纸张

学生作品指南

Squirrel on Grapevine

姓名 班级 日期

Shibata Zeshin, Squirrel on Grapevine (801). 公有领域

基本信息

艺术家
Shibata Zeshin wahooart.com/zh/artists/shibata-zeshin/
艺术家创作日期
1807 – 1891
绘画
801
原尺寸
105.4cm x 139.7cm
流派/运动
Japanese Traditional

语境中

Squirrel on Grapevine — Shibata Zeshin

尺寸大小如何?

原件尺寸为 105 × 140 厘米(高 × 宽),此处将其与一名平均身高的成年人并列展示。

此画创作于何时?

  1. 800
  2. 880
  3. 960
  4. 1040
  5. 1120
  6. 1200
  7. 1280
  8. 1360
  9. 1440
  10. 1520
  11. 1600
  12. 1680
  13. 1760
  14. 1840

阴影:Shibata Zeshin 的生卒年 (1807–1891) ▲ 此作,801

对比参考

从上方作品中任选其一:列出它与此件作品的两个共同点,以及一个不同点。

与此作品风格相近的其他作品:wahooart.com/zh/art/similar/shibata-zeshin-squirrel-on-grapevine-D2W645-en/

配色方案

根据图像测量

    主色调

    Driftwood #92734a

    已编入目录的色板

    • #92734A
    • #A78A60
    • #AFA496
    • #5E432A
    色调
    Earthy 图像中的主导色系。
    主色名称
    Driftwood
    饱和度
    Balanced 色彩的饱和度与多样性,涵盖了从单一的柔和色调到多种明亮色彩的范围。
    对比度
    Serene 画面中色彩在明度和饱和度上的差异程度。
    和谐
    Unified Palette 色彩之间的协调程度,从冲突到完全统一。
    亮度
    Bright 画面整体的明暗程度,涵盖了从深邃阴影到明亮高光的变化。
    饱和度
    Balanced Soft 色彩纯净且富有张力,从近乎灰调到极尽鲜艳。

    艺术家与博物馆

    艺术家

    Shibata Zeshin

    A Singular Vision: Shibata Zeshin (1807-1891)

    Shibata Zeshin stands apart in the annals of Japanese art history—a figure simultaneously lauded as a revolutionary innovator and dismissed as stubbornly traditional. Born in Edo (modern Tokyo) in 1807, he descended from a lineage steeped in craftsmanship; his grandfather was a shrine carpenter, and his father, Ichigoro Shibata, possessed considerable skill as an ukiyo-e painter, having studied under Katsukawa Shunshō—a formative influence that instilled within him the values of meticulous observation and artistic discipline. This early exposure to both woodworking and painting would prove instrumental in shaping Zeshin’s distinctive oeuvre.

    Early Apprenticeship & Suzuki Nanrei:

    The Pursuit of Mastery: Studying Under Nanrei

    Zeshin's Artistic Persona: “This Is True” – The Significance of His Name

    At the tender age of eleven, Zeshin began his formal artistic training as an apprentice to Komā Kansai II, a renowned lacquerer. Recognizing the importance of grounding his craft in foundational skills, Kansai insisted that Zeshin cultivate sketching abilities and experiment with painting techniques—a decision that would propel him toward a path of artistic exploration. This dedication led him to Suzuki Nanrei, a celebrated Shijō school painter who further honed Zeshin’s observational prowess and instilled in him the principles of capturing fleeting moments of beauty. It was during this period that he adopted the name “Reisai,” combining Nanrei's influence with Kansai’s guidance—a symbolic gesture reflecting his commitment to artistic excellence.

    Innovation Amidst Tradition: Zeshin’s Distinctive Style

    Zeshin’s artistic style is characterized by a remarkable blend of meticulous realism and subtle expressive nuance. While adhering to established conventions of Sumi-e painting—particularly the depiction of landscapes and animals—he pushed boundaries through his masterful use of maki-e, a technique involving applying metallic pigments onto lacquer surfaces. This innovative approach allowed him to imbue his works with shimmering luminescence and textural depth, elevating them beyond mere representation into embodiments of spiritual contemplation. His paintings frequently explored themes of Buddhist serenity and harmony, reflecting the prevailing intellectual currents of the Meiji era.

    Landscapes & Tigers: Capturing Nature’s Essence

    Maki-e Technique: Light & Texture in Japanese Lacquer Art

    Among Zeshin's most iconic creations are monumental landscapes featuring cascading waterfalls and tranquil mountain vistas—executed with breathtaking precision and conveying a profound sense of stillness. Equally compelling are his depictions of tigers, rendered with striking detail and imbued with symbolic significance representing strength and resilience. However, it was Zeshin’s pioneering application of maki-e that cemented his reputation as a visionary artist. He skillfully manipulated gold leaf and other metallic pigments to create surfaces that seemed to radiate inner light—a technique that would inspire generations of lacquer artists and establish him as a cornerstone of Japanese artistic heritage.

    Legacy & Recognition: Zeshin’s Enduring Influence

    Despite criticisms leveled against his perceived conservatism within Japan, Shibata Zeshin achieved considerable acclaim in the West, particularly in England and the United States. His works were exhibited internationally, garnering admiration for their aesthetic beauty and technical virtuosity—a testament to his artistic genius and a reflection of the burgeoning interest in Japanese art during the late nineteenth century. Today, Zeshin’s paintings continue to captivate audiences worldwide, serving as enduring symbols of Japan's artistic tradition and demonstrating the transformative power of blending meticulous observation with innovative technique. His legacy persists as an exemplar of artistic integrity and unwavering devotion to craft—a singular vision that resonates across time and culture.

    更多阅读详情

    在线查看详情

    链接至 Squirrel on Grapevine 下载页面的二维码

    wahooart.com/zh/art/download/shibata-zeshin-squirrel-on-grapevine-D2W645-en/

    引用此艺术品

    MLA
    Zeshin, Shibata. Squirrel on Grapevine. 801, https://wahooart.com/zh/art/shibata-zeshin-squirrel-on-grapevine-D2W645-en/
    APA
    Zeshin, Shibata (801). Squirrel on Grapevine [Painting]. https://wahooart.com/zh/art/shibata-zeshin-squirrel-on-grapevine-D2W645-en/
    Chicago
    Shibata Zeshin. Squirrel on Grapevine. 801. https://wahooart.com/zh/art/shibata-zeshin-squirrel-on-grapevine-D2W645-en/
    Harvard
    Zeshin, Shibata (801) Squirrel on Grapevine. Available at: https://wahooart.com/zh/art/shibata-zeshin-squirrel-on-grapevine-D2W645-en/

    细细观察

    Squirrel on Grapevine — Shibata Zeshin

    细致观察

    请用自己的话来回答。这里没有标准答案——只有你能解释清楚的答案。

    1. 首先吸引你目光的是什么?为什么?
    2. 哪些色彩或形状营造了这种氛围——而这种氛围又是怎样的呢?
    3. 你能找到多少张面孔?____(我们的目录统计了 1 张 —— 你同意吗?)
    4. 我们的目录将此作品归类于:japanese landscape, squirrel motif, grapevine scene。您认同吗?您会增加或删除哪些标签?
    5. 回想一下本指南前文提到的 Inkstone Case and Stationery Box (suzuri-bako and ryoshi-bako ) (1800)。请指出它与此件作品共有之处的两点,以及不同之处的一点。

    您的回复

    请围绕这件艺术品撰写一段简短的介绍。内容请结合本指南前文所述的事实以及您在上方提供的答案。