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Запис у каталозі: Orange dot

Повна інформація про Orange dot

Ім'я Клас Дата

John Passmore, Orange dot (1953), Галерея Нового Південного Уельсу. Відтворено для ознайомлення; усі права захищені правовласником. Погляньте на це полотно в рухомому світлі: малюнок, справжній колір під лаком, чистий пігмент

Факти про об'єкт

Автор
John Passmore wahooart.com/uk/artists/john-passmore/
Дати створення автором
1904 – 1984
Живопис
1953
Техніка виконання
Oil On Board
Період
Modern
Місце проведення
Галерея Нового Південного Уельсу wahooart.com/uk/museums/%D0%B3%D0%B0%D0%BB%D0%B5%D1%80%D0%B5%D1%8F-%D0%BD%D0%BE%D0%B2%D0%BE%D0%B3%D0%BE-%D0%BF%D1%96%D0%B2%D0%B4%D0%B5%D0%BD%D0%BD%D0%BE%D0%B3%D0%BE-%D1%83%D0%B5%D0%BB%D1%8C%D1%81%D1%83-%D1%81%D1%96%D0%B4%D0%BD%D0%B5%D0%B9_uk/
Notable elements or techniques
Oil on hardboard
Subject or theme
Abstract

У контексті

Orange dot — John Passmore

Коли це було написано?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970
  9. 1980

Верхній рядок: роки. Нижній рядок: вік митця на початку та в кінці кожного періоду — 0 при народженні, 80 на момент смерті.

Написано, коли художнику було 49. Митець дожив до 80 років. 1 із 4 датованих робіт цього митця в нашому каталозі були створені раніше.

Затінення: життя John Passmore (1904–1984) ▲ ця робота, 1953 кожна картина з датуванням, десятиліття за десятиліттям

Порівняти з

Оберіть одну з робіт вище: назвіть дві спільні риси з цією роботою та одну відмінність.

Більше творів, що гармоніюють із цим: wahooart.com/uk/art/similar/orange-dot-by-john-passmore/

Кольори

Виміряно за зображенням

    Основний колір

    Walnut #6f4426

    Каталог палітр

    • #6F4426
    • #040201
    • #E7CBB6
    • #B2875F

    Ці кольори в межах усієї палітри художника Шукати інші картини за кольором

    Палітра
    Earthy Переважаюча колірна гама зображення.
    Назва основного кольору
    Walnut
    Насиченість
    Balanced Наскільки насиченими та різноманітними є кольори: від одного приглушеного відтінку до багатьох яскравих.
    Контрастність
    Statement Ступінь відмінності кольорів за світлотою та насиченістю в межах картини.
    Гармонія
    Unified Palette Наскільки вдало поєднуються кольори — від контрастних до повністю гармонійних.
    Яскравість
    Deep_shadow Загальна світлотінь картини: від глибокої тіні до яскравого світла.
    Насиченість
    Subtle Color Наскільки чистими та насиченими є кольори — від майже сірих до максимально яскравих.

    Про цей витвір мистецтва

    Orange dot — John Passmore

    The Composition of Form and Color

    The work, titled Orange dot, is an oil painting executed on hardboard. It was completed in 1953. The composition centers on a singular, circular form set against a background of varied tones. This central element is characterized by a specific orange hue that contrasts with the surrounding field. The surface of the painting exhibits the physical properties of oil paint, where the application of pigment creates a tangible presence on the hardboard substrate. The arrangement of shapes and the distribution of color define the visual structure of the piece.

    Technical Execution and Materiality

    The artist utilized oil on hardboard to achieve the specific textures present in the work. The interaction between the medium and the support influences the way light hits the surface. The following details characterize the physical nature of the object:

    Medium: Oil on hardboard

    Dimensions: 50.8 x 61.0 cm board

    Frame dimensions: 60.5 x 70.5 x 6.3 cm

    The application of the paint suggests a controlled hand, focusing on the relationship between the central orange shape and the negative space that surrounds it. The edges of the dot are defined by the transition of color, creating a clear boundary between the subject and the background.

    Historical Context and Provenance

    This painting is held within the collection of the Art Gallery of NSW. It was acquired by the institution in 1953. The work is categorized as a painting and is currently not on display. The piece exists as a part of the permanent record of the gallery, having been identified by the accession number 8732. Its presence in the collection links it to the mid-twentieth-century period of Australian art history.

    Митець та музей

    Автор

    John Passmore

    Народився в Redfern, Australia

    The Life and Artistic Journey of John Passmore

    Born in Redfern, Australia, John Richard Passmore began his professional life as a signwriter's assistant after leaving school at thirteen. He pursued formal training at the Julian Ashton Art School, where he studied alongside Jean Bellette and Paul Haefliger. Seeking further education, he traveled to England to study at the Westminster School of Art under Bernard Meninsky and Mark Gertler. During his time in England, which included service as a conscript in the Royal Air Force, he worked as a layout artist with Lintas. While staying in a cottage in Suffolk, he produced landscape compositions that were strongly influenced by Paul Cézanne.

