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Pietà

Namn Klass Datum

Carlo Crivelli, Pietà (1470), Philadelphia Museum of Art. Allmän egendom

Fakta om verket

Konstnär
Carlo Crivelli wahooart.com/sv/artists/carlo-crivelli_sv/
Konstnärens levnadstid
1435 – 1495
Målat
1470
Teknik
Oil On Canvas
Ursprunglig storlek
71 x 47 cm
Rörelse
Late Gothic Style
Visas på
Philadelphia Museum of Art wahooart.com/sv/museums/philadelphia-museum-of-art-philadelphia_sv/
Artistic style
Linear, detailed
Influences
Vivarini, Mantegna
Notable elements
Cross, angels, book
Subject or theme
Virgin Mary, Jesus

In context

Pietà — Carlo Crivelli

How big is it?

The original measures 71 × 47 cm (height × width), drawn here beside an adult of average height.

När målades detta?

  1. 1430
  2. 1440
  3. 1450
  4. 1460
  5. 1470
  6. 1480
  7. 1490

Skuggat: Carlo Crivelli livstid (1435–1495) ▲ detta verk, 1470

Liknande verk

  • Virgin and Child, 1482 wahooart.com/sv/art/carlo-crivelli-virgin-and-child-8XXR56-en/
  • St George, 1472 wahooart.com/sv/art/carlo-crivelli-st-george-8Y35V2-en/
  • Pietà wahooart.com/sv/art/carlo-crivelli-pieta-D3KAQF-en/

Välj ett av verken ovan: nämn två saker som det har gemensamt med detta, och en sak som är annorlunda.

Fler verk som passar tillsammans med detta: wahooart.com/sv/art/similar/carlo-crivelli-pieta-8XXR69-en/

Färger

Mätt från bilden

    Huvudfärg

    Quinacridone Magenta #8a5c3e

    Sparad palett

    • #8A5C3E
    • #080405
    • #B5895B
    • #512B22
    Färgpalett
    Earthy Den dominerande färggruppen i bilden.
    Huvudfärg
    Quinacridone Magenta
    Intensitet
    Balanced Hur mättade och varierade färgerna är, från en enda dämpad nyans till många klara färger.
    Kontrast
    Bold I vilken utsträckning färgerna skiljer sig åt i ljusstyrka och mättnad över bilden.
    Harmoni
    Strong Color Unity Hur väl färgerna samspelar, från kontrasterande till helt enhetliga.
    Ljusstyrka
    Shadow Hur ljust eller mörkt bilden upplevs som helhet, från djupa skuggor till ljusa högdagrar.
    Mättnad
    Balanced Soft Färgernas renhet och intensitet, från nästan grått till helt livfullt.

    Om detta konstverk

    Pietà — Carlo Crivelli

    A Timeless Lament: Carlo Crivelli’s Pietà – A Window into Venetian Gothic Devotion

    This exquisite hand-painted reproduction of Carlo Crivelli's Pietà, dating from 1470, offers a profound meditation on grief, faith, and the enduring power of maternal love. Measuring 71 x 47 cm, this artwork transcends mere representation; it’s a deeply felt expression of sorrow rendered with the meticulous detail characteristic of Crivelli's style. The scene depicts the Virgin Mary cradling her son Jesus in his tomb, an iconic image that has resonated through centuries of Christian devotion. Two angels flank the mourning mother, their presence not merely decorative but imbued with a palpable sense of comfort and support – a visual embodiment of divine solace.

    The Master’s Hand: Crivelli's Venetian Gothic Style

    Carlo Crivelli (1435-1495), born in Venice, was a pivotal figure in the transition from late Gothic to early Renaissance art. His training, initially under Jacobello del Fiore and the Vivarini school, shaped his distinctive approach – one characterized by a linear quality, an almost obsessive attention to detail, and a masterful use of “trompe l’oeil” techniques. This Pietà exemplifies these qualities perfectly. Notice the delicate rendering of Mary's drapery, cascading with folds that seem to shift and flow, creating a sense of volume and texture. The angels are similarly rendered with a graceful elegance, their features refined and expressive. Crivelli’s palette is rich and luminous, employing vibrant blues, reds, and golds – colors traditionally associated with piety and royalty – to heighten the emotional impact of the scene.

    Symbolism Woven into the Fabric

    Beyond its immediate depiction of grief, the Pietà is laden with symbolic meaning. The cross above Mary’s head serves as a constant reminder of Jesus' sacrifice, while the book likely represents sacred scripture – a testament to the events surrounding his death and resurrection. The inclusion of the small child standing beside Mary adds another layer of interpretation; perhaps representing an infant Jesus, or symbolizing hope for future salvation. Crivelli’s deliberate choices in composition and detail invite contemplation on themes of loss, redemption, and the unwavering faith that binds humanity to the divine.

