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Number 6

Ім'я Клас Дата

Джексон Поллонк, Number 6 (1949). Общественное достояние

Основна інформація

Автор
Джексон Поллонк wahooart.com/uk/artists/%D0%B4%D0%B6%D0%B5%D0%BA%D1%81%D0%BE%D0%BD-%D0%BF%D0%BE%D0%BB%D0%BB%D0%BE%D0%BD%D0%BA_uk/
Дати створення автором
1912 – 1956
Живопис
1949
Матеріал
Олія на полотні
Початковий розмір
112 x 137 cm
Рух
Abstract Expressionism Large canvases where the act of painting itself — the drip, the sweep — is the subject.
Період
— Модерн і сучасне мистецтво

У контексті

Number 6 — Джексон Поллонк

Який він за розміром?

Оригінальні розміри складають 112 × 137 см (висота × ширина), представлено поруч із дорослою людиною середнього зросту.

Коли це було написано?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950

Затінення: життя Джексон Поллонк (1912–1956) ▲ ця робота, 1949

Схожі твори мистецтва

  • Номер 1, 1949, 1950 wahooart.com/uk/art/%D0%B4%D0%B6%D0%B5%D0%BA%D1%81%D0%BE%D0%BD-%D0%BF%D0%BE%D0%BB%D0%BB%D0%BE%D0%BD%D0%BA-%D0%BD%D0%BE%D0%BC%D0%B5%D1%80-1-1949-8EWJX6-uk/
  • Осінній Ритм. № 30, 1950 wahooart.com/uk/art/%D0%B4%D0%B6%D0%B5%D0%BA%D1%81%D0%BE%D0%BD-%D0%BF%D0%BE%D0%BB%D0%BB%D0%BE%D0%BD%D0%BA-%D0%BE%D1%81%D1%96%D0%BD%D0%BD%D1%96%D0%B9-%D1%80%D0%B8%D1%82%D0%BC-no-30-1950-8EWJW5-uk/
  • Збіг (Zbig) wahooart.com/uk/art/%D0%B4%D0%B6%D0%B5%D0%BA%D1%81%D0%BE%D0%BD-%D0%BF%D0%BE%D0%BB%D0%BB%D0%BE%D0%BD%D0%BA-%D0%B7%D0%B1%D1%96%D0%B3-zbig-8EWJWJ-uk/

Оберіть одну з робіт вище: назвіть дві спільні риси з цією роботою та одну відмінність.

Більше творів, що доповнюють цей: wahooart.com/uk/art/similar/paul-jackson-pollock-number-6-8XYAGC-en/

Кольорова палітра

Виміряно за зображенням

    Основний колір

    Сірий #706a62

    Збережена палітра

    • #706A62
    • #0F0D14
    • #ABA6A5
    • #3A3637
    Назва основного кольору
    Сірий
    Інтенсивність
    Монохромність Наскільки насиченими та різноманітними є кольори: від одного приглушеного відтінку до багатьох яскравих.
    Контрастність
    Виразний Ступінь відмінності кольорів за світлотою та насиченістю в межах картини.
    Гармонія
    Диссонуюча палітра Наскільки вдало поєднуються кольори — від контрастних до повністю гармонійних.
    Яскравість
    Глибока тінь Загальна світлотінь картини: від глибокої тіні до яскравого світла.
    Насиченість
    Приглушений Наскільки чистими та насиченими є кольори — від майже сірих до максимально яскравих.

    Про цей витвір мистецтва

    Number 6 — Джексон Поллонк

    Number 6 by Jackson Pollock: A Deep Dive

    Title: Number 6

    Artist: Jackson Pollock

    Year: 1949

    Dimensions: 112 x 137 cm

    Medium: Oil on Canvas

    The Essence of Abstract Expressionism

    Number 6 stands as a pivotal work within Jackson Pollock's oeuvre and the broader movement of Abstract Expressionism. Emerging in post-World War II America, this style rejected traditional representational art, instead prioritizing spontaneous gesture and emotional expression. Abstract Expressionists sought to convey profound human experiences through non-figurative forms, reflecting a sense of anxiety, liberation, and existential questioning prevalent during that era. Pollock's contribution was particularly revolutionary, moving away from the easel and embracing a radical new technique.

