Guide till studentkonst
Upphovsrätt Detta verk är fritt från upphovsrätt. Kerr Eby avled 1946; upphovsrätten gäller 70 år efter konstnärens död, vilket innebär att den upphörde 2016.
I sammanhanget
A Summer Day — Kerr Eby
Originalet mäter 14 × 24 cm (höjd × bredd), avbildat här bredvid en vuxen person av genomsnittlig längd.
Övre raden: åren. Undre raden: konstnärens ålder vid början och slutet av varje tidsperiod — 0 vid födseln, 57 vid dödsfallet.
Målat när konstnären var 51. Konstnären blev 57 år gammal. 101 av de 116 daterade verk av denna konstnär i vår katalog skapades tidigare.
Skuggat: Kerr Eby livstid (1889–1946) ▲ detta verk, 1940 varje daterad målning, decennium för decennium
Första verk: fram till 1922 Huvudsakliga verksamma år: 1922–1932 Senare verk: från 1932
Dessa tre tidsperioder delar upp de verk som denna katalog omfattar i en första fjärdedel, en mittre hälft och en sista fjärdedel. De utgör inte konstnärens fullständiga produktion: ett glesare skede kan bero på luckor i dokumentationen snarare än på en period av stillhet. Samma år med konstnärens liv utlagt längs dem
Välj ett av verken ovan: nämn två saker som det har gemensamt med detta, och en sak som skiljer dem åt.
Fler verk som passar tillsammans med detta: wahooart.com/sv/art/similar/kerr-eby-a-summer-day-AQTFVF-en/
Mätt från bilden
Huvudfärg
Rosy Brown #b9a78b
Katalogiserad palett
Dessa färger i konstnärens hela palett Hitta andra målningar efter färg
De tio ledande länderna
Hitta de tre mörkaste länderna på kartan. Finns museet som förvarar den här målningen i något av dem? Skriv ner en anledning till varför människor långt borta skulle kunna titta på den.
Tillsammans utgör dessa verk 45,0% av all den uppmärksamhet som denna konstnärs målningar har fått under de senaste tolv månaderna. Katalogen innehåller 117 verk av denna konstnär, varav 66 har betraktats minst en gång. Denna målning har ännu inte visats under den här perioden — den avslutar listan utan en ranking. Samma siffror, månad för månad
Staplarna mäter uppmärksamhet, inte kvalitet. Välj verket högst upp och detta: nämn en sak som kan göra en målning berömd utöver hur väl den är målad.
Om detta konstverk
A Summer Day — Kerr Eby
Kerr Eby was a Canadian illustrator and artist, best known for his works depicting soldiers in combat during World War I and II. One of his notable pieces is A Summer Day, a black and white artwork created in 1940. This painting is part of the collection at the Smithsonian American Art Museum in the United States.
The painting features a man sitting under a tree next to a body of water, with two birds in the scene. A boat is visible in the middle of the image, adding to the serene atmosphere of the piece. The overall mood of A Summer Day is one of peace and tranquility, a stark contrast to the war-themed works that Kerr Eby was known for.
Kerr Eby was born in Tokyo, Japan in 1889 to Canadian Methodist missionary parents. He received formal art training at Pratt Institute and the Art Students League of New York. During World War I, Eby served in an ambulance crew and later as a camoufleur, creating many memorable images of soldiers in combat.
Some of Kerr Eby's other notable works include Clam Digger's Return, Evening, and Driftway, Evening. These pieces showcase his skill in capturing the human experience during times of war and peace. You can find more information about these paintings on AllPaintingsStore.com and learn about the artist's life and work on Wikipedia.
Medium: Paper
Size: 14 x 24 cm
Date: 1940
Museum: Smithsonian American Art Museum
AllPaintingsStore.com offers handmade oil painting reproductions of Kerr Eby's works, including A Summer Day. These reproductions are created by skilled artists and are available for purchase on the website.
For art enthusiasts and collectors, A Summer Day is a must-see piece that showcases Kerr Eby's skill in capturing the human experience during times of peace.
