't merely a sign; it’s a distilled meditation on form, color, and the very act…

1933 (design) (1933) 由 本·尼科尔森
#87

1933 (design)

1933 · 莱恩艺术馆

In the quiet evolution of British modernism, few works capture the playful intersection of geometry and organic life as poignantly as Ben Nicholson OM’s 1933 design. This captivating…

1945 (still life with flag) (1945) 由 本·尼科尔森
#88

1945 (still life with flag)

1945 · 阿什莫利博物馆

In the quiet aftermath of global upheaval, Ben Nicholson OM captured a moment of profound structural stillness in his 1945 masterpiece, 1945 (still life with flag). This evocative…

1928 (foothills, Cumberland) (1928) 由 本·尼科尔森

In the quiet, evocative landscape of 1928 (foothills, Cumberland), we encounter a moment frozen in time, captured by the masterful hand of Ben Nicholson. This oil on canvas…

1932 (Talc de Coty) (1932) 由 本·尼科尔森
#90

1932 (Talc de Coty)

1932 · The Pier Arts Centre

In the evocative realm of British Modernism, few works capture the experimental spirit of the early twentieth century as tangibly as Ben Nicholson’s 1932 (Talc de Coty). This…

c.1930 (framed lid) (1930) 由 本·尼科尔森
#91

c.1930 (framed lid)

1930 · Pallant House Gallery

The artwork "c.1930 (framed lid)" by Ben Nicholson Om is a captivating piece that showcases the artist's unique style and technique. Created in 1930, this pen drawing measures…

November 3 1950 (still life winter) (1950) 由 本·尼科尔森
#92

November 3 1950 (still life winter)

1950 · 菲利普斯收藏馆

We are looking at November 3 1950 (still life winter), a work created by Ben Nicholson in 1950. This piece belongs to the collection of the Phillips Collection,…

March 1949 (Trencrom) (1949) 由 本·尼科尔森
#93

March 1949 (Trencrom)

1949 · 英国文化协会收藏 (Yīngguó Wénhuà Xiéhuì Shōucáng)

In the vast landscape of twentieth-century abstraction, few works capture the delicate equilibrium between structure and spontaneity as masterfully as Ben Nicholson’s March 1949 (Trencrom). This commanding piece…

c.1928 (Cumbrian landscape) (1928) 由 本·尼科尔森
#94

c.1928 (Cumbrian landscape)

1928 · Kettle's Yard

Ben Nicholson’s “Cumbrian Landscape (No. 2),” painted in 1928, isn't merely a depiction of a rural scene; it’s an invitation to pause and contemplate the quiet beauty of…

August 1956 (Val d'Orcia) (1956) 由 本·尼科尔森
#95

August 1956 (Val d'Orcia)

1956 · 泰特现代美术馆

Ben Nicholson’s “August 1956 (Val d’Orcia)” isn't merely a depiction of a Tuscan hillside; it’s an invitation to contemplate the very nature of perception and memory. Painted in…

1946 (window in Cornwall) (1946) 由 本·尼科尔森
#96

1946 (window in Cornwall)

1946 · 惠特沃斯美术馆

Ben Nicholson’s “1946 (Window in Cornwall)” isn't merely a depiction of a landscape; it’s an invitation to contemplate the very essence of perception. Created in 1946, this remarkable…

date unknown (king III) 由 本·尼科尔森
#97

date unknown (king III)

Pallant House Gallery

In the intimate dimensions of this captivating work, titled date unknown (king III), we are invited into a world that feels both profoundly personal and grandly mythic. At…

1926 (still life with fruit – version 2) (1926) 由 本·尼科尔森
#98

1926 (still life with fruit – version 2)

1926 · 英国文化协会收藏 (Yīngguó Wénhuà Xiéhuì Shōucáng)

Ben Nicholson's "1926 (Still Life with Fruit – Version 2)" isn’t merely a depiction of apples and oranges; it’s a carefully constructed meditation on form, stillness, and the…

1934 (relief) (1934) 由 本·尼科尔森
#99

1934 (relief)

1934 · Kettle's Yard

Ben Nicholson’s ‘1934 (relief)’ isn't merely a painting; it’s a distilled moment, a carefully constructed fragment of a world viewed through the lens of geometric abstraction. Created in…

1924 (goblet and two pears) (1924) 由 本·尼科尔森
#100

1924 (goblet and two pears)

1924 · Kettle's Yard

Ben Nicholson's "1924 (Goblet and Two Pears)" isn’t merely a still life; it’s a carefully constructed meditation on form, texture, and the quiet beauty of everyday objects. Painted…