    A Legacy of Devotion – Perfect for Interior Design

    This hand-painted reproduction offers a unique opportunity to bring a timeless masterpiece into your home or office. Its scale (71 x 47 cm) makes it suitable for a variety of spaces, from intimate studies to grand living rooms. The artwork’s serene and evocative imagery is guaranteed to create a focal point, inspiring reflection and adding an element of sophisticated beauty to any setting. Inspired by the works of masters like Mantegna and Squarcione, this Pietà is more than just a reproduction; it's a tangible connection to centuries of artistic tradition – a testament to Carlo Crivelli’s enduring legacy.

    Konstnär och museum

    Konstnär

    Carlo Crivelli

    Born in Venedig, Italien

    tidigt liv och utbildning

    Den italienske renässansmålaren Carlo Crivelli föddes i Venedig omkring 1430–35. Han kom från en familj av konstnärer och fick sin konstnärliga skolning i både Venedig och Padua. Det antas att Crivellis tidiga utbildning skedde under Jacobello del Fiore, som fortfarande var verksam år 1436, och han studerade även vid Vivarini-skolan i Venedig.

    karriär och stil

    Crivelli tillbringade sina tidiga år i Veneto-regionen, där han sög åt sig influenser från mästare som Vivarini, Squarcione och Mantegna. År 1458 lämnade han dock Veneto och tillbringade större delen av sin karriär i Marche-regionen kring Ancona. Här utvecklade han en särpräglad personlig stil som står i skarp kontrast till den hos hans venetianska samtida, Giovanni Bellini. Crivellis verk kännetecknas av en konservativ, sengotisk dekorativ känsla, präglad av en linjär kvalitet, en närmast besatt uppmärksamhet på detaljer och ett skickligt användande av "trompe l'oeil"-tekniker som lurar ögat.

    noterbara verk och samarbeten

    * Carlo Crivellis målning "Madonna och barnet på tronen" (106 x 55 cm, Museum of Fine Arts, Budapest, Ungern) är ett enastående exempel på hans stil. * Han samarbetade med sin yngre bror Vittorio Crivelli i flera projekt. * Pietro Alemanno, en målare som emigrerade till Marche-regionen från Tyskland/Österrike, var både hans elev och samarbetspartner.

    museer och samlingar

    Pinacoteca di Brera i Milano, Italien, rymmer flera av Crivellis verk, däribland "Pietà" (128 x 241 cm). Museo San Giovanni in Bragora i Venedig, Italien, besitter en samling konstverk från olika perioder och stilar, inklusive verk som tillskrivs Crivelli.

    Visa Carlo Crivellis konstverk på AllPaintingsStore.com

    Utforska Jacopo Robustis verk på AllPaintingsStore.com

    Läs mer om Carlo Crivelli på Wikipedia

    Crivellis arv fortsätter att inspirera både konstentusiaster och forskare, och hans arbete förblir ett vittnesbörd om den bestående kraften i en konservativ, sengotisk dekorativ estetik.

    Museum

    Philadelphia Museum of Art

    On show in Philadelphia, USA

    A Sanctuary of Artistic Echoes: The Philadelphia Museum of Art

    The Philadelphia Museum of Art is far more than just a building filled with masterpieces; it’s an immersive experience, a vibrant thread woven into the very soul of the city – a cultural landmark that resonates with both the grandeur of history and the pulse of contemporary life. Ascending the iconic “Rocky Steps,” immortalized in Sylvester Stallone's cinematic triumph, is more than just a physical climb; it’s a symbolic journey, a pilgrimage towards artistic inspiration, a prelude to discovering centuries of human creativity housed within its walls. Completed in 1928 through the visionary collaboration of Horace Trumbauer and Julian Abele, the museum’s neoclassical facade – with its imposing Corinthian columns and meticulously symmetrical design – immediately commands attention, hinting at the treasures that lie within. The building itself stands as a testament to ambition, conceived not merely as a repository for art, but as a beacon, a powerful symbol of Philadelphia's commitment to culture and intellectual growth. Its scale is deliberately grand, reflecting this unwavering dedication. Inside, sweeping staircases invite visitors into soaring galleries, creating an atmosphere of awe and quiet contemplation – a space designed to foster deep engagement with the artistic world. A more recent addition, the Perelman Building, seamlessly integrates modern functionality alongside the museum’s historic character, providing state-of-the-art facilities for prints, drawings, photographs, and design objects—a clear indication of the museum's evolving embrace of a diverse range of artistic mediums.

    From Industrial Roots to Artistic Flourishing

    The story of the Philadelphia Museum of Art is surprisingly humble in its beginnings. It wasn’t conceived as a stately palace of fine art; instead, it emerged in 1876 as the Pennsylvania Museum and School of Industrial Art – a pioneering institution with a remarkably forward-thinking mission. Its initial goal was to bridge the gap between artistic expression and practical skills, fostering both creativity and craftsmanship. This innovative approach fueled an extraordinary expansion over time, driven by generous donations and strategic acquisitions that transformed the museum into the comprehensive collection we see today. The construction of the main building on Fairmount Hill in 1928 marked a pivotal moment, solidifying the museum’s position as a vital cultural hub not just for Philadelphia, but for the entire nation. Today, the museum boasts an astounding collection exceeding 240,000 works – a remarkably cohesive narrative that spans continents and artistic movements. While undeniably renowned for its exceptional holdings in European art—from the Renaissance grandeur of Italian masters like Raphael and Michelangelo to the Impressionistic light captured with such delicate beauty by Monet and Renoir—the museum’s breadth is truly astonishing. A deeper exploration reveals a vibrant American collection charting the development of artistic styles across the nation's history, alongside an equally captivating dedication to Asian art – offering profound glimpses into the rich traditions of China, Japan, Korea, and beyond.