Konstnär och museum
Born in the bustling metropolis of Tokyo in 1889, Kerr Eby’s artistic journey began far from the familiar landscapes of his Canadian heritage. His parents, devout Methodist missionaries, instilled within him a deep appreciation for observation and a keen eye for detail – qualities that would prove instrumental in shaping his distinctive style. Early life in Canada provided a grounding in traditional art training, but it was his relocation to New York City in 1907 that truly ignited his artistic ambitions. He enrolled at Pratt Institute and later honed his skills at the prestigious Art Students League, immersing himself in the vibrant artistic community of the city.
Eby’s formative years were marked by a fascination with printmaking, an art form he mastered through apprenticeships and hands-on experience. He secured a position at the American Lithographic Company, gaining invaluable insight into the technical intricacies of etching and lithography – skills that would later become central to his artistic practice. Crucially, he benefited from the influence of his uncle, Frederick Keppel Sr., a prominent art dealer who championed the recognition of prints as a legitimate form of fine art within America. This support, combined with his own dedication, allowed Eby to develop a remarkable technical proficiency and a unique visual language.
World War I marked a pivotal moment in Kerr Eby’s career, transforming him from a promising artist into a chronicler of war. Enlisting in the U.S. Army in 1917, he initially served as an ambulance driver and later as a camoufleur – a vital role that demanded both artistic skill and an intimate understanding of military strategy. It was during this period that Eby began to document the realities of combat through sketches and drawings, capturing not just the grand sweep of battles but also the quiet moments of human experience amidst the chaos. Unlike many official war artists who focused on heroic depictions, Eby sought to portray the war with unflinching honesty, revealing both its brutality and its profound impact on the lives of ordinary soldiers.
His early sketches, initially intended for personal records, were eventually compiled into a powerful collection titled War, published in 1936. This book, a testament to Eby’s artistic vision and his commitment to bearing witness, became an immediate sensation, capturing the attention of critics and collectors alike. It established him as one of the foremost illustrators of the war, alongside figures like Harvey Dunn, and cemented his reputation for portraying the horrors and humanity of conflict with remarkable sensitivity.
Following the First World War, Eby experienced a period of reflection and artistic evolution. While he continued to occasionally revisit themes related to war, he increasingly turned his attention to landscapes and equestrian portraits – subjects that offered a respite from the grim realities of combat. His landscape paintings, characterized by their luminous quality and evocative atmosphere, drew inspiration from the Luminist movement, emphasizing light, color, and the beauty of nature. Simultaneously, he returned to his earlier passion for portraiture, producing stunning depictions of horses and riders – works that showcased his exceptional technical skill and his ability to capture the essence of his subjects.
This shift in focus did not diminish Eby’s artistic integrity; rather, it allowed him to explore new avenues of expression while retaining the core values that had defined his work throughout his career. His equestrian portraits, for example, often carried a subtle undercurrent of melancholy, reflecting his experiences during the war and his deep understanding of human suffering.
Kerr Eby’s life was tragically cut short in 1946, succumbing to complications from a tropical disease contracted while documenting the fighting in Bougainville. Despite his untimely death, his artistic legacy endures as a powerful testament to the role of art in bearing witness to historical events. His illustrations from World War I and II remain invaluable documents, offering a rare glimpse into the experiences of soldiers on the front lines. His work is held in numerous museums across America, including the Smithsonian American Art Museum, a testament to its enduring artistic merit and historical significance.
Eby’s ability to capture both the physical realities of war and the emotional toll it exacted on individuals has cemented his place as one of the most important illustrators of the 20th century. His art serves not only as a record of history but also as a poignant reminder of the human cost of conflict – a message that remains profoundly relevant today.
wahooart.com/sv/art/download/kerr-eby-a-summer-day-AQTFVF-en/
Titta närmare
A Summer Day — Kerr Eby
Svara med egna ord. Det finns inga felaktiga svar här – bara svar som du kan förklara.
Skriv ett kort stycke om detta konstverk. Använd informationen från tidigare delar av denna guide samt dina svar ovan.
Se diaporamat för "A Summer Day" på konstverkets sida Bildspel.
"A Summer Day" av Kerr Eby skapades år 1940.
Luminansen som registrerats för "A Summer Day" av Kerr Eby är Bright Balance.