    Upon returning to Australia in 1951, Passmore became a significant educator, teaching at the Julian Ashton School, the Newcastle Technical College, and the East Sydney Technical College. His teaching philosophy encouraged students to view subjects through a lens of mathematical shapes, facets, and a connection of rods, emphasizing tone and structure. His own body of work occupied a space between expressionism and abstraction.

    Legacy and Final Years

    Passmore's later years were marked by a period of reclusive painting following a heart attack in the early 1960s. His final weeks were spent in a home for the destitute near his birthplace. In a notable turn regarding his estate, Passmore left his collection of 270 paintings to an acquaintance, Elinor Wrobel, while his son was left £70,000. This bequest was subject to an out-of-court settlement, after which Wrobel retained control of the estate, eventually leading to the opening of a museum displaying over forty of his works.

    His artistic legacy is preserved in several major institutions, including:

    Музей

    Галерея Нового Південного Уельсу

    Виставлено в Сідней, Австралія

    A Window into Colonial Australia: The Art of New South Wales

    Nestled within the vibrant heart of Sydney, the Art Gallery of New South Wales is more than just a collection of paintings and sculptures; it’s a profound journey through centuries of cultural exchange. Founded on the ancestral lands of the Gadigal people – a recognition that remains deeply woven into the gallery's very ethos – this institution invites visitors to contemplate not only the beauty within its walls but also the complex, often challenging narrative of Australia’s formation. From the meticulous detail of early engravings depicting the arrival of Governor Arthur Phillip to the bold expressions of contemporary street art, the Gallery offers a remarkably diverse collection reflecting the varied experiences that shaped colonial art and continue to resonate today.

    The gallery's origins trace back to 1872 with the establishment of the New South Wales Academy of Art. Initially conceived as a platform for organizing annual exhibitions, it quickly evolved into a vital hub for emerging artists, fostering a burgeoning creative community within the colony. The building itself – originally constructed as the Royal North Shore Hospital in 1856 – is an integral part of this story. Designed by the esteemed John Habens, its imposing Victorian façade speaks volumes about a time when hospitals were not merely places of healing but symbols of civic pride and progress. The deliberate repurposing into an art gallery in 1973 was a testament to preservation, honoring the building’s rich historical fabric while simultaneously providing a fitting and inspiring space for artistic expression. The careful restoration has meticulously maintained the original grandeur, layering architectural history with the dynamic energy of contemporary exhibitions – notice the soaring arches, the intricate stonework; each element whispers tales of generations past.

    A Legacy of Patronage and Artistic Voice

    The Gallery’s collection is particularly enriched by the influence of Charles Jones, a prominent patron and collector who played a pivotal role in championing the talents of Sydney artists during the 19th century. Recognizing the potential within the colony's burgeoning artistic community, Jones actively fostered its growth through astute acquisitions and unwavering support. His dedication resulted in a significant collection that showcases not only the evolution of artistic styles and techniques – from the formal elegance of early portraiture to the emerging Romanticism capturing the rugged beauty of the Australian landscape – but also the stories of the artists themselves. Keep an eye out for works by Francis Wheatley, whose meticulous engravings immortalized figures like Arthur Phillip Esq., offering a poignant glimpse into the initial stages of settlement and British authority. The gallery also houses a remarkable collection of Charles Jones’s acquisitions, representing his discerning taste and commitment to supporting local talent – a true reflection of his belief in the power of art to shape national identity.

    Notable Exhibitions & Artistic Voices

    The Art Gallery of New South Wales consistently hosts a dynamic program of exhibitions that illuminate diverse themes and artistic movements. Recent highlights have included compelling retrospectives dedicated to pioneering Australian artists like Charles Condor, whose dramatic seascapes capture the raw power of the Pacific Ocean, and explorations of contemporary street art – a vibrant reflection of urban culture and social commentary. The Archibald Prize, Australia’s most prestigious portraiture award, is regularly featured at the gallery, offering a captivating insight into the nation's artistic talent and its evolving perspectives on identity and representation. Don’t miss opportunities to explore thematic exhibitions focusing on Indigenous Australian art, showcasing traditional storytelling techniques and cultural symbolism – an essential component of understanding Australia’s rich artistic heritage. The Gallery also frequently hosts touring exhibitions from international institutions, broadening the scope of its collection and offering fresh perspectives, ensuring that visitors are continually exposed to new ideas and artistic approaches.

    The Lewers Bequest: A Pivotal Collection

    Perhaps the Gallery's most distinctive feature is the Lewers Bequest – a remarkable collection of 19th-century Australian paintings amassed by Sir John Edward Lewers, a prominent businessman and art collector. This bequest represents a pivotal moment in the development of Australian art history, providing an unparalleled opportunity to study the evolution of artistic styles and techniques within the colony. The collection includes works by artists such as Frederick McCubbin, Tom Roberts, and Russell Drysdale – masters who captured the essence of rural life and the evolving landscape of Australia. The Lewers Bequest is housed in a dedicated wing of the gallery, allowing visitors to immerse themselves fully in this extraordinary assemblage and appreciate its significance within the broader context of Australian art history. It’s a treasure trove that reveals not just artistic skill but also the social and economic forces shaping the nation at the time.