    Whispers from Canvas and Stone

    Exploring the museum’s galleries is akin to embarking on an artistic adventure, a journey where each artwork seems to whisper stories of its creators and the societies that shaped them. William Michael Harnett's Still Life: Writing Table (1877) stands as a prime example of trompe-l'œil realism – a technique so meticulously executed that it blurs the line between representation and reality. The illusion is so convincing, so utterly believable, that it feels as though the scene extends beyond the canvas itself, inviting the viewer to step into the room depicted. William Merritt Chase’s Portrait of a Lady in Black (also known as Annie Traquair Lang) offers a captivating study of elegance and social grace, capturing not just a likeness but also a sense of personality and inner life – a remarkable feat of observation and artistic skill. The museum's collection isn’t limited to paintings; Henri Matisse’s Portrait d'Yvonne Landsberg bursts with vibrant color and dynamic energy, while Winslow Homer’s evocative Redwing Blackbirds captures the fleeting beauty of nature with breathtaking precision. Benjamin West’s dramatic The Death of Hyacinth is a powerful testament to the artist’s ability to convey emotion through composition and light, and Peter Paul Rubens' Chained Prometheus embodies raw power and mythological drama. For those seeking a quieter, more intimate experience, Jean-Baptiste-Siméon Chardin’s Hare with Game Bag and Powder Flask offers a serene glimpse into 18th-century still life painting – showcasing masterful chiaroscuro (the dramatic use of light and shadow) and textured realism that invites close examination.

    Celebrating Resilience: The Gee’s Bend Quilts

    Beyond the celebrated canon of Western art, the Philadelphia Museum of Art has consistently championed voices often overlooked in traditional art history. The museum's collection of quilts from Gee’s Bend, Alabama, is a particularly poignant and powerful example of this commitment. Created by African-American women over generations, these vibrant and improvisational works are far more than just functional objects; they are expressions of resilience, creativity, and deeply rooted cultural heritage. Artists like Annie Elizabeth Pettway and Nettie Pettway Young transformed humble materials – cotton scraps, denim, and other discarded fabrics – into bold abstract compositions imbued with unique symbolism and reflecting a distinct aesthetic tradition passed down through their families. These quilts challenge conventional notions of artmaking, demonstrating that beauty and meaning can be found in the most unexpected places, and offer a profound glimpse into the lives and experiences of a community that has long been marginalized.

    A Living Cultural Hub

    The Philadelphia Museum of Art is not simply a static repository for the past; it’s a dynamic, living institution dedicated to engaging visitors with art in meaningful ways. The iconic “Rocky Steps” – made famous by Sylvester Stallone's cinematic triumph – have become a symbol of perseverance and triumph, embraced by visitors from around the globe as a testament to the human spirit. Beyond the main building, the Rodin Museum offers an intimate encounter with the sculptures of Auguste Rodin, while historic colonial-era houses like Mount Pleasant and Cedar Grove provide fascinating glimpses into Philadelphia’s rich past. The museum consistently strives to offer diverse programming – from engaging lectures and hands-on workshops for families to special events that celebrate art in all its forms – fostering dialogue, sparking curiosity, and inviting all who enter to embark on their own artistic journey. It remains a vibrant cultural hub, inspiring creativity and enriching the lives of countless individuals.

    Här kan du läsa mer

    Hitta detta online

    QR-kod som länkar till nedladdningssidan för Pietà

    wahooart.com/sv/art/download/carlo-crivelli-pieta-8XXR69-en/

    Källhänvisning för detta konstverk

    MLA
    Crivelli, Carlo. Pietà. 1470, Philadelphia Museum of Art. https://wahooart.com/sv/art/carlo-crivelli-pieta-8XXR69-en/
    APA
    Crivelli, Carlo (1470). Pietà [Painting]. Philadelphia Museum of Art. https://wahooart.com/sv/art/carlo-crivelli-pieta-8XXR69-en/
    Chicago
    Carlo Crivelli. Pietà. 1470. Philadelphia Museum of Art. https://wahooart.com/sv/art/carlo-crivelli-pieta-8XXR69-en/
    Harvard
    Crivelli, Carlo (1470) Pietà. Philadelphia Museum of Art. Available at: https://wahooart.com/sv/art/carlo-crivelli-pieta-8XXR69-en/

    Look closely

    Pietà — Carlo Crivelli

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: virgin mary, jesus christ, tomb scene. Do you agree? What would you add, or take away?
    4. Look back at Virgin and Child (1482), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Carlo Crivelli was about 35 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.