Софонизба Ангвисола, 1532 – 1625

The 45 Most Famous Paintings by Софонизба Ангвисола

The painting that made Софонизба Ангвисола famous is Portrait of the Artist's Sisters Playing Chess (1555); it hangs in the Muzeum Narodowe w Pozaniu, Poznań. Three children with dog (1590) and Self-portrait aged 78 (1610) follow it in the hearts of collectors and museum visitors. Of the 46 works by Софонизба Ангвисола in our catalogue, these 45 are the most admired, each presented with its date, its museum and what sets it apart.

Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated октобар 2026. Every masterpiece on this page can be ordered as a museum-quality, hand-painted oil reproduction or a fine art print, at the size you choose.

Portrait of Софонизба Ангвисола
Софонизба Ангвисола · 1532 – 1625
Born · died
1532 – 1625, Кремона
Movement
Renaissance
Works in our catalogue
46
Most famous
Portrait of the Artist's Sisters Playing Chess (1555)
Most works at
Музеј Прадо

Софонизба Ангвисола: the ten masterpieces

Self-portrait aged 78 (1610) by Софонизба Ангвисола
3

Self-portrait aged 78

1610 · Acrylic On Canvas · Gottfried Keller Foundation, Winterthur

Sofonisba Anguissola’s *Self-portrait Aged 78*, completed in 1610, stands as a testament to the extraordinary achievements of a woman artist during the Renaissance—a period fiercely resistant to female participation in intellectual pursuits and artistic creation. More than just a likeness of the artist herself, this painting embodies the spirit of humanist ideals prevalent at the time, presenting Anguissola not merely as an individual but as a symbol of feminine resilience…

A Man with his Daughter (1580) by Софонизба Ангвисола
5

A Man with his Daughter

1580 · Oil · Narodni muzej u Varšavi, Varšava

In this intimate portrait, titled A Man with his Daughter, Sofonisba Anguissola captures a quiet moment of familial connection. The composition focuses on a man and his young daughter, presenting a study of a father and child in a close, vertical arrangement. There is a sense of stillness in the way the figures are positioned against a dark, indistinct background, which directs all attention to the subjects themselves.

Virgin and Child (1570) by Софонизба Ангвисола
7

Virgin and Child

1570 · Oil · Statens Museum For Kunst, Kopenhagen

In this monochrome portrait, Sofonisba Anguissola presents the "Virgin and Child" with a profound sense of intimacy. The composition is a close-up, centering the viewer's attention entirely on the two figures. Through an eye-level perspective, we are brought directly into the private, quiet space shared by the subjects. The religious subject matter is handled with a gentle touch, portraying the Virgin Mary as she looks down lovingly at the sleeping…

More Софонизба Ангвисола masterpieces, 11 to 45

Young Man (1600) by Софонизба Ангвисола
#13

Young Man

1600 · Detroit Institute of Arts

This painting, titled Young Man, is a work by Sofonisba Anguissola. It is an oil on panel portrait that captures a single male subject in a moment of…

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Elisabeth of Valois (1565) by Софонизба Ангвисола
#18

Elisabeth of Valois

1565 · Музеј Прадо

In the hallowed halls of the Museo del Prado, there exists a window into the opulent and disciplined world of the sixteenth-century Spanish court, captured through the masterful…

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Self-Portrait (1550) by Софонизба Ангвисола
#20

Self-Portrait

1550 · Museo Poldi Pezzoli

A Renaissance Pioneer’s Intimate Gaze: Sofonisba Anguissola's "Self-Portrait" Sofonisba Anguissola’s “Self-Portrait” (1554), a miniature masterpiece housed within the confines of a delicate oval frame, isn’t merely a depiction…

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Asdrubale Bitten by a Crawfish (1554) by Софонизба Ангвисола
#23

Asdrubale Bitten by a Crawfish

1554 · Museo di Capodimonte

Sofonisba Anguissola's "Asdrubale Bitten by a Crawfish," painted around 1554, is far more than a simple depiction of childhood mischief. It’s a carefully constructed dialogue between artist and…

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Self-Portrait (1554) by Софонизба Ангвисола
#25

Self-Portrait

1554 · Kunsthistorisches Museum

Sofonisba Anguissola's 1554 “Self-Portrait” is more than a simple depiction of an artist; it’s a carefully constructed statement about identity, ambition, and the burgeoning role of women in…

