纸张尺寸

学生作品指南

Foxes

姓名 班级 日期

Samuel Lucas, Foxes. 公有领域作品 在流动的光影下观察这幅画布:线条的笔触、清漆下的真实色彩、以及纯粹的颜料质感

详情介绍

艺术家
Samuel Lucas wahooart.com/zh/artists/samuel-lucas/
艺术家生卒年份
1805 – 1870
原尺寸
119 x 181 cm

语境中

Foxes — Samuel Lucas

尺寸规格

原件尺寸为 119 × 181 厘米(高 × 宽),此处将其与一名平均身高的成年人并列展示。

此画作的创作年代可能为何时?

  1. 1800
  2. 1810
  3. 1820
  4. 1830
  5. 1840
  6. 1850
  7. 1860
  8. 1870

上行:年份。下行:艺术家在每个时间段开始与结束时的年龄 —— 出生时为 0,去世时为 65。

阴影:Samuel Lucas 的生卒年 (1805–1870) 每一幅带有日期的画作,按年代编排

此唱片目前尚无确切的年份记录 —— 根据艺术家的生卒年及作品风格,您会推测其属于哪个年代?

同类作品对比

从上方作品中任选其一:列出它与此件作品的两个共同点,以及一个不同点。

更多与此作品相媲美的佳作:wahooart.com/zh/art/similar/samuel-lucas-foxes-AQSLXP-en/

色彩

基于图像测量

    主色调

    Phthalo Green #2d2214

    已收录色板

    • #2D2214
    • #907550
    • #CABBA4
    • #614A2B

    这些色彩尽在艺术家的完整调色盘之中 按颜色查找其他画作

    配色方案
    Earthy 图像中的主导色系。
    主色调
    Phthalo Green
    饱和度
    Balanced 色彩的饱和度与多样性,涵盖了从单一柔和色调到多种明亮色彩的范围。
    对比度
    Bold 画面中色彩在明度与饱和度上的差异程度。
    和谐
    Unified Palette 色彩之间的协调程度,从冲突到完全统一。
    亮度
    Deep_shadow 画面整体的明暗程度,涵盖了从深邃阴影到明亮高光的变化。
    饱和度
    Subtle Color 色彩纯净且富有张力,从近乎灰调到极尽鲜艳。

    这幅画作在全球哪些地方被观赏?

    • 占比低于 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% 及以上
    仅凭这幅画作的记录访客数尚不足以绘制地图,因此该图表展示了过去十二个月内 Samuel Lucas 的每一件作品 —— 总计涵盖 2 个国家。 这些数据来源说明

    十大领先国家

    1. 1 中国 85.7%
    2. 2 美国 14.3%

    在地图上找出颜色最深的三个国家。收藏这幅画作的博物馆是否位于其中之一?请写下一个让远方的人们想要观赏它的理由。

    Samuel Lucas 最受关注的 7 件作品

    1. 1 Salisbury Cathedral 25.0%
    2. 2 A Missionary Meeting at Hitchin, 1845 12.5%
    3. 3 Self Portrait 12.5%
    4. 4 Foxes 此幅画作 12.5%
    5. 5 Unknown Mill 12.5%
    6. 6 Windmill Under Repair, Coreys Mill, Hitchin 12.5%
    7. 7 Samuel Allen at a Quaker Meeting 12.5%

    这些作品共同占据了该艺术家画作在过去十二个月中所获关注度的 100.0%。该目录收录了 13 件该艺术家的作品,其中 7 件曾被至少浏览过一次。 此画作在其中排名第 4,占据了 12.5% 的关注度。 逐月统计数据保持一致

    条形图衡量的是关注度,而非品质。请选择排在首位的作品以及这一件:列举一件除了绘画技巧之外,可能使一幅画作闻名遐迩的因素。

    艺术家与博物馆

    艺术家

    Samuel Lucas

    出生地 Hitchin, United Kingdom

    The Quiet Observer: The Life and Legacy of Samuel Lucas

    In the tapestry of nineteenth-century British art, few figures possess the gentle, unassuming charm of Samuel Lucas. Born in 1805 in the historic town of Hitchin, Hertfordshire, Lucas lived a life that masterfully balanced the practical demands of a Victorian businessman with the soulful pursuits of an artist. While history remembers him as a brewer and a dedicated family man, his true essence was captured through the tip of a brush and the delicate flow of watercolor. His journey was one of quiet persistence, a lifelong endeavor to translate the serene beauty of the English countryside into enduring visual poetry.

    Lucas’s early years were deeply rooted in the values of the Society of Friends. This Quaker upbringing instilled in him a profound sense of discipline and an intellectual curiosity that would later define his artistic temperament. Educated at the Tilehouse Free School in Hitchin and subsequently at the Fishponds School of Friends in Bristol, he discovered a burgeoning passion for drawing during his formative years. However, the path to artistry was not without its obstacles; the strictures of his community often discouraged overt artistic pursuits, requiring Lucas to channel his creative energies into the margins of his professional life as an apprentice and later as a merchant.