    Pollock’s Drip Technique: Action Painting in Motion

    What truly sets Number 6 apart is Pollock’s groundbreaking “drip” or "pouring" technique. Rather than using brushes on an upright canvas, he laid the canvas flat on the floor and dripped, poured, and flung paint from above. This method allowed for a complete immersion in the creative process – Pollock literally moved around the canvas, engaging his entire body in the act of painting. This approach is often referred to as "action painting," emphasizing the physical energy and spontaneity inherent in the creation. The resulting composition isn't planned; it emerges organically from the interaction between paint, gravity, and the artist’s movements. Number 6 exemplifies this perfectly – a complex web of interwoven lines and colors that seem to pulsate with kinetic energy.

    Symbolism and Emotional Resonance

    While seemingly chaotic at first glance, Number 6 possesses an underlying structure and rhythm. The dense network of lines creates a sense of depth and complexity, drawing the viewer into its intricate details. The colors—ranging from blacks and whites to subtle shades of brown and gray—evoke a mood of introspection and contemplation. Some art historians interpret Pollock’s work as reflecting psychological states – the tangled web representing subconscious thoughts or emotions. Others see it as an exploration of pure form and color, divorced from any representational meaning. Regardless of interpretation, Number 6 evokes a powerful emotional response—a feeling of both exhilaration and unease, mirroring the complexities of the human condition.

    Legacy and Enduring Appeal

    Number 6 is more than just a painting; it’s a symbol of artistic innovation and a testament to Pollock's enduring influence. It challenged conventional notions of art-making and paved the way for future generations of artists to explore abstraction and expressive gesture. Its dynamic composition and emotional depth continue to captivate audiences worldwide, making it a highly sought-after artwork and a compelling subject for reproduction.

    Митець та музей

    Автор

    Джексон Поллонк

    Народився в Ко́ди, Спеціа́льна адміністрація́ Ко́смічного проме́джу

    Early Life and the Seeds of Innovation

    Paul Jackson Pollock, born in Cody, Wyoming, in 1912, was a restless spirit from the very beginning. His early life was marked by constant movement as his father, LeRoy Pollock, pursued work as a land surveyor across the vast landscapes of the American West. This itinerant existence instilled in young Pollock a deep connection to the natural world and an exposure to diverse cultures – particularly through encounters with Native American art during those surveying trips. These experiences left an indelible mark on his artistic vision, subtly shaping his later approach without direct imitation. Though he never explicitly referenced Indigenous styles, the raw energy and spiritual resonance of these early interactions undoubtedly influenced his work.

    Pollock’s formal artistic training commenced at the Manual Arts High School in Los Angeles, followed by studies at the Art Students League of New York under the guidance of Thomas Hart Benton. Benton, a prominent figure in the Regionalist movement, emphasized rhythmic composition and narrative themes rooted in American life. While Pollock initially absorbed these lessons, his inherent inclination leaned toward more abstract explorations. He was also profoundly impacted by Mexican muralists like José Clemente Orozco, whose powerful depictions of social struggle resonated deeply with him. These early influences provided a foundation, but it was the burgeoning world of Surrealism that truly unlocked Pollock’s artistic potential – a movement focused on expressing the workings of the subconscious through fantastical imagery and unexpected juxtapositions.

    The Birth of Action Painting and a Revolutionary Technique

    The 1930s saw Pollock experimenting with various techniques, seeking alternatives to traditional brushwork. He began pouring paint onto canvases, exploring its fluidity and unpredictable nature. However, it was around 1947 that his artistic trajectory underwent a radical transformation. Abandoning the easel altogether, Pollock laid canvases directly on the floor, initiating what would become known as his “drip technique.” He then proceeded to drip, splash, and fling paint onto the canvas from above, orchestrating a dynamic dance between artist, medium, and surface.

