使 Johan Per (Per) Sodermark 声名鹊起的画作是 Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery (1848)；它现收藏于 斯德哥尔摩 的 国家博物馆。 Portrait of Werner Holmberg (1853) 与 Christoffer Eichhorn (1837-1889), librarian, art historian (1889) 在收藏家和博物馆参观者心中紧随其后。 在 Johan Per (Per) Sodermark 的 3 件作品中，这 3 件是最受推崇的杰作，每件作品均附有创作日期、馆藏机构及其独特之处。
排名依据为我们的热度评分，该评分综合了每件作品的搜索量、访问量及订单量。更新于 November 2026。 本页面的每一件杰作均可根据您选择的尺寸，定制为博物馆级手工油画复制品或艺术微喷画。
收藏了本页大部分画作的 2 家博物馆。
| 博物馆 | 城市 | Johan Per (Per) Sodermark 的作品 | 此列表中的画作 |
|---|---|---|---|
 国家博物馆 |
斯德哥尔摩 | 2 | Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery, Christoffer Eichhorn (1837-1889), librarian, art historian |
 芬兰国家美术馆 |
赫尔辛基 | 1 | Portrait of Werner Holmberg |
Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery (1848)，国家博物馆, 斯德哥尔摩。紧随其后的是Portrait of Werner Holmberg (1853)和Christoffer Eichhorn (1837-1889), librarian, art historian (1889)。
26岁：Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery创作于1848，Johan Per (Per) Sodermark出生于1822。
我们的目录收录了 Johan Per (Per) Sodermark 的 3 件作品，创作时间从 1848 年至 1889 年。
其中大部分藏于 国家博物馆 (斯德哥尔摩) 及 芬兰国家美术馆 (赫尔辛基)。上表逐一列出了这些博物馆。
本页最早的作品创作于 Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery (1848)，最晚于 Christoffer Eichhorn (1837-1889), librarian, art historian (1889)。
Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery 及 Christoffer Eichhorn (1837-1889), librarian, art historian 是该页面中由 国家博物馆, 斯德哥尔摩 收藏的 2 件作品之一。
是的。本页面的每一幅画作均可在画作详情页中，根据您选择的尺寸，定制为博物馆级手工油画复制品或艺术精美版画。
Johan Per Södermark stands at a crossroads between military duty and the fine arts. Born in Mossebro, Karlsborg Municipality, on 5 June 1822, his early life follows the disciplined path of his father, Olof Johan Södermark. He enters the military as an Underlöjtnant in 1843, a role that demands precision and observation. The rigidity of service defines his youth, yet the brush remains present. His training begins under his father's guidance before moving to the Royal Swedish Academy of Fine Arts, where he achieves the status of agré in 1848.
The year 1848 brings a sudden shift. He resigns from active military service. The death of his father leaves him with more than just a memory; he inherits a studio. At first, Södermark sustains himself through the labor of copying his father's existing works. This period of imitation acts as a bridge, transitioning him from a man of arms to a man of lithography and paint.
Movement defines his artistic development. He moves through the cultural landscapes of Europe, seeking new light and form. His path takes him to France and Italy, followed by stays in Düsseldorf between 1852 and 1854. In Paris, from 1855 to 1856, he studies under Thomas Couture. These travels expand his repertoire beyond the portraits of his early years.
His work begins to diversify into new territories:
By 1874, Södermark reaches a professional peak as a full member of the Swedish Academy. His presence is felt in major exhibitions, from Copenhagen's Charlottenborg Palace in 1851 to various Nordic Art exhibitions held between 1872 and 1888. He leaves behind a tangible contribution to Swedish collections, having donated his original lithographs to the Nationalmuseum in 1868.
His life concludes in Stockholm on 16 November 1889. While he did not pursue the same level of realistic clarity as his father, his ability to navigate between the roles of officer and artist remains a distinct chapter in Swedish art history. His works remain accessible today through institutions such as the Academy's art gallery, Waldemarsudde, and the Nordic Museum.
