Carl Ebert 最著名的画作是位于 慕尼黑 巴伐利亚州绘画收藏馆 的《Forest Landscape with Bathing Children (1867)》。 配合 Evening Landscape (1875) 与 Landscape society in a park，便构成了家喻户晓的三部杰作。 我们的目录收录了 Carl Ebert 的 5 件作品；以下是全球关注度最高的 5 件作品，并附有创作年份、馆藏博物馆及其艺术价值。
排名依据为我们的热度评分，该评分综合了每件作品的搜索量、访问量及订单量。更新于 November 2026。 本页面的每一件杰作均可根据您选择的尺寸，定制为博物馆级手工油画复制品或艺术微喷画。
收藏了本页中大部分画作的 2 家博物馆。
| 博物馆 | 城市 | Carl Ebert 的作品 | 此列表中的画作 |
|---|---|---|---|
 巴伐利亚州绘画收藏馆 |
慕尼黑 | 2 | Forest Landscape with Bathing Children, Evening Landscape |
 伦巴赫美术馆 |
慕尼黑 | 1 | Isar Landscape |
Carl Ebert 的创作生涯仅持续了约 9 年，从 1867 年到 1875 年：通过那些成就其名声的画作，逐年回顾那段岁月。
Forest Landscape with Bathing Children (1867)，巴伐利亚州绘画收藏馆, 慕尼黑。紧随其后的是Evening Landscape (1875)和Landscape society in a park。
46岁：Forest Landscape with Bathing Children创作于1867，Carl Ebert出生于1821。
我们的目录收录了 Carl Ebert 的 5 件作品，创作时间从 1867 年至 1875 年。
其中大部分藏于 巴伐利亚州绘画收藏馆 (慕尼黑) 及 伦巴赫美术馆 (慕尼黑)。上表逐一列出了这些博物馆。
本页最早的作品创作于 Forest Landscape with Bathing Children (1867)，最晚于 Evening Landscape (1875)。
Forest Landscape with Bathing Children 及 Evening Landscape 是该页面中由 巴伐利亚州绘画收藏馆, 慕尼黑 收藏的 2 件作品之一。
是的。本页面的每一幅画作均可在画作详情页中，根据您选择的尺寸，定制为博物馆级手工油画复制品或艺术精美版画。
Carl Ebert was born in Stuttgart on 13 March 1821. The early death of his parents shifted his trajectory, but the support of his relatives ensured his path remained within the arts. He secured a place at the State Academy of Fine Arts in Stuttgart, where his technical foundation was built under the instruction of Gottlob Friedrich Steinkopf and Johann Friedrich Dieterich. This formal training provided the necessary discipline for a career defined by the landscape genre.
In 1846, Ebert moved to Munich, a transition that signaled a shift toward more specialized study. He became a private student of Eduard Schleich, focusing his attention on the nuances of the natural world. His development was not confined to the studio; he frequently visited the Alte Pinakothek to study the works of the Old Masters. This direct engagement with established techniques informed his approach to composition and light. His training was a deliberate combination of academic rigor and the observation of historical precedents.
Ebert’s development was shaped by direct engagement with the landscape and the shifting currents of European painting. His time spent at the artists' colonies in Polling and Eberfing alongside Friedrich Salzer and Richard Zimmermann provided a foundation in communal study. This period of observation was interrupted and expanded by his attendance at the Exposition Universelle in 1855. It was during this exhibition that the Barbizon school exerted a clear influence on his approach to the natural world.
His movement through Europe was extensive and purposeful. He accompanied Schleich and Carl Morgenstern on study trips through France, Belgium, and the Netherlands, absorbing the light and terrain of these regions. His interest in the Mediterranean led him to Italy in 1857 and again in 1872. Later in his career, in 1881, he spent several months in Bosnia. These excursions provided the specific topographical data that defined his later output.