使 Adèle Romany 声名鹊起的画作是 Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795)；它现收藏于 华盛顿特区 的 National Museum of Women in the Arts。 Madame Coury, Duhamel Widow (1811) 与 Portrait of a Young Woman (1804) 在收藏家和博物馆参观者心中紧随其后。 在 Adèle Romany 的 39 件作品中，这 37 件是最受推崇的杰作，每件作品均附有创作日期、馆藏机构及其独特之处。
排名依据为我们的热度评分，该评分综合了每件作品的搜索量、访问量及订单量。更新于 November 2026。 本页面的每一件杰作均可根据您选择的尺寸，定制为博物馆级手工油画复制品或艺术微喷画。
The gaze of the sitter meets us in Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, a work that captures a quiet, creative pause. Painted by Adèle Romany around 1795, the portrait presents a woman poised amidst the tools of her intellect and expression. She exists in a moment of stillness, her presence defined by the delicate textures of her attire and the objects that surround her.
In this portrait from 1811, we find ourselves in the private, composed space of Madame Coury, the widow Duhamel. She is seated with a quiet dignity, her presence defined by a sense of refined status and the stillness of a life lived with intention. The composition is a three-quarter length arrangement, positioning her slightly off-center to create a balanced, natural poise. A deep forest green gown anchors the figure, its…
The artwork titled Portrait of a Young Woman is a portrait painted by Adèle Romany. Created in 1804, this oil on canvas work belongs to the genre of portraiture. The subject of the painting is a single young woman, depicted in a full-length vertical composition.
In Portrait of Julie Candeille, Adèle Romany employs a formal, neoclassical arrangement to present the subject in a medium close-up. The figure is contained within an oval vignette, a choice that creates a sense of depth and focuses the viewer's attention on the sitter. This geometric structure provides a controlled boundary against a soft, atmospheric background of dark greenery. The composition balances the organic fluidity of the subject with this…
The air in the room feels heavy with the scent of old wood and the quiet anticipation of a single note. A young woman sits poised, her body angled toward the left as her fingers prepare to brush against the vertical strings of a harp. The warm, reddish-brown wood of the instrument catches the light, creating a soft glow that contrasts against the deep, muted teal of the background. She…
The Portrait of a woman by Adèle Romany captures a single, quiet moment from 1795. This bust-length composition is set within an oval format, focusing the viewer's attention on the presence of the sitter. The subject is an elegant and intimate young woman, her likeness emerging from a dark, muted background that recedes into shadow.
In this oval-format portrait, we encounter Amélie-Justine Pontois in a moment of quiet poise. The composition, captured in a three-quarter view, positions her with a gentle sense of movement that avoids the stiffness often found in formal commissions of the era. She is rendered with a soft, luminous quality, her skin tones warming against a background of atmospheric greys and deep, nebulous shadows. There is a certain stillness here, a…
The man sits in a quiet, oval frame, caught in a moment of stillness. He is a figure of the late eighteenth century, draped in the heavy, tactile weight of a dark coat. A crisp white cravat provides a sharp, bright break against the warmth of his skin and the earthy tones of his attire. Light falls from the upper left, carving the geometry of his face with a gentle…
The air feels still, as if the world has paused to allow this couple a moment of private repose. Amélie-Justine and Charles-Édouard Pontois lean toward one another, their connection felt through the gentle tilt of their heads and the soft drape of a shawl. She rests her arm upon his shoulder, a gesture of quiet intimacy that speaks of a shared life lived in the calm of a changing era.…
The scene unfolds within the quiet tension of "A young person hesitating to play the piano in front of her family," an oil on canvas work that captures a fleeting moment of domestic hesitation. Adèle Romany brings this intimate gathering to life, freezing a single instance of social grace and youthful uncertainty. The figures are suspended in a poised, formal arrangement that suggests the weight of expectation hanging in the…
is an oil on canvas work by Adèle Romany, executed in 1799. The artist, born in Paris, France, in 1769, was a significant figure in the French portraiture…
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In this 1802 oil painting, we find ourselves drawn into a quiet, private interval between two figures. The composition centers on a young man and woman, their bodies…
