період

рух

атмосфера

теми

1. Studies Of Men Standing — Сержай Альфред М’Нінгс
2. Four Standing Men (study For 'the Covenanters' Baptism') — Джордж Гарві
3. Figure Study Of Men And Figure Study Of Soldiers — Леон Кролл
4. Study, Men and Satyrs — Hans Feibusch
5. Two Seated Men (study For 'the Covenanters' Baptism') — Джордж Гарві
6. Study To The Men Without Names — Альбін Еггер-Лінц
7. Study Of Two Oriental Men — Чіннірі
8. Five studies of naked men, turned to the left — Паоло Веронезе
9. Studies of Heads of Men — Георг Люське
10. Two Seated Men And A Standing Boy (study For 'the Covenanters' Baptism — Джордж Гарві
11. Head studies of two African men — Якоб Йордаенс
12. Study for men and machines — Розаліна Дреклер
13. Studies of men's hands — Мойрсь Квентін де Латур
14. Untitled two seated men; study of an urn; mountains in Volterra — Томас Кол
15. Study of Clouds; Two Female Nudes (after Michelangelo; Two Half-length Female Portraits; Equestrian Figure with Two Men — Томас Саллі

ключові слова

тон

основний колір

1. Studies of Heads of Men — Георг Люське
2. Studies of Men's and Boy's Heads — Георг Люське
3. Two Men at a Table, Man Eating (from Switzerland 1869 Sketchbook) — Джон Сінгер Сержант, 1869
4. Study for Men without Women — Стюарт Дэвис
5. Head studies of two African men — Якоб Йордаенс
6. Four Standing Men (study For 'the Covenanters' Baptism') — Джордж Гарві
7. Study, Men and Satyrs — Hans Feibusch
8. Studies of Men Standing — Сержай Альфред М’Нінгс
9. Study for Two Heads for Boston Mural ''The Prophets'' — Джон Сінгер Сержант, 1882
10. Studies Of Men Standing — Сержай Альфред М’Нінгс

інше

1. Old Men's Home in Amsterdam, Study — Макс Ліберманн, 1880
2. Seated Female Holding a Book, Two Heads of Bearded Men, Seated Male Nude, and Four Sketches for Christ Judging (recto); Studies for Cain Slaying Abel (verso) — Якопо Пальма Іль Джоване, 1628
3. Three men in profile to the left, one holding a basin, with studies of dogs — Каміль Піссарро
4. Studies of nudes (two men, seated, looking in a mirror, and a seated boy) — Якопо Понтормо, 1520