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Set a boat afloat

Ім'я Клас Дата

Парк Джун Сык, Set a boat afloat, Gyeonggi Creation Center. Відтворено для ознайомлення; усі права захищені правовласником.

Основна інформація

Автор
Парк Джун Сык wahooart.com/uk/artists/%D0%BF%D0%B0%D1%80%D0%BA-%D0%B4%D0%B6%D1%83%D0%BD-%D1%81%D1%8B%D0%BA_uk/
Дати створення автором
1991 – ?
Місце проведення
Gyeonggi Creation Center wahooart.com/uk/museums/gyeonggi-creation-center-ansan/

У контексті

Set a boat afloat — Парк Джун Сык

Коли це могло бути написане?

  1. 1990

Затінення: життя Парк Джун Сык (1991–?)

Для цього запису не вказано точний рік — враховуючи період життя митця та стиль твору, до якого десятиліття ви б його віднесли?

Кольорова палітра

Виміряно за зображенням

    Основний колір

    White #eceff3

    Збережена палітра

    • #ECEFF3
    • #2C2B25
    • #5C5140
    • #C2CEDF
    Палітра
    Neutrals Переважаюча колірна гама зображення.
    Назва основного кольору
    White
    Інтенсивність
    Monochromatic Наскільки насиченими та різноманітними є кольори: від одного приглушеного відтінку до багатьох яскравих.
    Контрастність
    Statement Ступінь відмінності кольорів за світлотою та насиченістю в межах картини.
    Гармонія
    Discordant Palette Наскільки вдало поєднуються кольори — від контрастних до повністю гармонійних.
    Яскравість
    Bright Загальна світлотінь картини: від глибокої тіні до яскравого світла.
    Насиченість
    Muted Наскільки чистими та насиченими є кольори — від майже сірих до максимально яскравих.

    Про цей витвір мистецтва

    Set a boat afloat — Парк Джун Сык

    The Japanese, during the period of Japan’s colo­nial rule over Korea, established reformatories in order to educate the Korean people to obey to their rule. These reform schools included the Mokpo school in Mokpo, Jeolla-do and Seon­gam School in Seongamdo Island, Ansan. There­in, the Koreans suffered from the poor facilities, a severe degree of human rights violations, exploitation of labor, and an isolation from the outside world under the name of “self-support.” Young boys, more than one could count, died of escape attempts and suffered from violence and malnutrition. Out of hunger, some died by mis­taking poisonous mushrooms for edible herbal roots and tree bark. That place where so many young lives were sacrificed became today’s Gyeonggi Creation Center! And I am an artist who eats, sleeps, and works in the site of the old Seongam reform school that still bears the young boys’ smell of blood. Even skipping one meal makes me dizzy, weeding half an hour in the art farm makes my legs crumble, and just being prevented from what I want to do makes me complain. Then I imagine how the young boys could endure that time period. Seongam-dong is a land reclaimed from the sea by the young boys’ little hands that quarried stone to build a breakwater. Although this area is now home to diverse salt plants and beau­tiful reeds, it was once the site of a salt field, the very source of power with which a human trampled another and of the salt as valuable as gold produced by the numerous sacrificed children at the Seongam reform school in 1946. That is how I installed my work on the site of the old salt field. Even animals go hunting no more than they need. Then why do human beings, the lord of all creation, fret over storing food, land, and money which was invented for the sake of convenience after all. Perhaps, that is a mental illness. It has been only 70 years since the war ended. Let’s give us some more time.it was not enough time to overcome things anyway. The gone sea caused a fisherman to shed tears of blood, and the boat was abandoned. The fish­erman must have gazed over the inland water without hope. The fisherman must have heaved a deep sigh, or rather wailed. There is nowhere in the country where the fisherman’s wailing did not reach! I set a boat afloat on that field of reeds that will take the people, who has been living as if they overcame or nothing happened.I floated a boat on that beds of reeds while imagining a coarse yet hopeful breath of a fish­erman starting a day as well as a boat returning with a full load of fish. I float a fish-smelling boat fully loaded with the fishing net the fisherman newly repaired yesterday, where no war or Seon­gam reformatory or salt field exists, among the reeds.

