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Perceval

Namn Klass Datum

Sarah Lucas, Perceval (2006), Museum of London. Reproducerad i referenssyfte; alla rättigheter förbehållna upphovsrättsinnehavaren.

Fakta om verket

Konstnär
Sarah Lucas wahooart.com/sv/artists/sarah-lucas/
Konstnärens levnadstid
1962 – ?
Målat
2006
Teknik
Bronze Molten metal poured into a mould made from the artist’s model, then finished and polished by hand.
Ursprunglig storlek
230 x 140 cm
Rörelse
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.
Epok
Contemporary
Visas på
Museum of London wahooart.com/sv/museums/museum-of-london-london_sv/
Artistic style
Sculptural realism
Influences
Traditional Chinese ornament
Notable elements or techniques
Giant vegetable casting; Bronze patina
Subject or theme
British culture; Fertility symbolism

I sammanhanget

Perceval — Sarah Lucas

Vilken storlek har den?

Originalet mäter 230 × 140 cm (höjd × bredd), avbildat här bredvid en vuxen person av genomsnittlig längd. Den är för stor för att visas i skala på denna sida.

När målades detta?

  1. 1960
  2. 1970
  3. 1980
  4. 1990
  5. 2000

Skuggat: Sarah Lucas livstid (1962–?) ▲ detta verk, 2006

Liknande verk

Välj ett av verken ovan: nämn två saker som det har gemensamt med detta, och en sak som är annorlunda.

Fler verk som passar tillsammans med detta: wahooart.com/sv/art/similar/sarah-lucas-perceval-D7EC85-en/

Färger

Mätt från bilden

    Huvudfärg

    Espresso #555351

    Sparad palett

    • #555351
    • #B7B9BB
    • #818689
    • #252322
    Huvudfärg
    Espresso
    Intensitet
    Monochromatic Hur mättade och varierade färgerna är, från en enda dämpad nyans till många klara färger.
    Kontrast
    Statement I vilken utsträckning färgerna skiljer sig åt i ljusstyrka och mättnad över bilden.
    Harmoni
    Discordant Palette Hur väl färgerna samspelar, från kontrasterande till helt enhetliga.
    Ljusstyrka
    Balanced Hur ljust eller mörkt bilden upplevs som helhet, från djupa skuggor till ljusa högdagrar.
    Mättnad
    Muted Färgernas renhet och intensitet, från nästan grått till helt livfullt.

    Om detta konstverk

    Perceval — Sarah Lucas

    A Monument to Pastoral Paradox

    In the realm of contemporary sculpture, few works command attention with such a unique blend of nostalgic charm and provocative depth as Sarah Lucas’s Perceval. At first glance, this life-size bronze masterpiece presents a scene of majestic stability; a powerful Clyngsdale horse and its accompanying cart stand as a monumental tribute to the pastoral traditions of the British countryside. The sculpture functions as a large-scale replica of a traditional china ornament—the kind that once took pride of place on British mantelpieces decades ago. By scaling up this humble knick-knack, Lucas transforms a domestic trifle into a commanding presence, where the horse appears both powerful and majestic, offering an unthreatening sense of stolid reliability and pastoral peace.

    However, beneath this stately and familiar exterior lies a complex dialogue between the known and the subversive. While the bronze surface evokes a sense of timelessness, the cart itself houses two cast concrete marrows. These off-scale vegetables serve as potent, phallic symbols of fertility, moving the piece away from mere kitsch and into a more challenging territory. The rugged, contingent quality of the cement offsets the smooth, polished finish of the bronze, creating a tactile tension that invites the viewer to look closer. It is this very juxtaposition—the smooth against the rough, the domestic against the provocative—that defines the emotional impact of the work.

    The Legacy of the Young British Artists

    To understand Perceval, one must look back to the burgeoning Young British Artists (YBA) movement of the 1990s. Sarah Lucas emerged as a defining voice of this era, a collective that famously shook the foundations of established artistic conventions through audacious explorations of taboo subjects and unconventional materials. Unlike many of her contemporaries who sought to elevate art into the realm of intellectual abstraction, Lucas’s approach prioritized visceral experience. Her work has always been characterized by an unflinching honesty, often dissecting domestic spaces and confronting anxieties surrounding sexuality, gender, and identity with a signature, unsettling humor.

    The title itself, Perceval, evokes the legendary Knight of King Arthur’s Round Table, signaling Lucas's deep-seated fascination with "Englishness." Through this piece, she creates an object for public display that is simultaneously generous, democratic, and accessible, yet deeply layered with cultural meaning. For the collector or designer, the sculpture represents more than just a physical object; it is a conversation piece that bridges the gap between historical reverence and contemporary rebellion.

