纸张

学生作品指南

Study #11

姓名 班级 日期

nancy morrison crow, Study #11 (1990), San Jose Museum of Quilts - Textiles. 仅供参考之用;版权归权利持有人所有。

基本信息

艺术家
nancy morrison crow wahooart.com/zh/artists/nancy-morrison-crow/
艺术家创作日期
1943 – ?
绘画
1990
举办地点
San Jose Museum of Quilts - Textiles wahooart.com/zh/museums/san-jose-museum-of-quilts-textiles-san-jose/

语境中

Study #11 — nancy morrison crow

此画创作于何时?

  1. 1940
  2. 1950
  3. 1960
  4. 1970
  5. 1980
  6. 1990

阴影:nancy morrison crow 的生卒年 (1943–?) ▲ 此作,1990

对比参考

  • Study #2, 1998 wahooart.com/zh/art/nancy-morrison-crow-study-2-D9QM4Z-en/

从上方作品中任选其一:列出它与此件作品的两个共同点,以及一个不同点。

与此作品风格相近的其他作品:wahooart.com/zh/art/similar/nancy-morrison-crow-study-11-D8EL5T-en/

配色方案

根据图像测量

    主色调

    Phthalo Green #2c2b29

    已编入目录的色板

    • #2C2B29
    • #B7583C
    • #DFDED9
    • #7A8C99
    色调
    Neutrals 图像中的主导色系。
    主色名称
    Phthalo Green
    饱和度
    Balanced 色彩的饱和度与多样性,涵盖了从单一的柔和色调到多种明亮色彩的范围。
    对比度
    Statement 画面中色彩在明度和饱和度上的差异程度。
    和谐
    Discordant Palette 色彩之间的协调程度,从冲突到完全统一。
    亮度
    Bright 画面整体的明暗程度,涵盖了从深邃阴影到明亮高光的变化。
    饱和度
    Subtle Color 色彩纯净且富有张力,从近乎灰调到极尽鲜艳。

    艺术家与博物馆

    艺术家

    nancy morrison crow

    出生于 Loudonville, United States of America

    Nancy Morrison Crow: Pioneer of Art Quilting and Bold Color Expression

    Nancy Morrison Crow (born 1943) stands as a pivotal figure in the burgeoning art quilting movement of the 1970s and 80s, recognized globally for her distinctive approach to textile art—characterized by striking color palettes and innovative cutting techniques that prioritize spontaneity and personal vision. Born in Loudonville, Ohio, Crow’s artistic journey began with formal training in ceramics and weaving at Ohio State University, earning a BFA in 1965 and an MFA in 1969, grounding her understanding of material exploration before she turned her gaze to the vibrant realm of quilting.

    Early Influences: Crow’s formative years were steeped in artistic appreciation fostered by her family's involvement in the arts. Notably, her father served as mayor of Baltimore, exposing her to civic engagement and shaping her worldview.

    The Birth of Bold Color Quilts: Recognizing the transformative power of color, Crow embarked on a stylistic path that contrasted traditional quilt patterns—such as the Log Cabin block—with audacious combinations of hues. This decision signaled a rejection of conventional quilting aesthetics and established a cornerstone of her artistic identity.

    The Art Quilting Movement and Innovative Techniques

    Crow’s contribution to art quilting extends beyond mere stylistic preference; she spearheaded the development of groundbreaking techniques that liberated quilt makers from rigid constraints. Departing from conventional piecing methods, Crow championed freeform cutting—a process allowing for intuitive exploration and fostering an artist's emotional response to the fabric itself. This approach mirrored broader trends within contemporary textile art, emphasizing improvisation and embracing unexpected results.

    From Traditional Patterns to Asymmetrical Designs: Initially incorporating established quilt designs like Log Cabin blocks alongside vibrant color schemes, Crow progressively moved toward asymmetrical compositions—a stylistic hallmark that reflected her desire for artistic freedom and challenged conventional geometric structures.

    Technique Development: Crow’s meticulous experimentation yielded techniques designed to maximize spontaneity and expressiveness. These innovations included layering fabrics in unconventional ways and manipulating textures to create visually arresting effects.

    Notable Achievements and Recognition

    Crow's influence on the art quilting landscape is undeniable, earning her a fellowship from the American Craft Council in 1999. Her quilts have garnered acclaim from curators and collectors alike, securing their place within prestigious collections—including those housed at Musée des Beaux-Arts de Nancy (France) and Schweinfurth Memorial Art Center (New York). Furthermore, she has lectured extensively worldwide, disseminating her artistic vision and inspiring countless quilters to embrace experimentation and personal storytelling.

    Solo Exhibitions: Crow’s solo exhibitions at institutions like the Butler Institute of American Art and Fuller Craft Museum showcased her distinctive aesthetic—highlighting her masterful use of color and texture.