    Митець та музей

    Автор

    Парк Джун Сык

    Місце народження Південна Корея

    Park Jun Sik: A Vision of Tranquility and Symbolism

    Park Jun Sik, born November 16, 1991, in Giheung District, Yongin, South Korea, is a contemporary Korean artist whose paintings resonate with serene landscapes imbued with profound symbolic imagery. While biographical details remain somewhat sparse—a testament to the evolving nature of artistic legacies—his work speaks volumes about his aesthetic sensibilities and contribution to the landscape painting tradition.

    ### Early Life & Artistic Beginnings

    Little is known definitively about Park Jun Sik’s formative years beyond confirmation that he was born into a family with musical inclinations. His father holds a prominent position at BMW Korea, reflecting Yongin's economic dynamism, while his mother nurtures her passion for piano performance. From a young age, Park demonstrated an aptitude for music, participating in school band performances and covering popular Korean artists like Buzz and Flower—a formative experience that instilled within him a deep appreciation for melody and rhythm. Notably, he excelled at Gumdo, a Korean martial art rooted in Japanese Kendo, honing his physical discipline alongside artistic pursuits. This balanced approach undoubtedly shaped his perspective on creativity and execution.

    ### Artistic Training & Influences

    Park’s formal artistic education commenced at Shingal High School, where he pursued Business Administration concurrently with intensive training in Gumdo. Recognizing the importance of grounding oneself in foundational skills, he diligently honed his craft before enrolling at Digital Seoul Culture Arts University. During this period, he immersed himself in studying art history and technique—a deliberate effort to understand the artistic landscape preceding his own explorations. He cites influences from Minimalist Art and Abstract Expressionism as pivotal in shaping his stylistic vision, acknowledging the power of simplification and emotional resonance within visual representation. Artists like Kazimir Malevich, whose Suprematism championed geometric abstraction, served as a guiding force in Park’s conceptual development.

    ### Artistic Style & Notable Works

    Park Jun Sik's artistic style is characterized by an unwavering commitment to capturing the essence of nature—primarily landscapes—with remarkable precision and subtlety. He eschews ostentation, favoring muted palettes and understated brushstrokes that prioritize atmosphere and mood over literal depiction. His canvases often depict expansive vistas bathed in soft light, conveying a sense of tranquility and contemplation. Recurring motifs within his paintings – such as solitary trees, flowing water, and distant mountains – carry symbolic weight, reflecting themes of resilience, harmony, and the interconnectedness of existence.

    Among his most celebrated pieces is “Set a Boat Afloat,” which exemplifies Park’s mastery of technique—specifically layering translucent washes to achieve luminous effects that capture the ephemeral beauty of natural light. The artwork's composition draws inspiration from traditional Korean landscape painting conventions, yet imbues it with a distinctly modern sensibility. It stands as a testament to Park Jun Sik’s ability to honor artistic heritage while forging his own distinctive voice within the contemporary art world.

    ### Legacy & Significance

    Park Jun Sik’s contribution to Korean art lies in his unwavering dedication to exploring the expressive potential of landscape painting—a genre historically revered for its capacity to convey spiritual contemplation and evoke profound emotional responses. His work embodies a quiet confidence, reflecting an artist who understands that true beauty resides not in grand gestures but in understated elegance. As he continues to develop his artistic practice, Park Jun Sik undoubtedly represents a promising voice within the Korean art scene—a beacon of serenity and symbolism for generations to come.

    Музей

    Gyeonggi Creation Center

    Експонується в Ansan, South Korea

    A Crucible of Creativity: Exploring the Gyeonggi Creation Center

    Nestled in Ansan, a vibrant city southwest of Seoul, South Korea’s Gyeonggi Creation Center (GCC) stands as more than just an art space; it's a dynamic ecosystem pulsating with innovation and artistic exchange. Established in 2009, this sprawling complex has rapidly become the nation’s largest creative residence and a vital hub for artists both domestic and international. The GCC isn’t defined by static collections of fixed artworks, but rather by its living legacy – the ever-evolving body of work produced during residencies, a testament to the transformative power of dedicated time and collaborative spirit.

