Portrait of an old woman (1582) — найвідоміша картина Bartolomeo Passarotti, що зберігається в Kunsthistorisches Museum у Відень. The Anatomy Lesson (1550) та Family Portrait (1585) — наступні дві найвідоміші у світі роботи. З 59 робіт Bartolomeo Passarotti у нашому каталозі ми обрали 59 найбільш затребуваних колекціонерами та відвідувачами музеїв — із зазначенням року, музею та історії кожної з них.
Рейтинг сформовано на основі нашого показника популярності, що поєднує кількість пошукових запитів, переглядів та замовлень для кожної роботи. Оновлено Жовтень 2026. Кожен шедевр на цій сторінці можна замовити як художню олійну репродукцію ручної роботи музейного рівня або як високоякісний арт-принт у будь-якому обраному вами розмірі.
The Portrait of an old woman is a work by Bartolomeo Passarotti. Created around 1582, this oil on canvas belongs to the portrait genre. It captures a single subject, an elderly woman, in a moment of quiet presence. The sitter faces the viewer with a steady, unadorned gaze.
The oil painting titled The Anatomy Lesson brings us into a crowded, intense moment of scholarly inquiry. Created by Bartolomeo Passarotti, this work captures a dramatic academic demonstration. The scene centers on an open human body, laid out for study. A professor, dressed in ecclesiastical attire, leads the lesson. He directs the attention of a group of listeners who gather closely to witness the unfolding dissection. The body rests above…
In this vertical composition from around 1585, we find ourselves in the presence of three generations, brought together in a quiet, somber arrangement. The painting depicts an older widow seated with a grown son standing behind her, while a small child stands before them. There is a certain stillness to the grouping, a sense of social hierarchy expressed through their physical placement and stoic expressions. The figures are tightly clustered…
The Portrait of the physician Carlo Fontana is an oil on canvas work created by the artist Bartolomeo Passarotti. This portrait, which dates to 1580, depicts a male subject in a medium close-up composition. The painting is categorized within the genre of portraiture.
To gaze upon this portrait is to step directly into the vibrant, artfully complex world of late sixteenth-century Bologna. Bartolomeo Passarotti’s depiction of a man engrossed with his…
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In this evocative drawing, titled Copy after Michelangelo, we find ourselves transported to the heart of the sixteenth century, where the shadows of the High Renaissance meet the…
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To gaze upon "Diane Chasseresse" is to step directly into the vibrant, dramatic heart of the Italian Renaissance's later flourish—the era known as Mannerism. This painting, attributed to…
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In the intimate realm of late sixteenth-century portraiture, few works capture the quiet, profound connection between human and animal as poignantly as Bartolomeo Passarotti’s Portrait of a Man…
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The oil on canvas titled A Butchery emerged from the brush of Bartolomeo Passarotti in 1575. This work belongs to the Italian Mannerist movement, a period of shifting…
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The painting The Butcher's Shop by Bartolomeo Passerotti is a captivating work of art that showcases the everyday life of a butcher's shop in the late Renaissance period.…
Прикрасьте свій дім →Чотири сюжети, які найчастіше зустрічаються серед цих шедеврів, з найкращими прикладами кожного з них.
8 музеїв, у яких зберігається найбільша кількість картин із цього списку.
| Музеї | Місто | Твори Bartolomeo Passarotti | Картини з цього списку |
|---|---|---|---|
 Музей Прадо |
Мадрид | 4 | Male Nude, Copy of a Statue with A Female Nude From Back, Copy of the Good Thief, From the Last Judgement of Michelangelo |
 Kunsthistorisches Museum |
Відень | 3 | Portrait of an old woman, Family Portrait, Portrait of the physician Carlo Fontana |
 Галерея національного старовинного мистецтва |
Рим | 3 | The Fishmonger's Shop, A Butchery, The Butcher's Shop |
 Баварські державні художні колекції |
Мюнхен | 2 | Portrait of a Man, Portrait of a lady, head and shoulders |
 Музей образотв мистецтв |
Бостон | 2 | Blood of the Redeemer, Portrait of a Man Playing a Lute |
 Pinacoteca Capitolina |
Рим | 2 | Portrait of a Man with a Dog (detail), Portrait of a Man with a Dog |
 Галерея Борґезе |
Рим | 1 | The Anatomy Lesson |
 Національна галерея Ірландії |
Дублін | 1 | Saint Jerome |
The oil painting titled The Anatomy Lesson brings us into a crowded, intense moment of scholarly inquiry. Created by Bartolomeo Passarotti, this work captures a dramatic academic demonstration.…
The Portrait of an old woman is a work by Bartolomeo Passarotti. Created around 1582, this oil on canvas belongs to the portrait genre. It captures a single…
Portrait of an old woman (1582), Kunsthistorisches Museum, Відень. Далі йдуть The Anatomy Lesson (1550) та Family Portrait (1585).
