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学生作品指南

Low tide honfleur

姓名 班级 日期

Guy Rose, Low tide honfleur. 公有领域 在流动的光影下观察这幅画布:线条的笔触、清漆下的真实色彩、以及纯粹的颜料质感

基本信息

艺术家
Guy Rose wahooart.com/zh/artists/guy-rose/
艺术家生卒年
1867 – 1925

语境中

Low tide honfleur — Guy Rose

此画作的创作年代可能为何时?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920

上行:年份。下行:艺术家在每个时间段开始与结束时的年龄 —— 出生时为 0,去世时为 58。

阴影:Guy Rose 的生卒年 (1867–1925) 每一幅带有日期的画作,按年代编排

此唱片目前尚无确切的年份记录 —— 根据艺术家的生卒年及作品风格,您会推测其属于哪个年代?

对比相似作品

从上方作品中任选其一:列出它与此件作品的两个共同点,以及一个不同点。

更多与此作品相媲美的佳作:wahooart.com/zh/art/similar/guy-rose-low-tide-honfleur-A269LB-en/

配色方案

图像测量值

    主色调

    Bronze #c99721

    已收藏色板

    • #C99721
    • #A59085
    • #D9CAAE
    • #E1BE54

    这些色彩尽在艺术家的完整调色盘之中 按颜色查找其他画作

    色调
    Pastels 图像中的主导色系。
    主色名称
    Bronze
    饱和度
    Vivid 色彩的饱和度与多样性,涵盖了从单一柔和色调到多种明亮色彩的范围。
    对比度
    Serene 画面中色彩在明度与饱和度上的差异程度。
    和谐
    Unified Palette 色彩之间的协调程度,从冲突到完全统一。
    亮度
    Brilliant 画面整体的明暗程度,涵盖了从深邃阴影到明亮高光的变化。
    饱和度
    Clear Color Presence 色彩纯净且富有张力,从近乎灰调到极尽鲜艳。

    这幅画作在全球哪些地方被观赏?

    • 低于 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% 及以上
    仅凭这幅画作的记录访客数尚不足以绘制地图,因此该图表展示了过去十二个月内 Guy Rose 的每一件作品 —— 总计涵盖 7 个国家。 数据来源说明

    十大领先国家

    1. 1 中国 69.2%1800 次访问
    2. 2 阿尔及利亚 7.7%200 次访问
    3. 3 新加坡 7.7%200 次访问
    4. 4 西班牙 3.8%100 次访问
    5. 5 英国 3.8%100 次访问
    6. 6 突尼斯 3.8%100 次访问
    7. 7 美国 3.8%100 次访问

    在地图上找出颜色最深的三个国家。收藏这幅画作的博物馆是否位于其中之一?请写下一个让远方的人们想要观赏它的理由。

    Guy Rose 最受关注的 20 件作品

    1. 1 The model, (1919) 10.3%300 次访问
    2. 2 Portrait of an Algerian, (1900) 10.3%300 次访问
    3. 3 Tamarisk Trees in Early Sunlight 6.9%200 次访问
    4. 4 Giverny willows, (1891) 6.9%200 次访问
    5. 5 Monterey cypress 6.9%200 次访问
    6. 6 Low tide honfleur 此幅画作 3.4%100 次访问
    7. 7 Carmel seascape 3.4%100 次访问
    8. 8 Point lobos trees, (1919) 3.4%100 次访问
    9. 9 Point lobos, oak tree 3.4%100 次访问
    10. 10 La jolla beach 3.4%100 次访问
    11. 11 Giverny hillside, (1891) 3.4%100 次访问
    12. 12 The oak 3.4%100 次访问
    13. 13 La jolla cove 3.4%100 次访问
    14. 14 The cabbage patch, (1891) 3.4%100 次访问
    15. 15 My sister maud 3.4%100 次访问
    16. 16 Arroyo seco 3.4%100 次访问
    17. 17 Early morning - summertime, (1920) 3.4%100 次访问
    18. 18 17 mile drive, (1918) 3.4%100 次访问
    19. 19 Carmel hills, (1920) 3.4%100 次访问
    20. 20 The Blue Pool near Mt. Whitney 3.4%100 次访问

    这些作品共同占据了该艺术家画作在过去十二个月中所获关注度的 92.3%。该目录收录了 125 件该艺术家的作品,其中 22 件曾被至少浏览过一次。 这幅画作在其中排名第 6,占据了 3.4% 的关注度(共 100 次访问)。 每月统计数据保持一致

    条形图衡量的是关注度,而非品质。请选择排在首位的作品以及这一件:列举一件除了绘画技巧之外,可能使一幅画作闻名遐迩的因素。

    艺术家与博物馆

    艺术家

    Guy Rose

    Guy Orlando Rose: A Life in Impressionism

    Early Life and Education

    Birth & Family: Guy Orlando Rose was born on March 3, 1867, in San Gabriel, California, the seventh child of Leonard John Rose, a prominent California senator, and Amanda Jones Rose. The family resided on an expansive ranch and vineyard in the San Gabriel Valley – the town of Rosemead bears their name.