    A Living Collection: Research & Community Engagement

    The Art Gallery of New South Wales is more than simply a display space; it's a vibrant hub for research and community engagement. Its dedicated curatorial team actively investigates the provenance and significance of its artworks, contributing to a deeper understanding of Australian art history – meticulously documenting each piece’s journey and context. The gallery also offers a wide range of educational programs, workshops, and tours designed to engage visitors of all ages and backgrounds – from school groups eager to learn about Aboriginal art to seasoned art enthusiasts seeking a deeper appreciation for the collection. Furthermore, the Gallery's commitment extends beyond its physical walls through collaborations with local schools, universities, and cultural organizations, promoting artistic literacy and supporting emerging talent. The gallery’s website provides extensive resources for researchers, students, and art lovers alike, solidifying its role as a vital center for Australian art scholarship – a place where history, art, and community converge.

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    Кожна відома нам деталь про Orange dot by John Passmore на сторінці витвору

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    QR-код, що веде на сторінку завантаження Orange dot

    wahooart.com/uk/art/download/orange-dot-by-john-passmore/

    Як цитувати цей твір

    MLA
    Passmore, John. Orange dot. 1953, Галерея Нового Південного Уельсу. https://wahooart.com/uk/art/orange-dot-by-john-passmore/
    APA
    Passmore, John (1953). Orange dot [Painting]. Галерея Нового Південного Уельсу. https://wahooart.com/uk/art/orange-dot-by-john-passmore/
    Chicago
    John Passmore. Orange dot. 1953. Галерея Нового Південного Уельсу. https://wahooart.com/uk/art/orange-dot-by-john-passmore/
    Harvard
    Passmore, John (1953) Orange dot. Галерея Нового Південного Уельсу. Available at: https://wahooart.com/uk/art/orange-dot-by-john-passmore/

    Придивіться уважніше

    Orange dot — John Passmore

    Придивіться ближче

    Відповідайте власними словами. Тут немає неправильних відповідей — лише такі, які ви можете пояснити.

    1. Що першим привертає вашу увагу і чому?
    2. Які кольори чи форми створюють настрій — і що це за настрій?
    3. У нашому каталозі ця робота класифікована за тегами: orange dot, cream, beige. Ви згодні? Що б ви додали або прибрали?
    4. Поверніться до розгляду The argument (1953), що було раніше в цьому посібнику. Назвіть дві спільні риси цього твору з цією роботою та одну відмінність.
    5. John Passmore було близько 49 років, коли була створена ця робота. Що саме в ній вказує на такий етап творчості митця?

    Ваша відповідь

    Напишіть короткий абзац про цей витвір мистецтва, використовуючи факти з попередніх розділів цього посібника та ваші відповіді вище.

    Арт-вікторина

    Orange dot — John Passmore

    Наскільки добре ви знаєте цей витвір мистецтва?

    Виберіть по одній відповіді для кожного з 5 запитань нижче. Кожне з них має лише одну правильну відповідь.

    1. 1. What is the medium used in the painting 'Orange dot'?

      • A Oil on hardboard
      • B Fresco on plaster
      • C Watercolor on paper
    2. 2. In what year was 'Orange dot' created?

      • A 1934
      • B 1943
      • C 1953
    3. 3. Which museum holds the artwork 'Orange dot'?

      • A Art Gallery of Ballarat
      • B Art Gallery of NSW
      • C Newcastle Art Gallery
    4. 4. What are the dimensions of the board used for 'Orange dot'?

      • A 50.8 x 61.0 cm
      • B 60.5 x 70.5 cm
      • C 34.0 x 45.0 cm
    5. 5. Who is the artist of 'Orange dot'?

      • A Richard Burden
      • B John Passmore
      • C Thomas Hart Benton

    Мій результат: ____ із 5

    Ключ до відповідей — для вчителя

    Це починається з окремої друкованої сторінки, тому її можна просто не включати до копій.

    1A · 2C · 3B · 4A · 5B

    Перевірте будь-яку відповідь за каталожним описом цієї картини

    Питання та відповіді

    Де я можу купити принт «Orange dot» роботи John Passmore?

    Принт роботи «Orange dot» роботи John Passmore можна замовити безпосередньо на її сторінці Художній принт: художній принт на бавовняному полотні або архівному канвас-папері.

    Чи можна переглянути «Orange dot» роботи John Passmore у форматі слайд-шоу?

    Доступне слайд-шоу: сторінка Слайд-шоу твору «Orange dot» роботи John Passmore.

    Де я можу завантажити «Orange dot» роботи John Passmore?

    Цифрову копію роботи «Orange dot» роботи John Passmore можна завантажити на сторінці Завантажити цифрове зображення, обравши варіант завантаження цифрового зображення високої роздільної здатності.