Juno Receiving the Cestus from Venus (1771) 是 Guy Head 最著名的画作。 Echo Flying from Narcissus (1795) 和 John Flaxman (1792) 是世界上知名度最高的两件作品。 在 Guy Head 的 7 件作品中，我们为您精选了收藏家和博物馆观众最关注的 7 件作品，并附上创作年份、馆藏机构及每件作品背后的故事。
排名依据为我们的热度评分，该评分综合了每件作品的搜索量、访问量及订单量。更新于 November 2026。 本页面的每一件杰作均可根据您选择的尺寸，定制为博物馆级手工油画复制品或艺术微喷画。
收藏了本页中大部分画作的 4 家博物馆。
| 博物馆 | 城市 | Guy Head 的作品 | 此列表中的画作 |
|---|---|---|---|
 国家肖像美术馆 |
伦敦 | 3 | John Flaxman, Prince Augustus Frederick, Duke of Sussex, Horatio Nelson |
 底特律艺术学院 |
底特律 | 1 | Echo Flying from Narcissus |
 国家海事博物馆 |
伦敦 | 1 | Rear-Admiral Sir Horatio Nelson, 1758-1805 |
 苏格兰国家美术馆 |
爱丁堡 | 1 | Iris |
Juno Receiving the Cestus from Venus (1771)。紧随其后的是 Echo Flying from Narcissus (1795) 和 John Flaxman (1792)。
11岁：Juno Receiving the Cestus from Venus创作于1771，Guy Head出生于1760。
我们的目录收录了 Guy Head 的 7 件作品，创作时间从 1771 年至 1800 年。
其中大部分藏于 国家肖像美术馆 (伦敦), 底特律艺术学院 (底特律) 及 国家海事博物馆 (伦敦)。上表逐一列出了这些博物馆。
在 1790s 期间：本页 7 件作品中有 4 件创作于该时期，其中包含 Echo Flying from Narcissus。
本页最早的作品创作于 Juno Receiving the Cestus from Venus (1771)，最晚于 Rear-Admiral Sir Horatio Nelson, 1758-1805 (1800)。
John Flaxman, Prince Augustus Frederick, Duke of Sussex 及 Horatio Nelson 是该页面中由 国家肖像美术馆, 伦敦 收藏的 3 件作品之一。
是的。本页面的每一幅画作均可在画作详情页中，根据您选择的尺寸，定制为博物馆级手工油画复制品或艺术精美版画。
The lineage of Guy Head begins in Carlisle, where the son of a house-painter first encounters the tools of the trade. He does not remain a laborer of walls. Under the instruction of Captain John Bernard Gilpin, the boy learns the discipline of drawing. This technical foundation leads him to the Royal Academy, a move that places his developing hand in the orbit of Sir Joshua Reynolds. By 1779, the transition from student to exhibitor is complete as he presents a portrait of a gentleman to the Academy, followed by another the following year.
The scope of his output expands through the 1780s. He moves between the formal halls of the Royal Academy and the exhibitions of the Society of Artists at Spring Gardens. His subjects vary from the specific to the theatrical, including a portrait of Henderson the actor as Richard III and a landscape steeped in the story of Europa. He is a painter of both the individual and the myth.
A friend and the influence of Reynolds facilitate a departure from England. Head travels to Italy, finding a home in Rome for several years. Here, his technical skill finds a new application: the art of the copyist. He does not merely mimic; he recreates the masters. His interpretations of Correggio and Titian earn him significant commendation. In Antwerp, he tackles the massive scale of Rubens, producing large copies that eventually find their place within the Royal Academy.
His Roman period defines his versatility. He balances the precision required for portraiture with the decorative demands of classical subjects. His hands move between the likeness of a contemporary face and the idealized forms of antiquity.
The political tremors of 1798 force a return to England. Head arrives back in his homeland carrying a heavy weight of labor: a large collection of drawings, copies, and various other pieces intended for exhibition. The ambition for a major showing remains unfulfilled. On 16 December 1800, in London, the work stops abruptly. He dies suddenly, leaving his collections to be dispersed by auction in 1805.
His legacy is a fragmented one. While his reputation fades shortly after his death, his imagery persists through the hands of others. In 1814, the works Echo and Iris are engraved by J. Folo, and a horse's head is rendered by C. Turner. He remains a figure of the late eighteenth century, a painter of portraits and classical themes whose life was cut short before his full intentions could be realized.