Extravagant (1981) 是 Léopold Plotek 最著名的画作,现由位于 渥太华 的 加拿大国家美术馆 收藏。 在 Léopold Plotek 的 1 件作品中,我们为您精选了收藏家和博物馆观众最关注的 1 件作品,并附上创作年份、馆藏机构及每件作品背后的故事。
排名依据为我们的热度评分,该评分综合了每件作品的搜索量、访问量及订单量。更新于 October 2026。
收藏了本页中大部分画作的 1 家博物馆。
| 博物馆 | 城市 | Léopold Plotek 的作品 | 此列表中的画作 |
|---|---|---|---|
| 渥太华 | 1 | Extravagant |
本页展示了所有创作于 1981 年的 Léopold Plotek 杰作:按知名度排序如下。
Extravagant (1981)
33岁:Extravagant创作于1981,Léopold Plotek出生于1948。
我们的目录收录了 1 件 Léopold Plotek 的作品。
其中大部分藏于 加拿大国家美术馆 (渥太华)。上表逐一列出了这些博物馆。
Born in Moscow, Russia, Léopold Plotek’s life has been shaped by movement and diverse cultural landscapes. After growing up in Poland, he emigrated with his parents to Canada in 1960. His academic foundation began in Montreal, where he studied Classics at McGill University before pursuing a Bachelor of Fine Arts at Sir George Williams University. His formal training was furthered at the Slade School of Fine Art in London. Today, Plotek resides in Montreal, where he serves as a member of the Fine Arts Studio faculty at Concordia University.
Plotek’s practice is characterized by a unique synthesis of abstraction and figuration within large-format paintings. His work often draws from a vast array of personal and intellectual sources, including architecture, objects, poetry, and history. Throughout his career, his stylistic approach has evolved, moving from the influences of the late 1970s into a period in the 1980s marked by an engagement with object relations theory. His paintings are often singular conceptions, sometimes developing into series that extend the boundaries of abstraction.
Plotek has maintained an extensive exhibition history, featuring in both solo and group shows across Canada. Notable milestones include his participation in Quebec 75 and a solo exhibition at Concordia University. His work has been showcased at several prestigious institutions, such as the Montreal Museum of Fine Arts, the Musée d’art contemporain de Montréal, and the Southern Alberta Art Gallery. In 2017, the Koffler Centre of the Arts in Toronto presented a survey of his practice spanning five decades.
His paintings are held in several major Canadian public collections, including: