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River scene
Rukom oslikana uljana reprodukcija od $231 41 × 25 cm
Isti veličine kao original $248 51 × 31 cm Naručite u originalnim dimenzijama →
Slika koja je proslavila Walter Wright je River scene (1910); nalazi se u muzeju Auckland Art Gallery Toi o Tāmaki, Oklend. Shelly Beach (1916) i The Canoe Builders (1915) slede nakon njih u srcima kolekcionara i posetilaca muzeja. Od 8 dela umetnika Walter Wright u našem katalogu, ovih 8 su najcenjenija, a svako je predstavljeno sa datumom nastanka, muzejom i onim što ga izdvaja.
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1 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Walter Wright | Slike iz ovog spiska |
|---|---|---|---|
 Auckland Art Gallery Toi o Tāmaki |
Oklend | 8 | River scene, Shelly Beach, The Canoe Builders |
River scene (1910), Auckland Art Gallery Toi o Tāmaki, Oklend. Sledeći su Shelly Beach (1916) i The Canoe Builders (1915).
44 godina: River scene datira iz 1910, a Walter Wright je rođen/a 1866.
Naš katalog sadrži 8 dela umetnika Walter Wright, datiranih od 1898 do 1916.
Većina njih se nalazi u Auckland Art Gallery Toi o Tāmaki (Oklend). U tabeli iznad su muzeji navedeni jedan po jedan.
U periodima 1910s: 4 od ukupno 8 dela na ovoj stranici datiraju iz tog vremena, od čega je River scene.
Najstarije delo na ovoj stranici je iz A Quiet stream, Hangitiki (1898), a najnovije iz Shelly Beach (1916).
River scene, Shelly Beach i The Canoe Builders su među 8 dela na ovoj stranici koja se nalaze u Auckland Art Gallery Toi o Tāmaki, Oklend.
Da. Svaku sliku sa ove stranice možete naručiti kao ručno oslikano ulje na platnu muzejskog kvaliteta ili kao umetnički print, u veličini koju odaberete, direktno sa stranice te slike.
Born in Nottingham, England, Walter Wright emigrated to New Zealand with his family following the death of his father. Settling in Auckland, he began his professional journey as an upholstery apprentice on Shortland Street. His artistic talent emerged early, and he began exhibiting with the Auckland Society of Arts, where his seaside scenes were noted for their inherent genius. Seeking further refinement, Wright and his brother Frank returned to England to study at the Heatherley Art School, where Walter studied under Stanhope Forbes.
Upon returning to New Zealand, Wright established a studio in Auckland, where he worked as both an artist and a teacher. His career was marked by extensive travels throughout the country, producing a series of seventy-five watercolours that illustrated William Pember Reeves' book, New Zealand. He also contributed work to Frank Fox's Oceania.
Wright became a leading exponent in the depiction of Māori life and culture. His subject matter was diverse, ranging from everyday scenes of women washing clothes in hot pools and harvesting crops to large social gatherings. His work A Native Gathering received significant praise at the Auckland Society of Arts' 1910 annual exhibition. Other notable works include The Canoe Builders, a collaboration with his brother Frank, and The Burning of the Boyd, Whangaroa Harbour, 1809, which was acclaimed as the finest picture at the 1908 exhibition.
In his later years, Wright's output was impacted by failing eyesight, leading him to cease teaching. Following the death of his brother Frank in 1923, he became somewhat reclusive. He died in Auckland, leaving behind a legacy of works held in significant collections, including the Auckland Art Gallery Toi o Tāmaki.