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Profile Portrait of a Young Woman by Софонизба Ангвисола
#29

Profile Portrait of a Young Woman

Ermitaž

Sofonisba Anguissola’s “Profile Portrait of a Young Woman,” painted circa 1556, is more than just a likeness; it's a pivotal moment in art history—a defiant assertion of female…

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Self-Portrait (1556) by Софонизба Ангвисола
#30

Self-Portrait

1556 · Muzej finih umetnosti u Bostonu

In the intimate expanse of a miniature panel, Sofonisba Anguissola captures more than just her own likeness; she captures the very essence of a burgeoning female identity in…

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Self-Portrait at the Easel (1556) by Софонизба Ангвисола
#31

Self-Portrait at the Easel

1556 · Muzeum-Zamek

The scene unfolds in 1556, a moment frozen in time where Sofonisba Anguissola meets the viewer's gaze directly. In this work, titled Self-Portrait at the Easel, the artist…

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Portrait of Philipp II of Spain (1570) by Софонизба Ангвисола
#38

Portrait of Philipp II of Spain

1570 · Музеј Прадо

In the quiet, commanding presence of Sofonisba Anguissola’s Portrait of Philipp II of Spain, we encounter more than just a likeness; we meet the very embodiment of Renaissance…

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Portrait of Minerva Anguissola by Софонизба Ангвисола
#39

Portrait of Minerva Anguissola

Pinacoteca di Brera

Sofonisba Anguissola's “Portrait of Minerva Anguissola,” painted around 1564, is more than a simple likeness; it’s a carefully constructed tableau of identity, ambition, and the burgeoning role of…

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Self-Portrait (1560) by Софонизба Ангвисола
#45

Self-Portrait

1560 · Muzej Kondé

by Sofonisba Anguissola is a Renaissance-era oil on canvas. Dated about 1560, the work functions as a direct representation of the artist herself. The subject is Sofonisba Anguissola,…

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Софонизба Ангвисола's paintings by period

The subjects Софонизба Ангвисола painted most

The four subjects that return most often among these masterpieces, with the finest example of each.

Where to see Софонизба Ангвисола's paintings

The 8 museums that hold the most of the paintings on this page.

Museum City Works by Софонизба Ангвисола Paintings from this list
Музеј Прадо, МадридМузеј Прадо Мадрид 4 Elisabeth of Valois, Portrait of Giovanni Battista Caselli, Portrait of Philipp II of Spain
Kunsthistorisches Museum, BečKunsthistorisches Museum Beč 2 Portrait of Queen Elisabeth of Spain, Self-Portrait
Museo di Capodimonte, NapuljMuseo di Capodimonte Napulj 2 Self-Portrait Playing the Spinet, Asdrubale Bitten by a Crawfish
Muzeum Narodowe w Pozaniu, PoznańMuzeum Narodowe w Pozaniu Poznań 1 Portrait of the Artist's Sisters Playing Chess
Corsham Court, CorshamCorsham Court Corsham 1 Three children with dog
Gottfried Keller Foundation, WinterthurGottfried Keller Foundation Winterthur 1 Self-portrait aged 78
Narodni muzej u Varšavi, VaršavaNarodni muzej u Varšavi Varšava 1 A Man with his Daughter
Basque Museum, BayonneBasque Museum Bayonne 1 Portrait of Diane d'Andouins and her daughter

Софонизба Ангвисола, decade by decade: the defining painting of each

  1. 1550s
    Portrait of the Artist's Sisters Playing Chess (1555) by Софонизба Ангвисола
    No. 1 of 45

    Portrait of the Artist's Sisters Playing Chess

    Age 18 – 27 · Muzeum Narodowe w Pozaniu

    Portrait of the Artist's Sisters Playing Chess is a work by Sofonisba Anguissola, dated 1555. The painting focuses on the artist's three sisters: Lucia, Europa, and Minerva. They…

  2. 1560s
  3. 1570s
    Virgin and Child (1570) by Софонизба Ангвисола
    Rank 7 / 45

    Virgin and Child

    Age 38 – 47 · Statens Museum For Kunst

    In this monochrome portrait, Sofonisba Anguissola presents the "Virgin and Child" with a profound sense of intimacy. The composition is a close-up, centering the viewer's attention entirely on…