    A Masterclass in Material and Texture

    The technical execution of Perceval speaks volumes about Lucas’s masterful manipulation of medium. The horse is cast in a rich, deep patina, achieved through meticulous oxidation processes that result in a surface texture embodying both strength and vulnerability. This deliberate choice of material ensures that the sculpture possesses a weight and permanence that commands any space it inhabits. The interplay between the heavy, industrial feel of the concrete marrows and the refined elegance of the bronze creates a sensory experience that is as intellectually stimulating as it is visually arresting.

    For those seeking to integrate such profound artistry into an interior, a high-quality reproduction of Perceval offers an unparalleled opportunity. It serves as a focal point that can anchor a room, providing a sense of historical weight while injecting a modern, avant-garde spirit. Whether placed in a grand gallery setting or a curated residential space, the sculpture’s ability to evoke both nostalgia and provocation makes it an enduring inspiration for art lovers and designers alike.

    Konstnär och museum

    Konstnär

    Sarah Lucas

    Född i London, United Kingdom

    A Provocative Visionary: The World of Sarah Lucas

    Sarah Lucas emerged as a defining voice in British art during the dynamic 1990s, becoming synonymous with the era’s Young British Artists (YBAs). Born in London in 1962, her artistic journey was far from conventional. Leaving formal education at sixteen, she later pursued studies at The Working Men's College, London College of Printing, and Goldsmiths College – institutions that would prove pivotal in shaping her distinctive approach. It was at Goldsmiths, graduating with a Fine Art degree in 1987, that Lucas truly began to forge the path toward an artistic practice characterized by its unflinching honesty, provocative nature, and often unsettling humor. Her work doesn’t simply depict reality; it dissects it, reassembling fragments of everyday life into challenging and thought-provoking statements about identity, sexuality, and British culture itself.

    Deconstructing Norms: Themes and Techniques

    Lucas's artistic language is remarkably diverse, encompassing sculpture, photography, collage, and the appropriation of found objects. However, a recurring motif—and perhaps her most recognizable signature—is the use of furniture as surrogates for the human body. This isn’t merely about representation; it’s about subversion. By transforming mundane items like mattresses, buckets, and chairs into suggestive forms, often imbued with crude genital references, Lucas challenges conventional depictions of the body and forces viewers to confront their own preconceived notions about sexuality and gender. She doesn't shy away from the visceral or the uncomfortable, instead embracing a deliberately provocative aesthetic that demands attention. This willingness to engage with taboo subjects is further amplified by her integration of elements from tabloid culture and popular imagery, blurring the lines between high art and low culture in a way that feels both jarring and strangely compelling. Au Naturel (1994), for example, exemplifies this approach—an assemblage of everyday objects arranged to evoke bodily forms, simultaneously humorous and deeply unsettling. Her self-portraits, such as the starkly honest Human Toilet Revisited (1998), are equally impactful, exploring vulnerability and challenging societal norms with a disarming directness.

    Key Moments and Artistic Evolution

    Lucas’s ascent within the art world was marked by several key moments. Her inclusion in Freeze (1988)—the seminal group exhibition that launched the careers of many YBAs, including Damien Hirst and Gary Hume—signaled her arrival as a force to be reckoned with. This was followed by the co-organization of East Country Yard Show (1990) with Henry Bond, providing a platform for early explorations of her artistic vision. Her first solo exhibitions, The Whole Joke and Penis Nailed to a Board (both 1992), firmly established her provocative style, while later works like Bitch (1995) and The Fag Show (2000)—the latter utilizing cigarettes as both material and metaphor—further cemented her reputation for challenging artistic boundaries. A significant milestone came in 2013 with a comprehensive retrospective at the Whitechapel Gallery, offering a sweeping overview of her career to date. Perhaps her most prestigious achievement arrived in 2015 when she represented Britain at the 56th Venice Biennale with Scream Daddio, showcasing her continued relevance on the international stage.

    Influences and Legacy

    Lucas’s artistic lineage is complex, drawing inspiration from a diverse range of sources. The readymades of Marcel Duchamp are clearly evident in her appropriation of everyday objects, while feminist artists like Judy Chicago, Hannah Wilke, Cindy Sherman, and Rachel Whiteread have undoubtedly influenced her exploration of the female body and societal expectations. However, Lucas actively resists easy categorization, preferring to challenge conventions and disrupt established power dynamics rather than align herself with any single movement or ideology. Her fearless gaze and appropriation of masculine symbols contribute to a unique artistic language that questions norms and celebrates the absurdities of everyday life.

