Roosters on Horses (1880) 是 László Pataky 最著名的画作，现由位于 布拉蒂斯拉发 的 斯洛伐克国家美术馆 收藏。 Cavalry Battle (1890) 和 Kuruci (1903) 是世界上知名度最高的两件作品。 在 László Pataky 的 5 件作品中，我们为您精选了收藏家和博物馆观众最关注的 3 件作品，并附上创作年份、馆藏机构及每件作品背后的故事。
排名依据为我们的热度评分，该评分综合了每件作品的搜索量、访问量及订单量。更新于 October 2026。 本页面的每一件杰作均可根据您选择的尺寸，定制为博物馆级手工油画复制品或艺术微喷画。
收藏了本页中大部分画作的 2 家博物馆。
| 博物馆 | 城市 | László Pataky 的作品 | 此列表中的画作 |
|---|---|---|---|
 斯洛伐克国家美术馆 |
布拉蒂斯拉发 | 2 | Roosters on Horses, Cavalry Battle |
| Ernest Zmeták Art Gallery | 诺维扎姆基 | 1 | Kuruci |
Roosters on Horses (1880)，斯洛伐克国家美术馆, 布拉蒂斯拉发。紧随其后的是Cavalry Battle (1890)和Kuruci (1903)。
23岁：Roosters on Horses创作于1880，László Pataky出生于1857。
我们的目录收录了 László Pataky 的 5 件作品，创作时间从 1880 年至 1903 年。
其中大部分藏于 斯洛伐克国家美术馆 (布拉蒂斯拉发) 及 Ernest Zmeták Art Gallery (诺维扎姆基)。上表逐一列出了这些博物馆。
本页最早的作品创作于 Roosters on Horses (1880)，最晚于 Kuruci (1903)。
Roosters on Horses 及 Cavalry Battle 是该页面中由 斯洛伐克国家美术馆, 布拉蒂斯拉发 收藏的 2 件作品之一。
是的。本页面的每一幅画作均可在画作详情页中，根据您选择的尺寸，定制为博物馆级手工油画复制品或艺术精美版画。
László Pataky began his training within the walls of the arts and crafts school in Budapest. His hands learned the fundamentals before he moved toward the Academy of Fine Arts in Munich after 1880, working under Karl von Piloty. This period of study was followed by years spent moving between Paris, Budapest, and Munich from 1883 to 1889. These travels brought different light and different ways of seeing into his practice.
In 1888, a scholarship for his painting The Messenger opened a door to the studio of Mihály Munkácsy. He worked alongside Munkácsy on the large-scale Hungarian Conquest intended for the Hungarian Parliament Building. After this heavy task was finished, he settled in Alvinc, returning to the landscapes of his home province.
His brush often rested on the quiet rhythms of country life. He focused on rural genre scenes, capturing the movement of horses and the weight of a harvest. Some of his canvases hold specific moments of labor or rest:
Beyond the canvas, he spent much of his time translating words into images. He provided illustrations for several novels, including works by Carmen Sylva, Gabriele D'Annunzio, and Géza Gárdonyi. His gouache drawings appeared regularly in magazines such as Vasárnapi Ujság, Új Idők, and Magyar Salon.
The work of Pataky remains held in places like the Hungarian National Gallery. His career was marked by retrospective exhibitions, such as those organized by the Guild of St. George in 1913 and the Hall of Art in 1918. These gatherings allowed for a final look at his contributions to the depiction of Hungarian life before he passed away in Alvinc in 1912.