    This wasn’t merely about applying paint; it was about embodying the act of creation itself. Pollock's canvases became arenas for physical expression, capturing the immediacy of his gestures and emotions. The resulting paintings are characterized by their “all-over” composition – a lack of central focus that invites the viewer to explore the entire surface as a unified field of energy. Intricate networks of lines and colors intertwine, creating a visual complexity that is both captivating and challenging. He employed unconventional tools—sticks, knives, even syringes—to manipulate the paint in unpredictable ways, further emphasizing the spontaneous nature of his process.

    This innovative approach positioned Pollock as a central figure in the burgeoning Abstract Expressionist movement, which emerged in post-World War II New York City. Abstract Expressionism prioritized spontaneous gesture, large scale, and non-representational imagery, reflecting a broader cultural shift away from traditional artistic conventions. His marriage to fellow artist Lee Krasner was also pivotal; she provided unwavering emotional support and actively encouraged his artistic development, recognizing the groundbreaking nature of his work.

    Iconic Works and Lasting Legacy

    Pollock’s most celebrated works—such as Number 1, 1950 (Lavender Mist), One: Number 31, 1950, Blue Poles: Number 11, 1952, and Convergence—are testaments to his revolutionary technique. These paintings are not simply images; they are records of a performance, imbued with the artist’s physical presence and emotional intensity. The dynamic energy that emanates from these canvases is palpable, drawing viewers into a world of pure abstraction.

    The influence of Surrealism is evident in the seemingly random yet carefully orchestrated patterns created through his drip technique. He explored themes of chance, intuition, and the subconscious mind, seeking to capture the essence of human experience through abstract forms. His work reflects a deep engagement with Jungian psychology, delving into archetypes and primal energies.

    A Complex Figure and Enduring Influence

    Jackson Pollock’s life was marked by both artistic brilliance and personal struggles. He battled alcoholism for much of his career, a condition that often exacerbated his volatile personality. Despite these challenges, he remained fiercely committed to his art, constantly pushing the boundaries of painting and challenging conventional notions of representation. His untimely death in 1956 at the age of 44 cut short a remarkable artistic journey, but his legacy continues to resonate profoundly within the art world.

    Pollock’s impact on the history of art is immeasurable. He fundamentally altered the way artists approached painting, breaking free from easel-based methods and embracing a more performative approach. His work helped solidify New York City's position as a global center for modern art, shifting the focus away from European dominance. His influence can be seen in the work of countless artists who followed, including those associated with Color Field painting and later forms of abstract expressionism. He remains an icon of American innovation and a testament to the power of artistic vision.

    Дізнатися більше

    Доступно онлайн

    QR-код, що веде на сторінку завантаження Number 6

    wahooart.com/uk/art/download/paul-jackson-pollock-number-6-8XYAGC-en/

    Цитування цього твору мистецтва

    MLA
    Поллонк, Джексон. Number 6. 1949, https://wahooart.com/uk/art/paul-jackson-pollock-number-6-8XYAGC-en/
    APA
    Поллонк, Джексон (1949). Number 6 [Painting]. https://wahooart.com/uk/art/paul-jackson-pollock-number-6-8XYAGC-en/
    Chicago
    Джексон Поллонк. Number 6. 1949. https://wahooart.com/uk/art/paul-jackson-pollock-number-6-8XYAGC-en/
    Harvard
    Поллонк, Джексон (1949) Number 6. Available at: https://wahooart.com/uk/art/paul-jackson-pollock-number-6-8XYAGC-en/

    Придивіться уважніше

    Number 6 — Джексон Поллонк

    Придивіться уважніше

    Відповідайте власними словами. Тут немає неправильних відповідей — лише такі, які ви можете пояснити.

    1. Що першим привертає вашу увагу і чому?
    2. Які кольори чи форми створюють настрій — і що це за настрій?
    3. Поверніться до розгляду Номер 1, 1949 (1950), що було раніше в цьому посібнику. Назвіть дві спільні риси цього твору з цією роботою та одну відмінність.
    4. Abstract Expressionism: Large canvases where the act of painting itself — the drip, the sweep — is the subject. Де саме в цій роботі це можна помітити?
    5. Джексон Поллонк було близько 37 років, коли це було створено. Що саме в цій роботі вказує на такий етап творчості митця?

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