    Her work often explores themes of sexuality, gender, and Englishness.

    She frequently uses humor and irony to address sensitive subjects.

    Lucas’s legacy lies in her ability to provoke thought and challenge perceptions.

    Sarah Lucas remains a significant figure in contemporary British art, continuing to push boundaries and inspire new generations of artists with her uncompromising vision and unwavering commitment to artistic freedom. Her impact extends beyond the confines of the art world, sparking conversations about identity, representation, and the very nature of contemporary culture.

    Museum

    Museum of London

    Utställd i London, Storbritannien

    A Chronicle Etched in Stone and Spirit: Unveiling the Museum of London

    The Museum of London isn’t merely a repository of artifacts; it's a vibrant, breathing testament to the ceaseless evolution of one of the world’s most storied cities. From the whispers of Roman settlements beneath its pavements to the pulsating rhythms of contemporary London, the museum offers an unparalleled journey through time—a meticulously curated exploration of human experience woven into the very fabric of this metropolis. Its recent relocation to the historic Smithfield Market building marks a pivotal moment, promising expanded horizons and deeper engagement with the city’s complex narrative. The move itself is significant, not just as a change of address but as an embrace of place—a recognition that London's story isn’t confined to grand monuments or carefully preserved relics, but resides in the everyday lives lived across millennia.

    The museum’s collection is a breathtaking mosaic of eras and disciplines. The Roman treasures, unearthed from the very foundations of Londinium, are particularly compelling – shimmering mosaics hinting at imperial grandeur, sculpted figures offering intimate glimpses into the lives of those who walked these streets nearly two thousand years ago. Imagine the bustling marketplaces, the legions marching through the city gates, the echoes of a civilization that laid the groundwork for all that followed. Beyond this ancient core, the Cheapside Hoard, a dazzling collection of Elizabethan and Jacobean jewelry, speaks volumes about wealth, fashion, and social status during a period of burgeoning prosperity. These aren’t just glittering trinkets; they are miniature portraits of ambition, desire, and the intricate dance between power and beauty. Consider the delicate enamel work, the vibrant gemstones – each piece a testament to the skill and artistry of its maker, reflecting the aspirations of London's elite. Nearby, the evocative remains of the London Mithraeum transport visitors to the shadowy world of Roman religious practice – a subterranean sanctuary dedicated to the god Mithras, offering a tangible connection to beliefs long past. The cool stone walls, the flickering torchlight, and the ritualistic symbols create an atmosphere of mystery and intrigue, inviting contemplation on the diverse spiritual landscape of ancient London. More recently, the museum has embraced contemporary social commentary, showcasing objects like the infamous Whitechapel fatberg—a grotesque yet strangely fascinating testament to modern urban life—and the Trump baby blimp, a potent symbol of political dissent. These aren’t simply exhibits; they are cultural touchstones, prompting reflection on who we are and where we come from – a mirror held up to the ever-changing face of our city.

    A Building Reflecting Change: Past, Present & Future

    The Museum's physical evolution mirrors its expanding scope. For decades, the Barbican complex served as a fitting home—a modernist structure reflecting the post-war ambition to rebuild and reimagine London. However, the impending move to Smithfield Market represents more than just a change of address; it’s an opportunity for expansion and enhanced accessibility. The new space will allow a far greater proportion of the museum's astonishing six million objects to be displayed, offering visitors a richer, more immersive experience. This deliberate choice signifies a renewed commitment to engaging with the public and ensuring that London’s story is told in its entirety. The architectural grandeur of Smithfield Market itself—a Victorian masterpiece—provides a stunning backdrop for this next chapter, seamlessly blending historical context with modern museum design. The building's original purpose as a bustling marketplace – a hub of trade, social interaction, and everyday life – resonates deeply with the museum’s mission to document London’s social history. The vast open spaces, the soaring ceilings, and the exposed brickwork evoke the energy and vitality of a bygone era, creating a space that is both grand and inviting.

    The World Within a City: A Unique Perspective

    What truly distinguishes the Museum of London is its singular focus—a concentrated dedication to the story of one city. It isn't attempting to encompass global art or universal history; instead, it dedicates itself entirely to the evolution of London – a city that has served as a microcosm for broader historical trends and societal shifts. This focused approach allows for an unparalleled depth of understanding, revealing the intricate connections between people, places, and events over centuries. The museum’s collection is not static; it's a living archive, constantly evolving to reflect the city’s ongoing story. It stands apart from other institutions by prioritizing the specific experiences and transformations within London itself, offering a unique lens through which to examine the broader currents of human history. Consider the stories embedded in each object – the merchant who traded silks here, the artisan who crafted pottery, the immigrant who built a new life amidst the city’s ever-changing landscape.