  4. 1580s
    A Man with his Daughter (1580) by Софонизба Ангвисола
    #5 of 45

    A Man with his Daughter

    Age 48 – 57 · Narodni muzej u Varšavi

    In this intimate portrait, titled A Man with his Daughter, Sofonisba Anguissola captures a quiet moment of familial connection. The composition focuses on a man and his young…

  5. 1590s
    Three children with dog (1590) by Софонизба Ангвисола
    No. 2 of 45

    Three children with dog

    Age 58 – 67 · Corsham Court

    Three children with dog is a portrait group by Sofonisba Anguissola. Dating to about 1590, the work functions as a family portrait. The composition centers on three children…

  6. 1600s
    Young Man (1600) by Софонизба Ангвисола
    Rank 13 / 45

    Young Man

    Age 68 – 77 · Detroit Institute of Arts

    This painting, titled Young Man, is a work by Sofonisba Anguissola. It is an oil on panel portrait that captures a single male subject in a moment of…

  7. 1610s
    Self-portrait aged 78 (1610) by Софонизба Ангвисола
    Rank 3 / 45

    Self-portrait aged 78

    Age 78 – 87 · Gottfried Keller Foundation

    Sofonisba Anguissola’s *Self-portrait Aged 78*, completed in 1610, stands as a testament to the extraordinary achievements of a woman artist during the Renaissance—a period fiercely resistant to female…

Софонизба Ангвисола's masterpieces: questions and answers

Which painting is Софонизба Ангвисола best known for?Show the answer

Portrait of the Artist's Sisters Playing Chess (1555), Muzeum Narodowe w Pozaniu, Poznań. Next come Three children with dog (1590) and Self-portrait aged 78 (1610).

How old was Софонизба Ангвисола when painting Portrait of the Artist's Sisters Playing Chess?Show the answer

23 years old: Portrait of the Artist's Sisters Playing Chess dates from 1555 and Софонизба Ангвисола was born in 1532.

What are Софонизба Ангвисола's ten greatest paintings?Show the answer

Portrait of the Artist's Sisters Playing Chess, Three children with dog, Self-portrait aged 78, Portrait of Queen Elisabeth of Spain, A Man with his Daughter, Portrait of Diane d'Andouins and her daughter, Virgin and Child, Portrait of a Monk, Portrait of Joanna of Austria and Self-portrait. The ranking above gives the year and the museum of each.

How many works did Софонизба Ангвисола paint?Show the answer

Our catalogue lists 46 works by Софонизба Ангвисола, dated from 1550 to 1610.

In which museums can I see Софонизба Ангвисола's masterpieces?Show the answer

Most of them are in Музеј Прадо (Мадрид), Kunsthistorisches Museum (Beč) and Museo di Capodimonte (Napulj). The table above lists the museums one by one.

When did Софонизба Ангвисола paint the masterpieces?Show the answer

In 1550s: 18 of the 45 works on this page date from then, among them Portrait of the Artist's Sisters Playing Chess.

What are the first and last famous paintings of Софонизба Ангвисола?Show the answer

The earliest on this page is Self-Portrait (1550), the latest Self-portrait aged 78 (1610).

What were Софонизба Ангвисола's favourite subjects?Show the answer

Portraiture (7), Portrait (5) and Self-portrait (5), among the 45 works on this page.

Which technique did Софонизба Ангвисола favour?Show the answer

Oil On Canvas: 15 of the 45 works on this page.

What art movement is Софонизба Ангвисола part of?Show the answer

Renaissance and Mannerism, as the paintings on this page show.

Which masterpieces by Софонизба Ангвисола hang at the Музеј Прадо?Show the answer

Elisabeth of Valois, Portrait of Giovanni Battista Caselli and Portrait of Philipp II of Spain are among the 4 works on this page held by the Музеј Прадо, Мадрид.

Can I own a reproduction of a Софонизба Ангвисола masterpiece?Show the answer

Yes. Every painting on this page can be ordered as a museum-quality, hand-painted oil reproduction or a fine art print, in the size you choose, from the painting's own page.

