Untitled (1956) je najpoznatije delo umetnika Zakhar Hatsyatryan, koje se nalazi u muzeju Nacionalna galerija Armenije u gradu Jerevan. Untitled (1954) i Untitled (1960) su sledeća dva dela koja svet najbolje poznaje. Od 80 dela umetnika Zakhar Hatsyatryan u našem katalogu, izdvajamo ovih 55 koja kolekcionari i posetioci muzeja najčešće posmatraju, uz navođenje godine, muzeja i priče o svakom od njih.
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1 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Zakhar Hatsyatryan | Slike iz ovog spiska |
|---|---|---|---|
 Nacionalna galerija Armenije |
Jerevan | 55 | Untitled, Untitled, Untitled |
Untitled (1956), Nacionalna galerija Armenije, Jerevan. Sledeći su Untitled (1954) i Untitled (1960).
32 godina: Untitled datira iz 1956, a Zakhar Hatsyatryan je rođen/a 1924.
Untitled, Untitled, Untitled, Untitled, Untitled, Untitled, Untitled, Untitled, Untitled i Untitled. Gornji rang prikazuje godinu i muzej za svako od njih.
Naš katalog sadrži 80 dela umetnika Zakhar Hatsyatryan, datiranih od 1954 do 2004.
Većina njih se nalazi u Nacionalna galerija Armenije (Jerevan). U tabeli iznad su muzeji navedeni jedan po jedan.
U periodima 1970s: 24 od ukupno 55 dela na ovoj stranici datiraju iz tog vremena, od čega je Untitled.
Najstarije delo na ovoj stranici je iz Untitled (1954), a najnovije iz Untitled (2004).
Untitled, Untitled i Untitled su među 55 dela na ovoj stranici koja se nalaze u Nacionalna galerija Armenije, Jerevan.
Zakhar Hatsyatryan was born in the village of Sarnakunq, within the Sisian region. His early years were interrupted by the onset of the Great Patriotic War, a time that pulled him away from his schooling and toward the front lines. When the conflict ended, he returned to his homeland to begin a formal study of art. In 1946, he entered the Yerevan Fine Arts College after Panos Terlemezyan, eventually graduating in 1948. His hands, once shaped by the necessities of war, turned instead to the deliberate movements of the brush.
His life was marked by a steady presence in the Armenian and Russian art communities. He did not merely paint; he taught, serving as a professor at the Armenian State Pedagogical University after Khachatur Abovyan. His commitment to his peers and his history led him to serve as the Chairman of the Veterans’ Association of St. Petersburg and as the President of the Council of war artists veterans in Saint Petersburg. He carried the weight of his experiences into his work, a man who understood both the stillness of a landscape and the heavy reality of history.
The recognition he received reflected a lifetime of disciplined practice and service. His contributions were noted through several specific honors:
The work of Zakhar Hatsyatryan remains held within the National Gallery of Armenia, Yerevan, where many of his pieces reside. His output spanned several decades, with recorded works dating from 1954 to 2004. One notable piece from his early period is an untitled work from 1956. His paintings are not merely objects of observation but are pieces of a life lived through significant shifts in the landscape of the twentieth century. He passed away in his 92nd year, leaving behind a body of work that remains a part of the visual history of his people.
