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Chrysanthemums

Namn Klass Datum

alma gogin, Chrysanthemums (1927). Reproducerad i referenssyfte; alla rättigheter förbehållna upphovsrättsinnehavaren.

Fakta om verket

Konstnär
alma gogin wahooart.com/sv/artists/alma-gogin/
Målat
1927
Ursprunglig storlek
34 x 51 cm
Rörelse
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.

In context

Chrysanthemums — alma gogin

How big is it?

The original measures 34 × 51 cm (height × width), drawn here beside an adult of average height.

När målades detta?

  1. 1920

▲ detta verk, 1927

Liknande verk

  • Regrets wahooart.com/sv/art/alma-gogin-regrets-ARAFZ2-en/
  • Anemones wahooart.com/sv/art/alma-gogin-anemones-ARAFYY-en/
  • Ballys Old Shipyard, 1889 wahooart.com/sv/art/alma-gogin-ballys-old-shipyard-ARAFYU-en/

Välj ett av verken ovan: nämn två saker som det har gemensamt med detta, och en sak som är annorlunda.

Fler verk som passar tillsammans med detta: wahooart.com/sv/art/similar/alma-gogin-chrysanthemums-ARAFYW-en/

Färger

Mätt från bilden

    Huvudfärg

    Espresso #554032

    Sparad palett

    • #554032
    • #7C5E49
    • #AE8B6B
    • #D5BEA1
    Färgpalett
    Earthy Den dominerande färggruppen i bilden.
    Huvudfärg
    Espresso
    Intensitet
    Balanced Hur mättade och varierade färgerna är, från en enda dämpad nyans till många klara färger.
    Kontrast
    Balanced I vilken utsträckning färgerna skiljer sig åt i ljusstyrka och mättnad över bilden.
    Harmoni
    Strong Color Unity Hur väl färgerna samspelar, från kontrasterande till helt enhetliga.
    Ljusstyrka
    Balanced Hur ljust eller mörkt bilden upplevs som helhet, från djupa skuggor till ljusa högdagrar.
    Mättnad
    Balanced Soft Färgernas renhet och intensitet, från nästan grått till helt livfullt.

    Konstnär och museum

    Konstnär

    alma gogin

    Alma Gogin (1854–1948): A Pioneer of Victorian Coastal Art

    Alma Susan Broadbridge Gogin, born October 1st, 1854, in Brighton, Sussex, was a British artist who achieved considerable renown during the Victorian era. Her life’s journey intertwined with that of her husband, Charles Gogin (1844–1931), a fellow painter and furniture maker, shaping both their artistic careers and establishing them as prominent figures within the burgeoning Pre-Raphaelite movement. Despite facing personal tragedies – including the untimely death of her son in infancy – Alma persevered, producing a prolific body of work that continues to captivate audiences today.

    Early Life & Education: Alma’s formative years were spent amidst the intellectual vibrancy of Brighton’s artistic circles. Her father, Edward Broadbridge, was a professor of music and furniture dealer, fostering an appreciation for both craftsmanship and creative expression from a young age. She attended Hove High School for Girls alongside her sister Kate, honing her artistic skills and preparing for a life dedicated to art.

    Marriage & Artistic Partnership: Alma married Charles Gogin in 1894, forging a collaborative relationship that proved instrumental to their artistic success. Together they established Warwick Studios in Hampstead, London, attracting students from across Europe who sought guidance under their tutelage. This studio became a hub for Pre-Raphaelite experimentation and innovation.

    Notable Works & Artistic Style: Alma Gogin’s oeuvre encompasses landscapes, portraits, and genre scenes—primarily focused on coastal vistas and intimate domestic interiors. Her distinctive style is characterized by meticulous observation of nature, combined with a masterful command of color and texture. Influenced heavily by Sir Lawrence Alma-Tadema and Jules Bastien Lepage, she skillfully employed techniques reminiscent of classical antiquity to convey emotion and atmosphere.

    The Influence of Pre-Raphaelitism & Artistic Techniques

    Alma Gogin’s artistic vision firmly rooted itself within the tenets of Pre-Raphaelite aesthetics—a reaction against the perceived artificiality of academic art. Rejecting idealized representations and prioritizing emotional sincerity, Pre-Raphaelites sought inspiration from medieval art and literature, emphasizing detailed realism and symbolic imagery. Alma Gogin embraced this ethos wholeheartedly, meticulously studying anatomy and incorporating elements of Byzantine iconography into her paintings. Her brushstrokes were deliberate and expressive, layering pigments to achieve luminous effects and capturing the subtle nuances of light and shadow—a hallmark of Victorian landscape painting. She was particularly adept at portraying the moods of the sea and shore, conveying both beauty and melancholy with remarkable sensitivity.

    Key Inspirations: Alma Gogin’s artistic sensibilities were profoundly shaped by artists such as Sir Lawrence Alma-Tadema and Jules Bastien Lepage, who championed classical ideals alongside meticulous observation of nature.

    Painting Techniques: She skillfully utilized glazing techniques—applying thin layers of translucent pigment over underlying colors—to create depth and luminosity, mirroring the stylistic innovations prevalent during her time.

    Major Achievements & Legacy

    Alma Gogin’s artistic accomplishments spanned several decades, culminating in a distinguished career marked by exhibitions at prestigious institutions including the Royal Academy, the Royal Society of British Artists (RBA), and the Society of Women Artists. Her landscapes—particularly those depicting Brighton's coastline—became celebrated for their evocative beauty and technical precision. Notably, her painting “So for good or ill in leaves of tea / Do maidens find their fortune told” garnered acclaim for its masterful depiction of light and color, solidifying her reputation as a leading Victorian artist. Furthermore, Alma Gogin’s legacy extends beyond her individual artworks; she established Warwick Studios, nurturing the talents of aspiring artists and fostering a vibrant artistic community. Her influence can be discerned in subsequent generations of British painters who embraced Pre-Raphaelite principles and championed realism alongside expressive artistry—a testament to her enduring contribution to art history.

    Further Exploration

    For more information about Alma Gogin’s life and work, consult resources such as:

    Alma Gogin (1854–1948): Find a Grave

    Alma Gogin - Art UK

    Här kan du läsa mer

    Hitta detta online

    QR-kod som länkar till nedladdningssidan för Chrysanthemums

    wahooart.com/sv/art/download/alma-gogin-chrysanthemums-ARAFYW-en/

    Källhänvisning för detta konstverk

    MLA
    gogin, alma. Chrysanthemums. 1927, https://wahooart.com/sv/art/alma-gogin-chrysanthemums-ARAFYW-en/
    APA
    gogin, alma (1927). Chrysanthemums [Painting]. https://wahooart.com/sv/art/alma-gogin-chrysanthemums-ARAFYW-en/
    Chicago
    alma gogin. Chrysanthemums. 1927. https://wahooart.com/sv/art/alma-gogin-chrysanthemums-ARAFYW-en/
    Harvard
    gogin, alma (1927) Chrysanthemums. Available at: https://wahooart.com/sv/art/alma-gogin-chrysanthemums-ARAFYW-en/

    Look closely

    Chrysanthemums — alma gogin

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: floral art, still life, vintage painting. Do you agree? What would you add, or take away?
    4. Look back at Regrets, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Impressionism: Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.