纸张

学生作品指南

Translated Vase

5 parts 1 The artwork2 In context3 About this artwork4 Artist and museum5 Look closely

姓名 班级 日期
yee, sookyung, Translated Vase (2009), Korean Art Museum Association. 仅供参考之用;版权归权利持有人所有。

基本信息

艺术家
yee, sookyung wahooart.com/zh/artists/yee-sookyung/
艺术家创作日期
1963 – ?
绘画
2009
媒介
Gold Leaf
原尺寸
80 x 170 cm
流派/运动
Contemporary Art
时期
Contemporary
举办地点
Korean Art Museum Association wahooart.com/zh/museums/korean-art-museum-association-seoul_zh/

In context

Translated Vase — yee, sookyung

How big is it?

The original measures 80 × 170 cm (height × width), drawn here beside an adult of average height.

此画创作于何时?

  1. 1960
  2. 1970
  3. 1980
  4. 1990
  5. 2000

阴影:yee, sookyung 的生卒年 (1963–?) ▲ 此作,2009

对比参考

从上方作品中任选其一:列出它与此件作品的两个共同点,以及一个不同点。

与此作品风格相近的其他作品:wahooart.com/zh/art/similar/yee-sookyung-translated-vase-D42MAW-en/

配色方案

根据图像测量

    主色调

    Espresso #3b4a24

    已编入目录的色板

    • #3B4A24
    • #C7C4BC
    • #5C6766
    • #929794
    主色名称
    Espresso
    饱和度
    Balanced 色彩的饱和度与多样性,涵盖了从单一的柔和色调到多种明亮色彩的范围。
    对比度
    Bold 画面中色彩在明度和饱和度上的差异程度。
    和谐
    Strong Color Unity 色彩之间的协调程度,从冲突到完全统一。
    亮度
    Balanced 画面整体的明暗程度,涵盖了从深邃阴影到明亮高光的变化。
    饱和度
    Subtle Color 色彩纯净且富有张力,从近乎灰调到极尽鲜艳。

    关于此艺术品

    Translated Vase — yee, sookyung

    Notes on this work

    Written for this guide from published sources. The catalogue record itself is on the first part of this guide.

    Artistic style
    Contemporary sculpture and installation
    Notable elements or techniques
    Gold leaf, shattered porcelain transformation
    Subject or theme
    Fragility, memory, rupture, and redemption

    The Alchemy of Fragility: Rediscovering Sookyung Yee’s Translated Vase

    In the quiet intersection of destruction and rebirth lies the profound work of Sookyung Yee, a contemporary visionary whose practice transcends the boundaries of traditional sculpture. Her celebrated series, Translated Vase, serves as a breathtaking meditation on the concept of rupture and the possibility of redemption. At first glance, the viewer is met with a scene that feels both surreal and deeply grounded—a lush, verdant field where various vessels are scattered like forgotten memories. Yet, upon closer inspection, these are not merely decorative objects; they are the survivors of a beautiful catastrophe. Through her meticulous process, Yee takes the shattered remnants of Korean ceramics and reascent them into a new, unified whole, creating a visual language that speaks to the resilience of the human spirit.

    The technique employed in Translated Vase is nothing short of alchemical. Drawing inspiration from the ancient tradition of kintsugi—the Japanese art of repairing broken pottery with precious metals—Yee elevates the act of mending to a high art form. She gathers discarded, fractured porcelain and carefully reassembles the shards, filling the jagged gaps with shimmering gold leaf. This deliberate use of gold does not attempt to hide the scars of the past; rather, it illuminates them. The contrast between the delicate, often translucent porcelain and the opulent, radiant gold creates a rhythmic tension that draws the eye across the composition. Each piece becomes a testament to the idea that beauty is not found in perfection, but in the courageous embrace of one's own history and imperfections.

