使 Peter Greenham 声名鹊起的画作是 Peregrine Nicholas Eliot, 10th Earl of St Germans (b. 1941) (1990)；它现收藏于 Antony House。 Tremayne Carew Pole (b. 1974) (1988) 与 Johnny Carew Pole (b. 1975) (1988) 在收藏家和博物馆参观者心中紧随其后。 在 Peter Greenham 的 5 件作品中，这 5 件是最受推崇的杰作，每件作品均附有创作日期、馆藏机构及其独特之处。
排名依据为我们的热度评分，该评分综合了每件作品的搜索量、访问量及订单量。更新于 October 2026。
收藏了本页中大部分画作的 1 家博物馆。
| 博物馆 | 城市 | Peter Greenham 的作品 | 此列表中的画作 |
|---|---|---|---|
 Antony House |
5 | Peregrine Nicholas Eliot, 10th Earl of St Germans (b. 1941), Tremayne Carew Pole (b. 1974), Johnny Carew Pole (b. 1975) |
Peter Greenham 的传世杰作跨越了从 1988 年到 1990 年的 3 载时光：为您呈现各年份的巅峰之作。
Peregrine Nicholas Eliot, 10th Earl of St Germans (b. 1941) (1990)，Antony House。紧随其后的是Tremayne Carew Pole (b. 1974) (1988)和Johnny Carew Pole (b. 1975) (1988)。
81岁：Peregrine Nicholas Eliot, 10th Earl of St Germans (b. 1941)创作于1990，Peter Greenham出生于1909。
我们的目录收录了 Peter Greenham 的 5 件作品，创作时间从 1988 年至 1990 年。
其中大部分藏于 Antony House。上表逐一列出了这些博物馆。
在 1988 期间：本页 5 件作品中有 4 件创作于该时期，其中包含 Tremayne Carew Pole (b. 1974)。
本页最早的作品创作于 Tremayne Carew Pole (b. 1974) (1988)，最晚于 Peregrine Nicholas Eliot, 10th Earl of St Germans (b. 1941) (1990)。
Peregrine Nicholas Eliot, 10th Earl of St Germans (b. 1941), Tremayne Carew Pole (b. 1974) 及 Johnny Carew Pole (b. 1975) 是该页面中由 Antony House 收藏的 5 件作品之一。
Born in Streatham, London, on 9 September 1909, Peter Greenham entered a world that would eventually see him become a significant figure in British art. He was not alone in his creative inclinations, for he was the brother of the artist Robert Duckworth Greenham. This familial connection suggests an environment where the visual language of art was a shared understanding. Before he dedicated himself fully to the brush, his path led him through the halls of Oxford University, where he applied his intellect to the study of English at Magdalen College.
The transition from the study of words to the study of form was a profound shift in his development. Between 1935 and 1939, Greenham sought formal training at the Byam Shaw School of Art. It was during these formative years that his technical skill began to take shape under the guidance of Francis Ernest Jackson. This period of study provided the essential foundation for a life spent observing the nuances of the human subject and the complexities of light and shadow.
His ascent within the British art establishment was marked by steady recognition and a deep commitment to the instruction of others. In 1960, he was elected a member of the Royal Academy, a distinction that reflected his growing influence as a portraitist. This prestige continued to grow as he moved through the ranks of the institution, eventually being named a Senior RA on 31 December 1984. Beyond his own studio practice, he held a position of great responsibility as the Keeper of the Royal Academy Schools from 1964 to 1985, where he helped shape the development of many young artists of the post-war generation.
His leadership extended to the Royal Society of British Artists, where he served as President. He was a man of many interests, and his intellect found expression not only through his brush but also through his pen, as he became a prolific writer on the subject of art. His ability to observe the human character was perhaps most famously demonstrated when he was commissioned by the Welsh Guards to paint H M the Queen in 1962.
To encounter the legacy of Peter Greenham is to wander through the most significant repositories of British art. His presence is felt within the halls of the Royal Academy and the Tate, where his hand remains part of the institutional memory of the nation. Those seeking his portraiture might find his likenesses held by the National Portrait Gallery in London, a place where the faces of history are preserved. His reach extends to the Government Art Collection, ensuring his vision remains part of the public record.
The breadth of his influence is further evidenced by the various museums that have seen fit to house his canvases. The Ashmolean Museum and the British Museum both hold his works, placing his art alongside the great treasures of human achievement. In the Guildhall Art Gallery, his paintings find a home, while the Arts Council Collection ensures his contributions are kept for future study. His work also resides within the collections of the National Trust, where it remains part of the private and public histories of the land.