    A Vision of Light and Landscape

    The artistry of Samuel Lucas is characterized by a remarkable versatility, ranging from meticul-ous, hyper-detailed representations to soft, impressionistic vistas. His technique was a sophisticated blend of Romantic idealism and an intuitive sensitivity to the atmosphere. Whether working in oils, watercolors, or ink, Lucas possessed an uncanny ability to capture the ephemeral qualities of light—the way it filters through a morning mist or bathes a rural meadow in the warmth of late afternoon. This mastery of light allowed him to depict not just landscapes, but moods.

    His creative development was significantly enriched by his connections within the artistic community. A particularly notable chapter of his life involved his friendship with the fellow Quaker artist Jacob Thompson. Together, they sought inspiration in the rugged beauty of the Lake District, specifically within the valley of Mardale. Their shared explorations beneath what is now the Haweswater Reservoir allowed for a collaborative spirit that pushed the boundaries of their landscape commissions. It is also widely believed by art historians that Lucas may have been influenced by the legendary J. M. W. Turner, particularly in his ability to evoke the sublime power and atmospheric depth of the natural world.

    Enduring Impressions and Historical Significance

    Though he rarely sought the spotlight of major exhibitions—with the notable exception of sending The Ship Broxbournbury off the Islands of Amsterdam to the Royal Academy in 1828—the impact of Lucas’s work is felt through the permanence of his subjects. His paintings serve as a nostalgic window into a bygone era of British life, documenting everything from the bustling energy of local commerce to the silent dignity of wildlife. Some of his most significant contributions include:

    Hitchin Marketplace (1860): A celebrated work that captured the heart of his home town so effectively that miniature versions were commissioned by admirers.

    Stonechat on a Cairn (1861): A stunning example of his ability to blend Romantic landscape elements with intimate, detailed naturalism.

    Salisbury Cathedral: An evocative oil painting that demonstrates his skill in capturing architectural grandeur within a serene, impressionistic setting.

    Nature and Fauna Studies: His meticulous depictions of foxes and local wildlife that showcase his profound respect for the biological intricacies of the English countryside.

    Today, the legacy of Samuel Lucas resides in prestigious institutions such as the British Museum and the Hitchin Museum & Art Gallery. His life, though marked by the quietude of a provincial brewer, achieved a lasting historical significance through his ability to immortalize the fleeting beauty of the natural world. He remains a vital figure for those seeking to understand the intersection of Victorian social history and the tender, observant spirit of British landscape painting.

    更多阅读资讯

    在线获取详情

    链接至 Foxes 下载页面的二维码

    wahooart.com/zh/art/download/samuel-lucas-foxes-AQSLXP-en/

    引用此作品

    MLA
    Lucas, Samuel. Foxes. n.d., https://wahooart.com/zh/art/samuel-lucas-foxes-AQSLXP-en/
    APA
    Lucas, Samuel (n.d.). Foxes [Painting]. https://wahooart.com/zh/art/samuel-lucas-foxes-AQSLXP-en/
    Chicago
    Samuel Lucas. Foxes. n.d. https://wahooart.com/zh/art/samuel-lucas-foxes-AQSLXP-en/
    Harvard
    Lucas, Samuel (n.d.) Foxes. Available at: https://wahooart.com/zh/art/samuel-lucas-foxes-AQSLXP-en/

    细致观察

    Foxes — Samuel Lucas

    近距离观察

    请用自己的话来回答。这里没有标准答案——只有你能解释清楚的答案。

    1. 首先吸引你目光的是什么?为什么?
    2. 哪些色彩或形状营造了这种氛围——而这种氛围又是怎样的呢?
    3. 回看本指南前文提到的 Self Portrait,请指出它与此件作品共有之处的两点,以及不同之处的一点。
    4. 艺术家或许想让你感受到什么?
    5. 若能就此作品向艺术家提一个问题,您会问什么?

    您的回复

    请围绕这件艺术品撰写一段简短的介绍。内容请结合本指南前文所述的事实以及您在上方提供的答案。

    问答详情

    哪里可以买到Samuel Lucas 的《Foxes》的手绘复制品?

    Samuel Lucas 的《Foxes》 的手绘复制品正在 本网站 发售:您可以通过其 手工油画复刻 页面进行订购:亚麻画布手工绘制油画复制品。

    Samuel Lucas 的《Foxes》 的色彩是鲜艳夺目还是柔和低调?

    Samuel Lucas 的《Foxes》 的色彩饱和度记录为 Subtle Color。

    Samuel Lucas 的《Foxes》 的色彩饱和度如何?

    Samuel Lucas 的《Foxes》 展示了Balanced的色彩强度。