    Teaching Legacy: Crow's dedication to fostering artistic growth extends beyond her own work; she has served as a teacher, nurturing emerging quilters and promoting dialogue about textile art’s role in conveying emotion and experience.

    Continuing Artistic Exploration

    Currently residing in Nelsonville, Ohio, Nancy Morrison Crow continues to pursue artistic endeavors—teaching workshops and creating new quilts that reflect her ongoing engagement with color, form, and the expressive potential of fabric. Her enduring commitment to innovation and her profound connection to the craft tradition solidify her position as a visionary artist whose legacy resonates throughout the art quilting community.

    博物馆

    San Jose Museum of Quilts - Textiles

    展出地点 San Jose, United States of America

    A Tapestry of Human Narrative: The San Jose Museum of Quilts & Textiles

    In the vibrant heart of San Jose’s SoFA Arts District, where creativity pulses through the streets, lies a sanctuary dedicated to one of humanity's most intimate and enduring art forms. The

    San Jose Museum of Quilts & Textiles

    stands as a singular testament to the power of fiber arts—a medium that, while often overshadowed by the grand scale of oil paintings or marble sculptures, possesses a profound ability to articulate the textures of human existence. Founded in 1977 as the American Museum of Quilts and Related Arts, this pioneering institution was the first of its kind in the United States to elevate the craft of quilting and textile production to the status of legitimate visual art. It is a place where the needle and thread serve as instruments of storytelling, weaving together the threads of personal memory and global heritage.

    To wander through the museum’s collection is to embark on a sensory journey across centuries and continents. The holdings are a breathtaking mosaic of over 1,500 objects that bridge the gap between domestic devotion and avant-garde experimentation. Visitors may find themselves captivated by the rhythmic geometry of historical masterpieces, such as the

    Silk Log Cabin Quilt

    by Marie T. Wageman Pechmann, where every interlocking square acts as a heartbeat of mid-nineteenth-century history. The collection breathes with the vitality of both the old and the new, showcasing meticulously crafted ethnic textiles that serve as repositories of cultural identity alongside groundbreaking contemporary works. From the intricate, nature-inspired motifs of Jane A. Sassaman’s

    Brocade Quilt

    to the vibrant, seasonal landscapes found in Karmen Gallo Stren’s

    Celebration of Autumn

    , the museum celebrates a spectrum of technique that ranges from traditional hand-stitching to modern machine strip quilting.

    What truly distinguishes this institution is its role as a living laboratory for artistic dialogue. Beyond the static beauty of its permanent galleries, the museum fosters a dynamic community through its

    Artist in Residence Program

    , which has provided a platform for creators since 2016 to push the boundaries of fiber experimentation. This commitment to growth is mirrored in its scholarly depth; with a research library containing over 500 specialized volumes, the museum serves as a vital cornerstone for historians and textile enthusiasts alike. For the interior designer seeking inspiration in texture and form, or the collector drawn to the intersection of craft and fine art, the San Jose Museum of Quilts & Textiles offers more than just an exhibition; it offers an immersive exploration of the tactile soul of art, proving that the most profound stories are often those woven into the very fabric of our lives.

    更多阅读详情

    在线查看详情

    链接至 Study #11 下载页面的二维码

    wahooart.com/zh/art/download/nancy-morrison-crow-study-11-D8EL5T-en/

    引用此艺术品

    MLA
    crow, nancy morrison. Study #11. 1990, San Jose Museum of Quilts - Textiles. https://wahooart.com/zh/art/nancy-morrison-crow-study-11-D8EL5T-en/
    APA
    crow, nancy morrison (1990). Study #11 [Painting]. San Jose Museum of Quilts - Textiles. https://wahooart.com/zh/art/nancy-morrison-crow-study-11-D8EL5T-en/
    Chicago
    nancy morrison crow. Study #11. 1990. San Jose Museum of Quilts - Textiles. https://wahooart.com/zh/art/nancy-morrison-crow-study-11-D8EL5T-en/
    Harvard
    crow, nancy morrison (1990) Study #11. San Jose Museum of Quilts - Textiles. Available at: https://wahooart.com/zh/art/nancy-morrison-crow-study-11-D8EL5T-en/

    细细观察

    Study #11 — nancy morrison crow

    细致观察

    请用自己的话来回答。这里没有标准答案——只有你能解释清楚的答案。

    1. 首先吸引你目光的是什么?为什么?
    2. 哪些色彩或形状营造了这种氛围——而这种氛围又是怎样的呢?
    3. 回想一下本指南前文提到的 Study #2 (1998)。请指出它与此件作品共有之处的两点,以及不同之处的一点。
    4. nancy morrison crow 在创作此作时大约 47 岁。作品中的哪些细节体现了艺术家这一阶段的创作特征?
    5. 艺术家或许想让你感受到什么?

    您的回复

    请围绕这件艺术品撰写一段简短的介绍。内容请结合本指南前文所述的事实以及您在上方提供的答案。