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          丹尼尔·米延斯 Who Looks, and at Which Works

          1590 – 1648

          本页面内容说明

          本页面展示了在本网站上访问 丹尼尔·米延斯 相关页面的次数。每一次“访问”均代表有一位用户打开了该页面。下方的每个图表均附有简短说明。

          统计数据已于 2026 年 7 月 1 日重置 —— 该日期之前的数据不可用。

          丹尼尔·米延斯: what the visits show

          The most admired work of 丹尼尔·米延斯 on WahooArt.com is King Charles I (1600–1649), opened 300 times in twelve months, 12% of all views. Next in line: Philip Herbert (1584–1650), 4th Earl of Pembroke, 1st Earl of Montgomery, KG and Charles Howard (1536–1624), 2nd Lord Howard of Effingham and 1st Earl of Nottingham. Altogether 3500 visits, 1000 to the page of the artist and 2500 to the works. Jul 2026 drew the largest audience: 3000 visits. Visitors browse on computers (97%) and phones (3%). Visitors favour 均衡和谐 (色彩和谐度): 36% of their visits, where the catalog holds 24%.

          The 10 works of 丹尼尔·米延斯 that visitors admire most

          Each rank below reflects the visits received on WahooArt.com in the last twelve months; number 1 is the most visited work of 丹尼尔·米延斯.

          1. King Charles I (1600–1649) 1 King Charles I (1600–1649), 1629 300 visits · 12.0%
          2. Philip Herbert (1584–1650), 4th Earl of Pembroke, 1st Earl of Montgomery, KG 2 Philip Herbert (1584–1650), 4th Earl of Pembroke, 1st Earl of Montgomery, KG, 1634 200 visits · 8.0%
          3. Charles Howard (1536–1624), 2nd Lord Howard of Effingham and 1st Earl of Nottingham 3 Charles Howard (1536–1624), 2nd Lord Howard of Effingham and 1st Earl of Nottingham, 1620 200 visits · 8.0%
          4. George Villiers (1592–1628), 1st Duke of Buckingham 4 George Villiers (1592–1628), 1st Duke of Buckingham 200 visits · 8.0%
          5. 查尔斯一世（威尔士王子时期) 5 查尔斯一世（威尔士王子时期) 200 visits · 8.0%
          6. Alathea, Countess of Arundel and Surrey 6 Alathea, Countess of Arundel and Surrey 200 visits · 8.0%
          7. The Death of Ananias 7 The Death of Ananias 200 visits · 8.0%
          8. Allegorizing Group Portrait of the Children of Diederic Pietersz van Leyden van Leeuwen, Burgomaster of Leiden, and Alida Paets, Daniël Mijtens (II), 1679 8 Allegorizing Group Portrait of the Children of Diederic Pietersz van Leyden van Leeuwen, Burgomaster of Leiden, and Alida Paets, Daniël Mijtens (II), 1679, 1679 100 visits · 4.0%
          9. Duke of Hamilton 9 Duke of Hamilton, 1629 100 visits · 4.0%
          10. Sir Thomas Edmondes 10 Sir Thomas Edmondes, 1622 100 visits · 4.0%

          When do admirers visit the page of 丹尼尔·米延斯?

          每个柱状图代表一个月。它展示了在过去十二个月中，该艺术家的页面每月被访问的次数。

          The data in a table
          MonthArtist pageArtwork pages
          Oct 202500
          Nov 202500
          Dec 202500
          Jan 202600
          Feb 202600
          Mar 202600
          Apr 202600
          May 202600
          Jun 20260100
          Jul 20269002100
          Aug 2026100100
          Sep 20260200

          When are the works of 丹尼尔·米延斯 consulted?

          每个柱状图代表一个月。它统计了该艺术家所有作品页面在一年内逐月的访问量总和。

          The monthly figures of both charts are in the first table, above.

          What are the favourite works of 丹尼尔·米延斯, month by month?

          每一行代表一件热门艺术品。每个柱状图显示了该艺术品在单月内的访问量。柱体越高，表示该月的访问量越大。

          The data in a table
          ArtworkOct 2025Nov 2025Dec 2025Jan 2026Feb 2026Mar 2026Apr 2026May 2026Jun 2026Jul 2026Aug 2026Sep 2026
          Charles I (1600–1649), King…000000000000
          Charles I, King of England…000000000000
          查尔斯一世（威尔士王子时期)00000000020000
          Charles I, King of England000000000000
          Duke of Hamilton00000000010000
          Endymion Porter000000000000
          Thomas Howard (1585–1646),…000000000000
          Robert Rich (1587–1658), 2n…000000000000
          King Charles I (1600–1649)000000000000
          Lionel Cranfield (1575–1645…000000000000

          What is the device split of the 丹尼尔·米延斯 audience?

          Each slice is one kind of device: phone, tablet or computer. The bigger the slice, the more visits came from that kind of device during the last twelve months.

          The data in a table
          DeviceVisitsShare
          computers340097.1%
          phones1002.9%

          What languages do the admirers of 丹尼尔·米延斯 speak?

          每个扇区代表一种语言。扇区越大，表示在过去三十天内使用该语言访问网站的人数越多。图中仅显示前十名。

          How many visits per day does 丹尼尔·米延斯 receive, and what will follow?

          每一根柱状图代表一天。前方的柱状图统计了过去三周的访问量，而另一种颜色的柱状图则是我们对未来三周访问量的预测。

          The data in a table
          DayVisits
          Thu 17 Sep0
          Fri 18 Sep0
          Sat 19 Sep0
          Sun 20 Sep0
          Mon 21 Sep100
          Tue 22 Sep100
          Wed 23 Sep0
          Thu 24 Sep0
          Fri 25 Sep0
          Sat 26 Sep0
          Sun 27 Sep0
          Mon 28 Sep0
          Tue 29 Sep0
          Wed 30 Sep0
          Thu 1 Oct0
          Fri 2 Oct0
          Sat 3 Oct0
          Sun 4 Oct100
          Mon 5 Oct0
          Tue 6 Oct0
          Wed 7 Oct0
          Thu 8 Oct (预测值)0
          Fri 9 Oct (预测值)0
          Sat 10 Oct (预测值)0
          Sun 11 Oct (预测值)0
          Mon 12 Oct (预测值)0
          Tue 13 Oct (预测值)0
          Wed 14 Oct (预测值)0
          Thu 15 Oct (预测值)0
          Fri 16 Oct (预测值)0
          Sat 17 Oct (预测值)0
          Sun 18 Oct (预测值)0
          Mon 19 Oct (预测值)0
          Tue 20 Oct (预测值)0
          Wed 21 Oct (预测值)0
          Thu 22 Oct (预测值)0
          Fri 23 Oct (预测值)0
          Sat 24 Oct (预测值)0
          Sun 25 Oct (预测值)0
          Mon 26 Oct (预测值)0
          Tue 27 Oct (预测值)0
          Wed 28 Oct (预测值)0

          What visitors ask about 丹尼尔·米延斯

          Which works of 丹尼尔·米延斯 do visitors open most?

          King Charles I (1600–1649) first, with 300 visits, 12% of the views. 10 works are ranked above.

          How large is the audience of 丹尼尔·米延斯 on WahooArt.com?

          3500 visits in twelve months: 1000 to the artist page, 2500 to the works.

          What devices do the admirers of 丹尼尔·米延斯 use?

          They use computers (97%) and phones (3%); computers represent 97% of the visits.

          Which works of 丹尼尔·米延斯 match the taste of visitors best?

          Works described as 均衡和谐 (色彩和谐度) receive 36% of the visits for 24% of the catalog.