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学生作品指南

Portrait 3

4 parts 1 The artwork2 In context3 Artist and museum4 Look closely

姓名 班级 日期
graham coughtry, Portrait 3 (1958). 仅供参考之用;版权归权利持有人所有。

基本信息

艺术家
graham coughtry wahooart.com/zh/artists/graham-coughtry/
艺术家创作日期
1931 – 1999
绘画
1958
原尺寸
102 x 92 cm

In context

Portrait 3 — graham coughtry

How big is it?

The original measures 102 × 92 cm (height × width), drawn here beside an adult of average height.

此画创作于何时?

  1. 1930
  2. 1940
  3. 1950
  4. 1960
  5. 1970
  6. 1980
  7. 1990

阴影:graham coughtry 的生卒年 (1931–1999) ▲ 此作,1958

对比参考

从上方作品中任选其一:列出它与此件作品的两个共同点,以及一个不同点。

与此作品风格相近的其他作品:wahooart.com/zh/art/similar/graham-coughtry-portrait-3-ARA92N-en/

配色方案

根据图像测量

    主色调

    Walnut #5d3318

    已编入目录的色板

    • #5D3318
    • #412D24
    • #392214
    • #251A12
    色调
    Monochrome 图像中的主导色系。
    主色名称
    Walnut
    饱和度
    Monochromatic 色彩的饱和度与多样性,涵盖了从单一的柔和色调到多种明亮色彩的范围。
    对比度
    Serene 画面中色彩在明度和饱和度上的差异程度。
    和谐
    Unified Palette 色彩之间的协调程度,从冲突到完全统一。
    亮度
    Deep_shadow 画面整体的明暗程度,涵盖了从深邃阴影到明亮高光的变化。
    饱和度
    Subtle Color 色彩纯净且富有张力,从近乎灰调到极尽鲜艳。

    艺术家与博物馆

    Portrait 3 — graham coughtry

    艺术家

    graham coughtry

    Graham Coughtry: A Toronto Visionary

    Graham Coughtry (1931 – 1999) was a British-born Canadian painter who established himself as a prominent figure in Toronto’s artistic landscape during the mid-century period. His distinctive style—characterized by textured impasto, muted color palettes, and semi-abstract representations of human figures—earned him recognition both nationally and internationally. Though relatively unknown outside of Canada, Coughtry's work holds considerable importance within Canadian Modernism and continues to inspire artists today.

    Early Life & Artistic Beginnings

    Born in London, England, Coughtry’s artistic inclinations emerged early in his life. He pursued formal training at Chelsea School of Art and later studied at Pratt Institute in New York City, absorbing influences from Surrealist painters like René Magritte and Yves Tanguy. These formative experiences instilled a fascination with exploring psychological states and conveying emotion through visual imagery—a core element that would permeate his subsequent artistic endeavors.

    The Toronto Years & Pierre Bonnard Influence

    Coughtry relocated to Toronto in 1960, where he quickly gained traction within the burgeoning Canadian art scene. He became particularly captivated by the work of Pierre Bonnard, whose subtle tonal harmonies and atmospheric landscapes profoundly impacted Coughtry’s artistic approach.

    更多阅读详情

    在线查看详情

    链接至 Portrait 3 下载页面的二维码

    wahooart.com/zh/art/download/graham-coughtry-portrait-3-ARA92N-en/

    引用此艺术品

    MLA
    coughtry, graham. Portrait 3. 1958, https://wahooart.com/zh/art/graham-coughtry-portrait-3-ARA92N-en/
    APA
    coughtry, graham (1958). Portrait 3 [Painting]. https://wahooart.com/zh/art/graham-coughtry-portrait-3-ARA92N-en/
    Chicago
    graham coughtry. Portrait 3. 1958. https://wahooart.com/zh/art/graham-coughtry-portrait-3-ARA92N-en/
    Harvard
    coughtry, graham (1958) Portrait 3. Available at: https://wahooart.com/zh/art/graham-coughtry-portrait-3-ARA92N-en/

    Look closely

    Portrait 3 — graham coughtry

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Late Afternoon Interior (1957), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. graham coughtry was about 27 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.