本·尼科尔森 的不同时期作品

本·尼科尔森 最常描绘的主题

这些杰作中最常出现的四个主题,以及各主题的最佳代表作。

在哪里可以欣赏到 本·尼科尔森 的画作

收藏了本页中大部分画作的 8 家博物馆。

博物馆 城市 本·尼科尔森 的作品 此列表中的画作
Kettle's Yard, 剑桥Kettle's Yard 剑桥 17 1932–33 (musical instruments), c.1922 (Balearic Islands), 1930 (Christmas night)
The Pier Arts Centre, StromnessThe Pier Arts Centre Stromness 9 1944–5 (painted relief), 1929 (fireworks), 1935 (painting)
Pallant House Gallery, ChichesterPallant House Gallery Chichester 8 1946 (cerulean abstraction), 1927 (Winifred and Jake), 1925 (风景)
菲利普斯收藏馆, 华盛顿特区菲利普斯收藏馆 华盛顿特区 5 December 13-17 1947 (Trendine 2), March 17 1950 (still life), February 1955 (talisman)
英国文化协会收藏 (Yīngguó Wénhuà Xiéhuì Shōucáng), 伦敦英国文化协会收藏 (Yīngguó Wénhuà Xiéhuì Shōucáng) 伦敦 4 March 1949 (Trencrom), 1926 (still life with fruit – version 2)
Abbot Hall Art Gallery, 肯德尔Abbot Hall Art Gallery 肯德尔 3 1932 (crowned head the queen), 1930–1936 (composition still life)
Dudmaston HallDudmaston Hall 2 Composition, Four Squares, Two Circles
Arts Council Collection, 伦敦Arts Council Collection 伦敦 3 May 1956 (hendrifter)

本·尼科尔森 的年代演变:各时期的代表作

  1. 1910s
  2. 1920s
  3. 1930s
  4. 1940s
    1946 (cerulean abstraction) (1946) 由 本·尼科尔森
    第 1 / 共 100 项

    1946 (cerulean abstraction)

    年龄 46 – 55 · Pallant House Gallery

    Ben Nicholson OM’s “1946,” a cerulean abstraction housed at Pallant House Gallery, stands as a testament to the burgeoning modernist movement and Nicholson's singular vision for capturing emotion…

  5. 1950s
    May 1956 (hendrifter) (1956) 由 本·尼科尔森
    第 12 / 共 100

    May 1956 (hendrifter)

    年龄 56 – 65 · Arts Council Collection

    To stand before Ben Nicholson’s May 1956 (hendrifter) is to encounter a moment of profound, almost crystalline stillness. This work does not shout its presence; rather, it invites…

  6. 1960s

本·尼科尔森 的杰作:问答环节

本·尼科尔森 最著名的作品是哪一幅?显示答案

1946 (cerulean abstraction) (1946),Pallant House Gallery, Chichester。紧随其后的是1933 (St Rémy self portrait with Barbara Hepworth) (1933)和1934 (painted relief) (1934)。

创作 1946 (cerulean abstraction) 时,本·尼科尔森 的年龄是多少?显示答案

52岁:1946 (cerulean abstraction)创作于1946,本·尼科尔森出生于1894。

本·尼科尔森 最伟大的十幅画作是什么?显示答案

1946 (cerulean abstraction), 1933 (St Rémy self portrait with Barbara Hepworth), 1934 (painted relief), 1928 (Walton Wood cottage no.1), 1948 (still life), 1924 (first abstract painting, Chelsea), 1932–33 (musical instruments), 1932 (Au Chat Botté), Jan 27 1933 及 1932 (Auberge de la Sole Dieppoise)。上方排名列出了每件作品的创作年份及所属博物馆。

本·尼科尔森 创作了多少件作品?显示答案

我们的目录收录了 本·尼科尔森 的 127 件作品,创作时间从 1914 年至 1969 年。

可以在哪些博物馆看到 本·尼科尔森 的杰作?显示答案

其中大部分藏于 Kettle's Yard (剑桥), The Pier Arts Centre (Stromness) 及 Pallant House Gallery (Chichester)。上表逐一列出了这些博物馆。

本·尼科尔森 是何时创作出这些杰作的?显示答案

在 1930s 期间:本页 100 件作品中有 39 件创作于该时期,其中包含 1933 (St Rémy self portrait with Barbara Hepworth)。

