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The Fartiste: Joseph Pujol and the Absurdity of Performance Joseph Pujol, a name perhaps initially met with bewilderment, deserves recognition as a truly unique figure in 19th-century entertainment. Born in Marseille in 1857, he wasn’t a painter or sculptor, but a performer who weaponized his own bodily functions – specifically, flatulence – to achieve astonishing success. Known affectionately (and sometimes derisively) as “Le Pétomane,” meaning “The Fartiste,” Pujol’s story is one of accidental discovery, shrewd self-promotion, and a surprising ability to transform the bizarre into captivat…
一份 joseph pujol 作品集的图表，其映射维度并非日期，而是主题。辐条（Spokes）代表其绘画内容；环带（rings）代表创作时期；而星际间的丝线（threads）则揭示了在暗中将这些作品联系在一起的赞助人与地点。
图谱的每个分支都根据作品描绘的内容进行汇编：肖像、神圣场景、神话以及科学研究。点击任一分支，即可将该类别置于顶端。
距中心的距离代表了时间的流逝。最内圈为早期阶段；最外圈则为晚年时期。随着向外延伸，风格愈发成熟。
彩色线条将由同一赞助人、委托或主题关联的作品连接在一起。追踪特定脉络，即可观察不同主题下相关的作品簇如何逐一亮起。
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