    A Tapestry of Time: Notable Exhibitions & Ongoing Exploration

    The Museum of London regularly hosts exhibitions that delve into specific facets of the city’s past. Currently, “London: Aftermath” explores the impact of World War II on London's social and cultural landscape, a poignant reminder of resilience and recovery. Future exhibits promise to illuminate themes ranging from Victorian innovation – showcasing the groundbreaking inventions and technological advancements that transformed the city – to the rise of multiculturalism – celebrating the diverse communities that have shaped London’s identity over centuries. The museum also maintains a robust program of temporary displays featuring loans from other institutions and private collections, ensuring that visitors are continually exposed to new perspectives and discoveries. Beyond these curated exhibitions, the permanent galleries offer an ongoing exploration of London’s history—a chance to wander through recreated Victorian streets, examine ancient Roman artifacts, or contemplate the city's role in shaping global events. The museum actively encourages community engagement, hosting workshops, lectures, and family activities that foster a deeper appreciation for London’s rich heritage – inviting visitors to become active participants in the ongoing story of their city.

    Här kan du läsa mer

    Hitta detta online

    QR-kod som länkar till nedladdningssidan för Perceval

    wahooart.com/sv/art/download/sarah-lucas-perceval-D7EC85-en/

    Källhänvisning för detta konstverk

    MLA
    Lucas, Sarah. Perceval. 2006, Museum of London. https://wahooart.com/sv/art/sarah-lucas-perceval-D7EC85-en/
    APA
    Lucas, Sarah (2006). Perceval [Painting]. Museum of London. https://wahooart.com/sv/art/sarah-lucas-perceval-D7EC85-en/
    Chicago
    Sarah Lucas. Perceval. 2006. Museum of London. https://wahooart.com/sv/art/sarah-lucas-perceval-D7EC85-en/
    Harvard
    Lucas, Sarah (2006) Perceval. Museum of London. Available at: https://wahooart.com/sv/art/sarah-lucas-perceval-D7EC85-en/

    Titta närmare

    Perceval — Sarah Lucas

    Titta närmare

    Svara med egna ord. Det finns inga felaktiga svar här – bara svar som du kan förklara.

    1. Vad fångar ditt öga först, och varför?
    2. Vilka färger eller former skapar stämningen – och vad är det för stämning?
    3. Vår katalog klassificerar detta verk under: sculpture, horse, cart. Håller du med? Vad skulle du lägga till eller ta bort?
    4. Se tillbaka på Perceval (2006) tidigare i denna guide. Nämn två saker som det har gemensamt med detta verk, och en sak som är annorlunda.
    5. Contemporary Realism: Living artists painting the real world with traditional skill, often from photographs as well as from life. Var kan du se det i detta verk?

    Ditt svar

    Skriv ett kort stycke om detta konstverk. Använd fakta från de tidigare delarna av denna guide samt dina svar ovan.

    Konstquiz

    Perceval — Sarah Lucas

    Hur väl känner du till detta konstverk?

    Markera ett svar för var och en av de 5 frågorna nedan. Varje fråga har exakt ett rätt svar.

    1. 1. What is the sculpture Perceval primarily composed of?

      • A Marble
      • B Bronze
      • C Clay
    2. 2. The sculpture references a legendary figure from Arthurian lore. Who is Perceval?

      • A Merlin
      • B Lancelot
      • C Arthur
    3. 3. What symbolic element does the cart feature that contributes to its overall meaning?

      • A Flowers
      • B Fruit
      • C Concrete Marrows
    4. 4. Lucas’s work explores themes related to identity and sexuality. How is this reflected in Perceval?

      • A Through the depiction of a romantic relationship.
      • B By focusing on anatomical details.
      • C By presenting a monumental sculpture in a public space.
    5. 5. What distinguishes the cart’s finish from the bronze horse's surface?

      • A It is polished to a high sheen.
      • B It is painted with vibrant colors.
      • C It possesses a rugged and contingent quality.

    Min poäng: ____ av 5

    Facit — för läraren

    Detta startar en ny utskriven sida, vilket gör att den enkelt kan lämnas bort från kopiorna.

    1B · 2C · 3C · 4C · 5C