纸张

学生作品指南

Shelf No.

姓名 班级 日期

kunsik choi, Shelf No. (2019), 光州设计双年展. 仅供参考之用;版权归权利持有人所有。

基本信息

艺术家
kunsik choi wahooart.com/zh/artists/kunsik-choi/
艺术家创作日期
1980 – ?
绘画
2019
原尺寸
120 x 80 cm
流派/运动
Contemporary Minimalism
举办地点
光州设计双年展 wahooart.com/zh/museums/guang-zhou-she-ji-shuang-nian-zhan-guang-zhou_zh/

语境中

Shelf No. — kunsik choi

尺寸大小如何?

原件尺寸为 120 × 80 厘米(高 × 宽),此处将其与一名平均身高的成年人并列展示。

此画创作于何时?

  1. 1980
  2. 1990
  3. 2000
  4. 2010

阴影:kunsik choi 的生卒年 (1980–?) ▲ 此作,2019

对比参考

  • Facet, 2015 wahooart.com/zh/art/kunsik-choi-facet-D7UUSW-en/

从上方作品中任选其一:列出它与此件作品的两个共同点,以及一个不同点。

与此作品风格相近的其他作品:wahooart.com/zh/art/similar/kunsik-choi-shelf-no-D7UVPV-en/

配色方案

根据图像测量

    主色调

    White #eae6e4

    已编入目录的色板

    • #EAE6E4
    • #D1D3D6
    • #422A19
    • #AE8861
    色调
    Pastels 图像中的主导色系。
    主色名称
    White
    饱和度
    Monochromatic 色彩的饱和度与多样性,涵盖了从单一的柔和色调到多种明亮色彩的范围。
    对比度
    Serene 画面中色彩在明度和饱和度上的差异程度。
    和谐
    Softly Mixed Palette 色彩之间的协调程度,从冲突到完全统一。
    亮度
    Brilliant 画面整体的明暗程度,涵盖了从深邃阴影到明亮高光的变化。
    饱和度
    Muted 色彩纯净且富有张力,从近乎灰调到极尽鲜艳。

    艺术家与博物馆

    艺术家

    kunsik choi

    出生于 Stockholm, Sweden

    Kunsik Choi: Sculpting Space and Tradition

    Born in Stockholm, Sweden, in 1980 – a city renowned for its design heritage – Kunsik Choi’s artistic journey is one of fascinating confluence. Rooted in Korean ancestry yet shaped by Scandinavian aesthetics and rigorous European training, he has emerged as a compelling voice in contemporary furniture and spatial design. His work isn't merely about creating objects; it’s about crafting experiences—a delicate balance between honoring established craftsmanship and pushing the boundaries of form and function.

    Choi’s early influences were diverse. He began his formal training at Politecnico di Milano in Italy, immersing himself in the principles of Industrial Product Design. This initial exposure to international design sensibilities provided a crucial foundation before he returned to South Korea to gain practical experience in furniture and stage design. However, it was his subsequent relocation to Sweden that truly ignited his artistic vision. A deliberate choice to deepen his understanding of traditional cabinetmaking, he spent three formative years at Capellagården, a prestigious Swedish craft school, learning the meticulous techniques passed down through generations of master craftsmen.

    The Pursuit of Purity and Form

    This apprenticeship wasn’t simply about acquiring skills; it was a profound immersion in the values of Scandinavian design – an appreciation for simplicity, functionality, and the inherent beauty of natural materials. The emphasis on ‘Gesällprov,’ the Swedish journeyman exam, underscored his commitment to mastering traditional techniques and demonstrating a deep understanding of material potential. He successfully completed this rigorous examination in 2015, marking a significant milestone in his artistic development.

    Following this pivotal experience, Choi established his own studio, KUNSIK, initially based in Malmö before relocating to Stockholm in 2021. This move solidified his position within Sweden’s vibrant design scene and provided him with access to a network of collaborators and opportunities. His artistic philosophy centers on the intricate interplay between people, objects, and spaces – transforming these relationships into tangible works. He consistently seeks to symbolize the essence of purity in form, often drawing inspiration from nature and exploring geometric abstraction.

    Notable Achievements & Recognition

    Choi’s work has garnered significant recognition within the design community. A standout achievement was his victory at Muuto Talent Awards 2015 for his ‘Mirrored Mirror’ design – a testament to his innovative approach and skillful execution. Further accolades followed, including nomination as ‘Designer of the Month’ by Form / Design Center in Sweden, highlighting his rising prominence. His ‘Facet’ piece, showcased at Stockholm Furniture Fair 2016, received considerable attention from publications like Wallpaper, Milkdecoration, and Yatzer magazine, praised for its ability to reinterpret traditional furniture-making methods within a contemporary context.

    Exploring Spatial Design & Contemporary Sculpture

    Kunsik Choi’s practice extends beyond conventional furniture design. He actively engages with spatial design, creating immersive environments that blur the boundaries between interior architecture and sculpture. His pieces often incorporate intricate detailing and unexpected forms, inviting viewers to contemplate their relationship with space and object. His work frequently incorporates reflective surfaces and geometric patterns, adding a layer of visual complexity and dynamism. The influence of his training in traditional cabinetmaking is evident in the meticulous craftsmanship and attention to detail that characterize all of his creations.