本·尼科尔森 的首幅与末幅名画是什么?显示答案

本页最早的作品创作于 1914 (the striped jug) (1914),最晚于 1969 (Holkham Sands No. 1) (1969)。

本·尼科尔森 最钟爱的题材是什么?显示答案

在本文页面的 100 件作品中,共有 Geometric shapes (10), Geometric (9) 及 Abstract (7) 件 Geometric shapes (10), Geometric (9) 及 Abstract (7)

本·尼科尔森 青睐哪种技法?显示答案

Oil On Canvas:本页 100 件作品中的第 15 件

本·尼科尔森 属于哪种艺术流派?显示答案

正如本页展示的画作所体现的那样,Cubism。

本·尼科尔森 的哪些杰作收藏于 Kettle's Yard?显示答案

1932–33 (musical instruments), c.1922 (Balearic Islands) 及 1930 (Christmas night) 是该页面中由 Kettle's Yard, 剑桥 收藏的 11 件作品之一。

本·尼科尔森 的生平

本·尼科尔森 OM:抽象艺术的一生

  • 出生:1894年4月10日,英国白金汉郡丹汉姆
  • 逝世:1982年2月6日,英国伦敦

早年生活与艺术训练

  • 本·尼科尔森出生于一个充满艺术气息的家庭;他的父亲威廉·尼科尔森爵士与母亲梅贝尔·普赖德皆为造诣深厚的画家。这种熏陶使他自幼便对艺术怀有深刻的鉴赏力。
  • 他在泰滕汉加·洛奇预备学校、西福德、汉普斯特德的赫登法院以及诺福克郡霍尔特的格雷舍姆学校接受了早期的教育。
  • 尼科尔森随后在斯莱德美术学院(1910-1911)接受了正式的学习,在那里,他与保罗·纳什、斯坦利·斯宾塞、马克·格特勒和爱德华·沃兹沃斯等著名艺术家并肩成长。逸闻记载,他在这一时期曾花费大量时间打台球,并从这项运动的几何结构与动态美感中发现了独特的审美趣味。

艺术发展与影响

  • 早期作品:尼科尔森最初的艺术尝试侧重于自然主义静物画,深受其父绘画风格的影响。
  • 立体主义的影响:大约在1926年,他开始探索抽象领域,这在很大程度上受到了综合立体主义以及毕加索作品的启发。
  • 新造型主义与原始主义风格:与皮特·蒙德里安的会面让他接触到了新造型主义,而与亨利·卢梭的相遇则激发了他对原始主义风格的兴趣。这些影响深刻地塑造了他的艺术走向。
  • 关键艺术运动:尼科尔森积极参与了当时多个重要的艺术运动,包括他曾担任主席的“七人与五人协会”(Seven and Five Society)、“单位一”(Unit One)以及“抽象创作”(Abstraction-Création)组织。

主要作品与艺术风格

  • 浮雕作品:尼科尔森以其始于1933年的抽象浮雕而闻名遐迩。这些作品将绘画与雕塑元素巧妙结合,创造出一种独特的视觉体验。其中,1930年代中期的白色浮雕被公认为他最卓越的成就之一。
  • 静物与风景:尽管以抽象艺术著称,尼科尔森也创作了引人入胜的静物画与风景画,作品中常融入几何形态与柔和的色调。
  • 尼科尔森墙:其著名的公共艺术作品包括为萨里郡吉尔福德萨顿广场花园创作的壁画“尼科尔森墙”,这体现了他坚信抽象艺术应当面向更广泛受众的理念。
  • 材料与技法:他热衷于实验各种材料与技法,包括油彩、铅笔、碎石和美耐板,并经常以创新的方式将它们融合在一起。

遗产与历史地位

  • 英国现代艺术:本·尼科尔森被公认为英国现代艺术的关键人物,为抽象艺术及浮雕雕塑的发展做出了巨大贡献。
  • 国际认可:他的作品赢得了国际赞誉,曾在威尼斯双年展等顶级艺术殿堂展出,并在全球各大博物馆举办回顾展。他曾获得多项殊荣,包括1968年的功绩勋章(Order of Merit)。
  • 拍卖纪录:尼科尔森的画作在拍卖会上屡创高价,彰显了其艺术价值与历史重要性。例如,《1953年9月(巴利阿里)》于2011年在纽约佳士得拍出1,650,500美元;而《小提琴与西班牙吉他》则在2012年巴黎佳士得拍得3,313,000欧元。
  • 对后世艺术家的影响:尼科尔森在抽象领域的前瞻性探索,以及他对形式与空间的深刻挖掘,持续影响着一代又一代的艺术家。