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This Neoclassical portrait, rendered in 1799, presents Jeanne-Marie Mercier in a three-quarter view, seated with a quiet, steady presence. The composition is contained within an oval format, focusing…
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In Portrait of Justine-Louise Mercier, aunt of the artist, Adèle Romany employs a Neoclassical and Late Baroque sensibility to capture the sitter in an intimate, oval-format composition. The…
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In this portrait of Louis Jean-Baptiste Étienne Vigée, Adèle Romany captures a man of letters through the quiet stillness of an interior setting. Painted about 1800, the work…
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In Portrait de Mme Thénard, Adèle Romany presents a three-quarter length portrait of the subject. The figure is positioned against a dark, indeterminate background that lacks specific environmental…
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In Adèle Romany's Full-length Portrait of a Young Lady Seated in a Landscape, about 1805, the subject occupies a central position, though she is placed slightly to the…
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The oil on canvas titled Portrait of a Lady at a Pianoforte was executed by the French painter Adèle Romany in 1808. This portrait captures a young woman…
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A young man sits in the quiet gravity of 1807. He is turned slightly toward the upper right, his gaze drifting away from the viewer toward an unseen…
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A young man sits in a quiet moment of musical devotion. He holds a lyre guitar, the polished wood catching a soft, directional light from the upper left.…
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Portrait of Emilie Leverd by Adèle Romany is a three-quarter length portrait composed with a deliberate sense of balance. The subject is positioned slightly off-center, directing her gaze…
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In this portrait, titled Mlle Raucourt as Agrippine, the artist Adèle Romany presents a striking study of the celebrated French actress Françoise Marie Antoinette Saucerotte. Known professionally as…
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In the Portrait of Joseph Souberbielle by Adèle Romany, an elderly gentleman is depicted in a three-quarter length pose. He is seated within a study-like setting, positioned slightly…
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A young woman is positioned in a three-quarter length pose, situated slightly off-center within a landscape setting. She wears a satin gown of luminous white and silver tones…
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The Portrait of Antoine Valedau is a formal work by the French painter Adèle Romany. Created in 1809, this oil on canvas portrait captures a single male figure…
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The Portrait of Alphonse de Chavanges is an oil painting by the French artist Adèle Romany. The subject of the work is Alphonse de Chavanges, who was also…
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In this 1810 oil on canvas, we find ourselves in the presence of Michael Kelly, a man whose very posture suggests a life lived through song. He is…
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A middle-aged man sits in a three-quarter length pose, his presence defined by a sense of intellectual weight and social standing. He is positioned slightly off-center, a composition…
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An elderly gentleman sits within the stillness of a domestic interior, caught in a pause between duties. He is positioned slightly off-center, his figure anchored by the weight…
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Aglaé-Constance Boudard is presented in a three-quarter view, her presence anchored by the heavy, saturated crimson of a velvet dress. The fabric catches the light from the upper…
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The canvas holds a young woman, Amélie-Justine Laidin de la Bouterie, suspended in a moment of quietude. She is positioned in a three-quarter length pose, her presence anchored…
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The artwork is titled Portrait de Zoé Prévost, de l'Opéra-Comique and was executed by the artist Adèle Romany. This portrait depicts Geneviève-Aimé-Zoë Prévost, a figure known in professional…
