纸张

学生作品指南

The Refugees

4 parts 1 The artwork2 In context3 Artist and museum4 Look closely

姓名 班级 日期
kerr eby, The Refugees (1935). 公有领域

基本信息

艺术家
kerr eby wahooart.com/zh/artists/kerr-eby/
艺术家创作日期
1889 – 1946
绘画
1935
原尺寸
82 x 122 cm

In context

The Refugees — kerr eby

How big is it?

The original measures 82 × 122 cm (height × width), drawn here beside an adult of average height.

此画创作于何时?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940

阴影:kerr eby 的生卒年 (1889–1946) ▲ 此作,1935

对比参考

从上方作品中任选其一:列出它与此件作品的两个共同点,以及一个不同点。

与此作品风格相近的其他作品:wahooart.com/zh/art/similar/kerr-eby-the-refugees-AQTFZV-en/

配色方案

根据图像测量

    主色调

    Driftwood #c69248

    已编入目录的色板

    • #C69248
    • #151110
    • #432D1A
    • #845A2D
    色调
    Earthy 图像中的主导色系。
    主色名称
    Driftwood
    饱和度
    Monochromatic 色彩的饱和度与多样性,涵盖了从单一的柔和色调到多种明亮色彩的范围。
    对比度
    Bold 画面中色彩在明度和饱和度上的差异程度。
    和谐
    Strong Color Unity 色彩之间的协调程度,从冲突到完全统一。
    亮度
    Deep_shadow 画面整体的明暗程度,涵盖了从深邃阴影到明亮高光的变化。
    饱和度
    Subtle Color 色彩纯净且富有张力,从近乎灰调到极尽鲜艳。

    艺术家与博物馆

    The Refugees — kerr eby

    艺术家

    kerr eby

    Kerr Eby: A Chronicle of War and Witness

    Born in the bustling metropolis of Tokyo in 1889, Kerr Eby’s artistic journey began far from the familiar landscapes of his Canadian heritage. His parents, devout Methodist missionaries, instilled within him a deep appreciation for observation and a keen eye for detail – qualities that would prove instrumental in shaping his distinctive style. Early life in Canada provided a grounding in traditional art training, but it was his relocation to New York City in 1907 that truly ignited his artistic ambitions. He enrolled at Pratt Institute and later honed his skills at the prestigious Art Students League, immersing himself in the vibrant artistic community of the city.

    Eby’s formative years were marked by a fascination with printmaking, an art form he mastered through apprenticeships and hands-on experience. He secured a position at the American Lithographic Company, gaining invaluable insight into the technical intricacies of etching and lithography – skills that would later become central to his artistic practice. Crucially, he benefited from the influence of his uncle, Frederick Keppel Sr., a prominent art dealer who championed the recognition of prints as a legitimate form of fine art within America. This support, combined with his own dedication, allowed Eby to develop a remarkable technical proficiency and a unique visual language.

    更多阅读详情

    在线查看详情

    链接至 The Refugees 下载页面的二维码

    wahooart.com/zh/art/download/kerr-eby-the-refugees-AQTFZV-en/

    引用此艺术品

    MLA
    eby, kerr. The Refugees. 1935, https://wahooart.com/zh/art/kerr-eby-the-refugees-AQTFZV-en/
    APA
    eby, kerr (1935). The Refugees [Painting]. https://wahooart.com/zh/art/kerr-eby-the-refugees-AQTFZV-en/
    Chicago
    kerr eby. The Refugees. 1935. https://wahooart.com/zh/art/kerr-eby-the-refugees-AQTFZV-en/
    Harvard
    eby, kerr (1935) The Refugees. Available at: https://wahooart.com/zh/art/kerr-eby-the-refugees-AQTFZV-en/

    Look closely

    The Refugees — kerr eby

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Shadows (1936), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. kerr eby was about 46 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.