    The Center's core mission revolves around fostering artistic research and development. It achieves this through meticulously curated residency programs, offering artists unparalleled access to individual studios equipped with essential resources alongside shared creative spaces like media labs and woodworking workshops. These aren’t simply temporary accommodations; they are incubators for experimentation, encouraging artists to push the boundaries of their practice across a diverse range of mediums – from traditional painting and sculpture to cutting-edge installation art and digital media. The GCC actively champions interdisciplinary projects, recognizing that the most compelling artistic breakthroughs often arise when seemingly disparate fields converge. This commitment is reflected in exhibitions showcasing these collaborative outcomes, offering visitors a glimpse into the fertile ground where creativity flourishes.

    Architecture as Inspiration

    The Gyeonggi Creation Center’s architecture itself plays a crucial role in its unique environment. While specific architectural details remain somewhat understated – likely prioritizing functionality and artistic freedom – it's understood to be a modern design, thoughtfully constructed to stimulate both individual focus and collaborative interaction. Situated on Seongamdo Island, a strategically chosen location offering scenic beauty and relative seclusion, the building’s layout is designed to facilitate serendipitous encounters and foster a sense of community among resident artists. The island setting provides a refreshing contrast to the bustling urban landscape of Seoul, creating an atmosphere conducive to deep work and creative contemplation.

    A Living Collection: Residencies as the Heart

    What truly distinguishes the GCC is its “collection” – a dynamic archive of works born from its residency programs. These aren’t museum-quality pieces displayed behind velvet ropes; they are living, breathing artworks that reflect the unique experiences and processes of each artist in residence. The Center actively supports emerging talents, providing them with invaluable exposure and opportunities to develop their careers within a supportive international network. The GCC's commitment extends beyond simply hosting artists; it’s about nurturing their growth and facilitating their engagement with the wider art world. Past residents have included artists exploring themes of identity, technology, environmental sustainability, and social justice – reflecting the Center’s dedication to fostering diverse and thought-provoking artistic expressions.

    Beyond the Canvas: A Hub for Cultural Exchange

    The Gyeonggi Creation Center's influence extends far beyond its physical walls. It actively promotes cross-cultural exchange through its residency programs, attracting artists from around the globe and facilitating dialogue between different creative traditions. The Center’s location in Ansan, a city with strong ties to Seoul but also a distinct cultural identity, further enhances this international focus. Ansan itself, as evidenced by its Wikipedia entry, is a dynamic hub of learning institutions and technological development – a setting perfectly suited to the GCC's mission of fostering innovation. The Center’s exhibitions are open to the public, offering a valuable opportunity for local communities to engage with contemporary art and experience diverse perspectives.

    A Future Forged in Creativity

    The Gyeonggi Creation Center is more than just an artistic venue; it's a testament to South Korea’s commitment to fostering a vibrant and globally connected arts scene. Its scale, international focus, and dynamic environment make it a truly unique destination for artists seeking inspiration and support. As the GCC continues to evolve, it remains dedicated to its core mission: to nurture creativity, encourage research, and push the boundaries of artistic expression – solidifying its position as a cornerstone of Gyeonggi province’s cultural landscape and a significant contributor to the global art community.

    Дізнатися більше

    Доступно онлайн

    QR-код, що веде на сторінку завантаження Set a boat afloat

    wahooart.com/uk/art/download/park-jun-sik-set-a-boat-afloat-DD2FLF-en/

    Цитування цього твору мистецтва

    MLA
    Сык, Парк Джун. Set a boat afloat. n.d., Gyeonggi Creation Center. https://wahooart.com/uk/art/park-jun-sik-set-a-boat-afloat-DD2FLF-en/
    APA
    Сык, Парк Джун (n.d.). Set a boat afloat [Painting]. Gyeonggi Creation Center. https://wahooart.com/uk/art/park-jun-sik-set-a-boat-afloat-DD2FLF-en/
    Chicago
    Парк Джун Сык. Set a boat afloat. n.d. Gyeonggi Creation Center. https://wahooart.com/uk/art/park-jun-sik-set-a-boat-afloat-DD2FLF-en/
    Harvard
    Сык, Парк Джун (n.d.) Set a boat afloat. Gyeonggi Creation Center. Available at: https://wahooart.com/uk/art/park-jun-sik-set-a-boat-afloat-DD2FLF-en/

    Придивіться уважніше

    Set a boat afloat — Парк Джун Сык

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