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This portrait, titled Mlle Prévost de l’Opéra Comique, is a work by the French painter Adèle Romany. It captures the likeness of Geneviève-Aimé-Zoë Prévost, a soprano who graced…
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In the urgent, desperate moments of 1833, Adèle Romany captures a scene of frantic movement in her oil on canvas, The Flight from the Village Fire. The air…
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In the Portrait of Voltaire by Adèle Romany, the subject is captured in a bust-length study. The man is positioned slightly off-center, his body turned toward the viewer's…
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The artwork titled Baptiste cadet is a portrait executed by the artist Adèle Romany. This specific piece was created in 1832. The subject of the painting is a…
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这些杰作中最常出现的四个主题，以及各主题的最佳代表作。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | Adèle Romany 的作品 | 此列表中的画作 |
|---|---|---|---|
| Library-museum of the Comédie-Française | Paris | 5 | Portrait of Emilie Leverd, Mlle Raucourt as Agrippine, Portrait of Fleury |
 凡尔赛宫 |
凡尔赛 | 2 | Charles-Antoine d'Artenay, The Marquis de Romance Mesmon's snack |
 波士顿美术馆 |
波士顿 | 2 | Portrait of a Lady at a Pianoforte, Joseph-Dominique Fabry Garat Playing a Lyre Guitar |
 National Museum of Women in the Arts |
华盛顿特区 | 1 | Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou |
 国家博物馆 |
斯德哥尔摩 | 1 | Madame Coury, Duhamel Widow |
 马尔莫坦·莫奈博物馆 |
巴黎 | 1 | Portrait of a Young Woman |
 里尔美术馆 |
里尔 | 1 | Portrait of a Young Harpist |
 Musée Jacquemart-André |
巴黎 | 1 | Portrait of a woman |
The gaze of the sitter meets us in Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, a work that captures a quiet, creative pause. Painted by Adèle…
The artwork titled Portrait of a Young Woman is a portrait painted by Adèle Romany. Created in 1804, this oil on canvas work belongs to the genre of…
In this portrait from 1811, we find ourselves in the private, composed space of Madame Coury, the widow Duhamel. She is seated with a quiet dignity, her presence…
The artwork is titled Portrait de Zoé Prévost, de l'Opéra-Comique and was executed by the artist Adèle Romany. This portrait depicts Geneviève-Aimé-Zoë Prévost, a figure known in professional…
Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795)，National Museum of Women in the Arts, 华盛顿特区。紧随其后的是Madame Coury, Duhamel Widow (1811)和Portrait of a Young Woman (1804)。
26岁：Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou创作于1795，Adèle Romany出生于1769。
Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, Madame Coury, Duhamel Widow, Portrait of a Young Woman, Portrait of Julie Candeille, Portrait of a Young Harpist, Portrait of a woman, Portrait of Amélie-Justine Pontois, Charles-Antoine d'Artenay, Portrait of Amélie-Justine and Charles-Édouard Pontois 及 A young person hesitating to play the piano in front of her family。上方排名列出了每件作品的创作年份及所属博物馆。
我们的目录收录了 Adèle Romany 的 39 件作品，创作时间从 1791 年至 1836 年。
其中大部分藏于 Library-museum of the Comédie-Française (Paris), 凡尔赛宫 (凡尔赛) 及 波士顿美术馆 (波士顿)。上表逐一列出了这些博物馆。
在 1800s 期间：本页 37 件作品中有 13 件创作于该时期，其中包含 Portrait of a Young Woman。
本页最早的作品创作于 Portrait of Julie Candeille (1791)，最晚于 Portrait of Voltaire (1836)。
在本文页面的 37 件作品中，共有 Woman (24), Man (14) 及 White dress (6) 件 Woman (24), Man (14) 及 White dress (6)
Oil On Canvas：本页 37 件作品中的第 29 件
正如本页展示的画作所体现的那样，Neoclassicism。
Portrait of Emilie Leverd, Mlle Raucourt as Agrippine 及 Portrait of Fleury 是该页面中由 Library-museum of the Comédie-Française, Paris 收藏的 5 件作品之一。
是的。本页面的每一幅画作均可在画作详情页中，根据您选择的尺寸，定制为博物馆级手工油画复制品或艺术精美版画。
Adèle de Romance, also known as Adèle Romany or Adèle Romanée (December 7, 1769 – June 6, 1846), was a highly regarded French painter specializing in miniatures and portraits. Her career spanned several decades of significant social and political change in France, and she successfully navigated the art world while adapting her name and artistic presentation to reflect evolving circumstances.
Adèle de Romance’s work received limited critical attention after her death in 1846. However, recent scholarship and a retrospective exhibition at the Jean-Honoré-Fragonard Museum in Grasse (scheduled for 2025) are contributing to a renewed appreciation of her artistic contributions. Her legacy lies not only in her skillful execution but also in her ability to capture the spirit of a vibrant cultural scene and navigate a complex historical landscape as a successful female artist.