    Early Trauma & Artistic Beginnings: At age nine, Guy was accidentally shot in the face during a hunting trip. During his convalescence, he began to sketch with watercolors and oils, discovering an early passion for art.

    Formal Training: He graduated from Los Angeles High School in 1884 before moving to San Francisco to study at the California School of Design (San Francisco Art Association) from 1885-1888. His instructors included Virgil Williams, Warren E. Rollins, and Emil Carlsen. He received accolades for his work during this period, including the Avery Gold Medal in oil painting.

    Parisian Studies: In September 1888, Rose enrolled at the Académie Julian in Paris, studying under Benjamin-Constant, Jules Lefebvre, Lucien Doucet, and Jean-Paul Laurens. He also attended the Académie Delacluse on scholarship, exhibiting work at the Paris Salons in 1890, 1891, 1894, 1900, and 1909.

    Artistic Development & Influences

    Early Style: Rose’s early work demonstrated a strong foundation in academic painting techniques honed during his training.

    Impressionist Turn: His move to Giverny, France, in 1899 marked a turning point. Living near Claude Monet, he became deeply influenced by Impressionism, adopting its emphasis on light, color, and plein air painting.

    Monet’s Mentorship: Rose developed a close friendship with Monet, who served as a mentor, further solidifying his commitment to the Impressionist style. His works from this period clearly reflect Monet's influence in their luminous quality and focus on atmospheric effects.

    Other Influences: He also maintained lifelong friendships with fellow artists Frank Vincent DuMond and Frederick Melville, exchanging ideas and artistic approaches.

    Career & Major Achievements

    Early Career (1890s): Rose worked as an illustrator for publications like Harper's, Scribner’s, and Century in New York City.

    Giverny Period (1904-1912): This was a highly productive period, with Rose creating many of his most celebrated Impressionist landscapes.

    California Return & Teaching: Due to health issues (lead poisoning), Rose and his wife returned to Los Angeles in 1914. He became Director of the Stickney Memorial School of Art in Pasadena, sharing his knowledge with aspiring artists.

    Carmel-by-the-Sea (1918-1920): Rose was an active member of the Carmel art colony, exhibiting his work and contributing to the local artistic community.

    Notable Works: Some of his most recognized paintings include “Point Lobos,” “The Saine Valley, Giverny”, "Oak Grove, Carmel", and numerous landscapes capturing the beauty of California and France.

    Historical Significance & Legacy

    American Impressionism: Guy Rose is considered a significant figure in American Impressionism, bridging European techniques with Californian landscapes.

    California Art Scene: He played an important role in developing the California art scene, both as an artist and educator.

    Lasting Influence: His paintings continue to be admired for their delicate handling of light, vibrant colors, and evocative depictions of nature.

    Posthumous Recognition: A memorial exhibition was held at the Stendahl Gallery in 1926 following his death on November 17, 1925, in Pasadena, California.

    更多阅读资讯

    在线查看详情

    链接至 Low tide honfleur 下载页面的二维码

    wahooart.com/zh/art/download/guy-rose-low-tide-honfleur-A269LB-en/

    引用此作品

    MLA
    Rose, Guy. Low tide honfleur. n.d., https://wahooart.com/zh/art/guy-rose-low-tide-honfleur-A269LB-en/
    APA
    Rose, Guy (n.d.). Low tide honfleur [Painting]. https://wahooart.com/zh/art/guy-rose-low-tide-honfleur-A269LB-en/
    Chicago
    Guy Rose. Low tide honfleur. n.d. https://wahooart.com/zh/art/guy-rose-low-tide-honfleur-A269LB-en/
    Harvard
    Rose, Guy (n.d.) Low tide honfleur. Available at: https://wahooart.com/zh/art/guy-rose-low-tide-honfleur-A269LB-en/

    近距离观察

    Low tide honfleur — Guy Rose

    细致观赏

    请用自己的话来回答。这里没有标准答案——只有你能解释清楚的答案。

    1. 首先吸引你目光的是什么?为什么?
    2. 哪些色彩或形状营造了这种氛围——而这种氛围又是怎样的呢?
    3. 我们的目录将此作品归类于:beach。您认同吗?您会增加或删除哪些标签?
    4. 回看本指南前文提到的 Point lobos trees, (1919),请指出它与此件作品共有之处的两点,以及不同之处的一点。
    5. 艺术家或许想让你感受到什么?

    您的回复

    请围绕这件艺术品撰写一段简短的介绍。内容请结合本指南前文所述的事实以及您在上方提供的答案。

    常见问题与解答

    我能查看Guy Rose 的《Low tide honfleur》的X光影像吗?

    您可以在作品的 X射线透视 页面上逐层探索 “Low tide honfleur”;该交互式查看器的设计灵感源自修复师使用的光源台,通过十一层光学读数呈现图像细节。

    Guy Rose 的《Low tide honfleur》 的版权情况是如何界定的?

    "Low tide honfleur" 的版权状态 —— 属于公有领域 —— 其版权已过期 —— 取决于艺术家于 1925 年逝世这一事实。

    在“Low tide honfleur”中,对比与和谐是如何交织融合的?

    Guy Rose 的《Low tide honfleur》 的色彩构成将 Serene 的对比与 Unified Palette 的和谐融为一体。