    Looking Ahead

    Kunsik Choi’s trajectory demonstrates a remarkable synthesis of tradition and innovation. He continues to push the boundaries of design, exploring new materials and techniques while remaining deeply rooted in the values of Scandinavian craftsmanship. As he establishes himself as a leading figure in contemporary furniture and spatial design, his work promises to continue captivating audiences with its elegance, functionality, and profound sense of place.

    博物馆

    光州设计双年展

    展出地点 光州, 韩国

    博物馆信息:光州设计双年展

    光州设计双年展犹如一座灯塔,矗立在韩国充满活力的文化图景之中——它既是对悠久传统的致敬,也是对不屈创造精神的有力证明。自2004年创立,作为著名光州双年展(始于1995年)的延伸,它迅速确立了自己作为探索不断演变的“设计”领域的顶级国际论坛地位。其意义早已超越了单纯的视觉展示,而蜕变为一个充满活力的学科交汇点——平面设计、工业设计、时尚、建筑和数字媒体在此交融碰撞,共同编织出一种挑战固有观念、激发全新视角的沉浸式体验。双年展所展现的远不止是赏心悦目的艺术品,它更倡导着一种深刻的责任感,敦促设计师们不仅要思考美学本身,更要深思其作品中所蕴含的伦理与文化意涵。

    双年展坐落于光州中央公园——一片广阔的城市绿洲之中,其建筑布局本身就折射出其核心精神:现代化的展览馆庄严地矗立在历史悠久的建筑群旁,每一个空间都经过精心改造,旨在完美衬托那些突破性的艺术作品。这种并置本身,便构成了对光州深厚底蕴的有力提醒,其根源可追溯至1980年那场勇敢的光州起义——这场事件本身就象征着对民主和言论自由不懈的追求。双年展的策展人巧妙地将这段历史叙事编织进每一场展览的肌理之中,引导着每一位到访者思考:艺术的探索如何能为社会进步与文化理解贡献力量。

    双年展的馆藏亮点尤其引人注目。这里汇集了国际知名设计师的作品——从探讨可持续性与科技前沿主题的雕塑装置,到颂扬韩国精湛工艺的纺织艺术品,展览提供了一幅全景式的当代设计趋势图谱。特别值得一提的是,由郭俊焕和尹贞哲创立的studio klio design,以融合了韩国传统韵味与现代美学的创新金属工艺品丰富了馆藏;此外,白谷耕世的建筑设计作品与Saleem atelier的金属艺术品并置展示,共同彰显了对探索多元艺术媒介的坚定承诺。

    除了令人赞叹的视觉盛宴之外,双年展更营造了一个知识交流的氛围。来自全球的杰出设计师和学者们带来了精彩的讲座和工作坊,吸引着真正国际化的参与群体,促进了跨越地理界限的文化对话与合作火花。近期的主题,例如2025年的“你,世界:设计如何拥抱人性”,便生动地体现了这种精神——它挑战所有参与者去思考,设计力量究竟能在多大程度上激发同理心,并解决迫切的全球性议题。

    双年展的持久影响早已超越其物理空间;它积极倡导包容性,将无障碍设施和满足各类访客需求置于首位。这种承诺体现在其日益聚焦的“包容性设计”理念上——这是一种倡导艺术体验公平获取权的哲学思想,是光州文化身份的基石,也是对其坚信创造力变革力量的不懈信念的最好证明。光州设计双年展持续地激励着艺术家、设计师和思考者们,巩固了其作为全球设计对话中不可或缺的一环地位,共同塑造我们集体的未来图景。

    更多阅读详情

    在线查看详情

    链接至 Shelf No. 下载页面的二维码

    wahooart.com/zh/art/download/kunsik-choi-shelf-no-D7UVPV-en/

    引用此艺术品

    MLA
    choi, kunsik. Shelf No.. 2019, 光州设计双年展. https://wahooart.com/zh/art/kunsik-choi-shelf-no-D7UVPV-en/
    APA
    choi, kunsik (2019). Shelf No. [Painting]. 光州设计双年展. https://wahooart.com/zh/art/kunsik-choi-shelf-no-D7UVPV-en/
    Chicago
    kunsik choi. Shelf No.. 2019. 光州设计双年展. https://wahooart.com/zh/art/kunsik-choi-shelf-no-D7UVPV-en/
    Harvard
    choi, kunsik (2019) Shelf No.. 光州设计双年展. Available at: https://wahooart.com/zh/art/kunsik-choi-shelf-no-D7UVPV-en/

    细细观察

    Shelf No. — kunsik choi

    细致观察

    请用自己的话来回答。这里没有标准答案——只有你能解释清楚的答案。

    1. 首先吸引你目光的是什么?为什么?
    2. 哪些色彩或形状营造了这种氛围——而这种氛围又是怎样的呢?
    3. 我们的目录将此作品归类于:minimalist shelf, wood texture”, “geometric design”。您认同吗?您会增加或删除哪些标签?
    4. 回想一下本指南前文提到的 Facet (2015)。请指出它与此件作品共有之处的两点,以及不同之处的一点。
    5. kunsik choi 在创作此作时大约 39 岁。作品中的哪些细节体现了艺术家这一阶段的创作特征?

    您的回复

    请围绕这件艺术品撰写一段简短的介绍。内容请结合本指南前文所述的事实以及您在上方提供的答案。