    Beyond its physical brilliance, the artwork carries a heavy emotional resonance that makes it an essential piece for collectors and designers seeking depth in their spaces. The symbolism of the "translated" vessel suggests a metamorphosis—a movement from a state of brokenness to a state of heightened existence. For the interior designer, this work offers a sophisticated focal point that balances organic textures with luxurious accents, making it equally at home in a minimalist modern gallery or a richly layered classical study. It invites conversation about memory, heritage, and the cyclical nature of life. To possess a reproduction of such a piece is to invite a sense of contemplative peace into a room, reminding all who gaze upon it that even the most fractured parts of our world can be transformed into something luminous and whole.

    艺术家与博物馆

    Translated Vase — yee, sookyung

    艺术家

    yee, sookyung

    Born in Seoul, South Korea

    The Alchemy of Fragments: The Art of Yeesookyung

    In the delicate intersection where destruction meets rebirth, the work of Yeesookyung resides. Born in Seoul, South Korea, in 1963, the artist has cultivated a visual language that speaks to the profound resilience of the human spirit. Her practice is not merely one of sculpture, but of a deep, meditative alchemy—a process of taking what has been shattered, discarded, or rendered obsolete and breathing into it a new, luminous life. To encounter her work is to witness a silent dialogue between the brokenness of history and the enduring promise of beauty.

    Yeesookyung’s artistic journey began within the rigorous academic traditions of Seoul National University, where she studied Western painting in the late 1980s. This foundational period provided her with a mastery of form and color, yet her creative soul remained tethered to the cultural textures of Korea. During her formative years, the influence of the Minjung movement—a socially conscious art movement in Korea that critiqued systemic inequality—left an indelible mark on her consciousness. This early exposure to art as a vehicle for social reflection and collective healing would later evolve into her unique sculptural philosophy, where the personal act of repairing ceramics becomes a metaphor for repairing the societal and psychological ruptures of the past.

    博物馆

    Korean Art Museum Association

    On show in Seoul, South Korea

    A Living Tapestry of Korean Heritage

    In the vibrant heart of Seoul, the

    Korean Art Museum Association (KAMA)

    serves as much more than a mere repository for artifacts; it is a profound testament to the enduring spirit of South Korea’s artistic legacy. Acting as a dynamic bridge between the ancient and the contemporary, KAMA orchestrates a vast network of over one hundred diverse museums, ranging from grand public institutions to the most intimate private collections. To step into the world of KAMA is to embark on a journey through time, where the whispers of the past meet the bold, experimental voices of the present. The association does not simply collect art; it nurties a living discourse, ensuring that the cultural heartbeat of the nation resonates with both domestic enthusiasts and global connoisseurs alike.

    The collection curated under the KAMA umbrella is a breathtaking mosaic of Korean identity, showcasing a mastery of form that has evolved over millennia. Visitors may find themselves mesmerized by the spiritual gravity of monumental Buddhist sculptures, which evoke a sense of deep, meditative contemplation. In contrast, the delicate elegance of Joseon porcelain offers a study in refined simplicity and unparalleled craftsmanship, embodying the aesthetic values of purity and natural grace.

    更多阅读详情

    在线查看详情

    链接至 Translated Vase 下载页面的二维码

    wahooart.com/zh/art/download/yee-sookyung-translated-vase-D42MAW-en/

    引用此艺术品

    MLA
    sookyung, yee,. Translated Vase. 2009, Korean Art Museum Association. https://wahooart.com/zh/art/yee-sookyung-translated-vase-D42MAW-en/
    APA
    sookyung, yee, (2009). Translated Vase [Painting]. Korean Art Museum Association. https://wahooart.com/zh/art/yee-sookyung-translated-vase-D42MAW-en/
    Chicago
    yee, sookyung. Translated Vase. 2009. Korean Art Museum Association. https://wahooart.com/zh/art/yee-sookyung-translated-vase-D42MAW-en/
    Harvard
    sookyung, yee, (2009) Translated Vase. Korean Art Museum Association. Available at: https://wahooart.com/zh/art/yee-sookyung-translated-vase-D42MAW-en/

    Look closely

    Translated Vase — yee, sookyung

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: vases, green field, lush grass. Do you agree? What would you add, or take away?
    4. Look back at Portable Temple (2008), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. yee, sookyung was about 46 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.