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Thomas Duncan: A Sculptor of Memory and the Found Born in Shotts, a small mining village nestled between Glasgow and Edinburgh in 1939, Thomas Duncan’s artistic journey began not within formal academies but amidst the detritus of urban life. His early childhood, spent in this industrial landscape, instilled a deep appreciation for discarded objects – remnants of industry, forgotten toys, and the cast-offs that whispered stories of lives lived and time passing. This fascination with the overlooked would become the cornerstone of his distinctive sculptural practice, transforming the mundane in…
一份 thomas duncan 作品集的图表，其映射维度并非日期，而是主题。辐条（Spokes）代表其绘画内容；环带（rings）代表创作时期；而星际间的丝线（threads）则揭示了在暗中将这些作品联系在一起的赞助人与地点。
图谱的每个分支都根据作品描绘的内容进行汇编：肖像、神圣场景、神话以及科学研究。点击任一分支，即可将该类别置于顶端。
距中心的距离代表了时间的流逝。最内圈为早期阶段；最外圈则为晚年时期。随着向外延伸，风格愈发成熟。
彩色线条将由同一赞助人、委托或主题关联的作品连接在一起。追踪特定脉络，即可观察不同主题下相关的作品簇如何逐一亮起。
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