53 років: Portrait of an old woman датована 1582 роком, а Bartolomeo Passarotti народився(-лася) у 1529.
Portrait of an old woman, The Anatomy Lesson, Family Portrait, Portrait of the physician Carlo Fontana, Portrait of a Man, Saint Jerome, The Fishmongers, Self-portrait, Portrait of a Scribe та Three Men with Two Dogs. У рейтингу вище вказано рік створення та музей для кожної картини.
У нашому каталозі представлено 59 робіт Bartolomeo Passarotti, датованих періодом з 1550 по 1585.
Більшість із них знаходяться в Музей Прадо (Мадрид), Kunsthistorisches Museum (Відень) та Галерея національного старовинного мистецтва (Рим). У таблиці вище перелічені музеї по черзі.
У 1580s: 16 із 59 робіт на цій сторінці датуються цим часом, серед них Portrait of an old woman.
Найдавніша робота на цій сторінці датована The Anatomy Lesson (1550), найновіша — Family Portrait (1585).
Man (4), Portraits (3) та Men (3), серед 59 робіт на цій сторінці.
Oil On Canvas: 4 із 59 робіт на цій сторінці.
Renaissance та Mannerism, як демонструють картини на цій сторінці.
Male Nude, Copy of a Statue with A Female Nude From Back та Copy of the Good Thief, From the Last Judgement of Michelangelo — це одні з 4 робіт на цій сторінці, що належать Музей Прадо, Мадрид.
Так. Кожну картину на цій сторінці можна замовити як музейну репродукцію, написану олією вручну, або як художній принт у будь-якому обраному вами розмірі — безпосередньо зі сторінки самої картини.
In the vibrant, shifting landscape of the late sixteenth century, few artists captured the transition from the structured elegance of the High Renaissance to the dramatic intensity of the Baroque as skillfully as Bartolomeo Passarotti. Born in Bologna in 1529, Passarotti emerged not merely as a painter, but as a pivotal bridge between eras. His early years were defined by a profound immersion in the Roman art scene, where between 1550 and 1555, he sought the guidance of masters such as Giacomo Barozzi da Vignola and Taddeo Zuccari. This period of Roman training was transformative; it instilled in him a deep reverence for classical antiquity and the humanist principles of anatomical precision and balanced composition, even as he began to experiment with the more elongated and complex forms that would define the Mannerist movement.
Upon his return to his native Bologna, Passarotti did not merely settle into local practice; he established a formidable artistic powerhouse. His studio became a crucible of innovation, attracting a generation of talent that would eventually reshape European art. Among his most notable pupils were Agostino Carracci, Lucio Massari, and Francesco Brizzi—artists who would carry the seeds of his stylistic experimentation into the burgeoning Baroque era. This legacy of mentorship ensured that Passarotti’s influence extended far beyond the walls of his own workshop, as his approach to light, texture, and subject matter permeated the very fabric of the Bolognese school.
Passarotti’s oeuvre is celebrated for its remarkable versatility, ranging from the divine to the deeply terrestrial. He possessed a unique ability to navigate between grand religious altarpiements and intimate, often gritty, genre scenes. His work often features a striking use of chiaroscuro, utilizing stark contrasts between light and shadow to imbue his subjects with a sense of psychological depth and physical presence. This technique, which prefigured the dramatic lighting later perfected by Caravaggio, allowed him to breathe life into both mythological figures and everyday laborers.
In his genre paintings, Passarotti displayed an extraordinary eye for detail and a fascination with the textures of daily existence. Works such as The Butcher's Shop (1580) serve as captivating windows into the late Renaissance world, showcasing a masterful command of warm tones and a realistic depiction of communal life. Similarly, his ability to render the divine is evident in pieces like Diane Chasseresse, where the Roman goddess of the hunt is captured with a dynamic, muscular grace that embodies the very essence of Mannerist energy. Whether depicting the quiet solitude of a Lute Player or the solemnity of religious devotion, his brushwork consistently sought to capture the fleeting tension between the ideal and the real.
While history sometimes overlooks Passarotti in favor of more revolutionary figures like Michelangelo, his importance to the evolution of Italian art is undeniable. He was a master of transition, an artist who understood how to honor the classical past while simultaneously preparing the ground for the emotional turbulence of the next century. His later works, influenced by Tuscan models such as Giorgio Vasari and Prospero Fontana, demonstrate a continuous evolution and an enduring curiosity about the changing tides of aesthetic taste.
The historical significance of Bartolomeo Passarotti lies in his role as a foundational figure for the Carracci Academy and the broader Bolognese tradition. His life’s work—a blend of meticulous anatomical study, dramatic lighting, and a profound interest in the human condition—remains a testament to the enduring power of Mannerism. Through his studio, his pupils, and his evocative canvases, Passarotti ensured that the spirit of Bologna would remain at the heart of the European artistic dialogue for generations to come.
