Still Life with Green Bowl (1935) 是 Hermann Euler 最著名的画作,现由位于 慕尼黑 的 巴伐利亚州绘画收藏馆 收藏。 在 Hermann Euler 的 2 件作品中,我们为您精选了收藏家和博物馆观众最关注的 2 件作品,并附上创作年份、馆藏机构及每件作品背后的故事。
排名依据为我们的热度评分,该评分综合了每件作品的搜索量、访问量及订单量。更新于 November 2026。
收藏了本页中大部分画作的 1 家博物馆。
| 博物馆 | 城市 | Hermann Euler 的作品 | 此列表中的画作 |
|---|---|---|---|
| 慕尼黑 | 2 | Still Life with Green Bowl, Strauss |
本页展示了所有创作于 1935 年的 Hermann Euler 杰作:按知名度排序如下。
Still Life with Green Bowl (1935)
35岁:Still Life with Green Bowl创作于1935,Hermann Euler出生于1900。
我们的目录收录了 2 件 Hermann Euler 的作品。
其中大部分藏于 巴伐利亚州绘画收藏馆 (慕尼黑)。上表逐一列出了这些博物馆。
在 1935 期间:本页 2 件作品中有 2 件创作于该时期,其中包含 Still Life with Green Bowl。
Still Life with Green Bowl 及 Strauss 是该页面中由 巴伐利亚州绘画收藏馆, 慕尼黑 收藏的 2 件作品之一。
Born in Aschaffenburg, Germany, Hermann Euler was the son of Konrad Euler and Meta Hein. His artistic path began in Munich, where he initially pursued painting without formal training before attending the Malschule of Moritz Heymann. He later studied at the Academy of Fine Arts Munich, first in the class of Heinrich von Zügel and subsequently under Angelo Jank, from whom he graduated as a master student in 1927. In 1925, he joined the Künstlervereinigung Münchner Secession. His travels to Norway and France, often accompanied by his wife, the painter Daisy Campi, were significant to his development. In 1934, Euler moved his family from Munich to a farm in Eichbichl am Rinssee. His later years included travels to Italy, Yugoslavia, France, and Spain, until his death in 1970.
Euler’s work evolved from impressionistic subject dissolution toward a cultivated expressive handwriting. His paintings are characterized by a certain rhythm and decisiveness in form, often appearing as if written onto the canvas with a vigorous gesture. He was a skilled draftsman, and in his later years, he frequently utilized a black brushstroke over a more glazing paint application. His technique involved applying oil paint alla prima onto a primed canvas, resulting in surfaces that varied from thick impasto to matte, glazing layers. His subject matter often drew from the immediate surroundings of his farm, including walled cottage gardens and still lifes placed within landscapes, which challenged traditional perceptions of scale and proportion.