The life of Софонизба Ангвисола

Osvetljeni renesans: Život i umetnost Sofonizbe Anguizole

Sofonizba Anguizola je proizašla iz živopisnog umetničkog pejzaža Italije 16. veka kao istinska pionirka, prkosiv društvenim normama i utvrdivši svoje mesto kao jedna od najslavnijih ženskih slikarica Renesansa. Rođena oko 1532. godine u Kremoni, kao ćerka Amilcarea Anguizole i Bijanke Ponconi, uživala je u neobično progresivnom odgajanju za ženu svog vremena. Njen otac, prepoznajući izuzetan umetnički talenat u svojim ćerkama – Sofonizbi, Eleni, Luciji i Evropi – prkosio je konvencijama pružajući im humanističko obrazovanje koje je obuhvatalo latin, muziku i, što je najvažnije, crtanje. Ova posvećenost njihovom intelektualnom i kreativnom razvoju bila je revolucionarna, postavljajući temelje za izvanrednu karijeru Sofonizbe. Iako je porodica Anguizola bila plemićka, nije bila bogata; Amilcare je verovao u negovanje darova svojih ćeri kao sredstva društvenog napretka i ličnog ispunjenja, što je bila radikalna ideja koja će generacijama kasnije oblikovati prilike za umetnice. Godine 1546, Sofonizba i Elena započele su formalnu obuku kod Bernardinoa Kampija, cenjenog lokalnog slikara, nakon čega su usledile studije kod Bernardinoa Gatija (Il Sastjarolo) oko 1550. godine – podučavanja koja su sama po sebi bila revolucionarna, otvarajući vrata koja su ranije bila zatvorena ženama koje teže umetničkom majstorstvu.

Intimnost i inovacija: Razvoj umetničkog glasa

Rani rad Anguizole karakteriše izuzetna intimnost i psihološka dubina, što je posebno uočljivo u njenim portretima porodice. Ovo nisu bili samo vežbe u prenošenju sličnosti; bila su to prodorna istraživanja ličnosti i porodičnih odnosa. Dela poput „Portreta umetničinih sestara koje igraju šah“ (oko msima 1555) predstavljaju majstorsku demonstraciju te sposobnosti, beležeći iskren trenutak interakcije sa nijansiranim izrazima lica i gestovima. Kompozicija deluje izuzetno prirodno, izbegavajući krutu formalnost koja se često sreće u portretima tog doba. Njen stil je prvobitno crpeo elemente iz lombardskog manierizma, ali se tokom boravka u Španiji razvio u rafiniraniji pristup prilagođen zahtevima dvorskog portretizma. Posedovala je izuzetan talenat za prikazivanje realističnih crta lica uz suptilno bojenje i prenošenje emocija kroz delikatne poteze četkicom. Autoportreti postali su tema koja se ponavlja tokom njene karijere, služeći ne samo kao dokaz veštine, već i kao snažna potvrda njenog identiteta kao umetnice u svetu dominiranom muškarcima. „Autoportret za slikarskim štafelom“ (1556) je posebno kultno delo, predstavljajući Sofonizbu kako samouvereno uživa u svom zanatu, izazivajući posmatrače da priznaju njenu umetničku autoritativnost.

Dvorski angažman: Život i rad u Španiji

Godine 1559 stigao je presudan trenutak kada je Anguizolu u Španiju pozvala kraljica Elizaveta od Valois, supruga kralja Filipa II. Ovaj poziv nije bio samo ponuda za posao; bio je to priznanje njenog izuzetnog talenta i svedočanstvo o sopstvenim umetničkom sklonostima same kraljice. Sofonizba je služila kao dama na dvoru i učiteljica slikanja, postajući zvanična dvorska slikarka – pozicija koja je u to vreme bila gotovo nezamisliva za ženu. Kreirala je portrete kraljevske porodice i španske plemićke loze, prilagođavajući svoj stil formalnim zahtevima dvorskog portretizma, dok je istovremeno zadržavala svoju senzibilitetnost prema karakteru likova. Njeno prisustvo na dvoru bilo je značajno; nije bila samo tolerisana kao ženska umetnica, već je aktivno cenjena zbog svojih veština i društva. Nakon prerane smrti kraljice Elizavete 1eks68. godine, Filip II je omogućio Sofonizbino venčanje sa Fabrizijom Monkadom, sicilijanskim plemićem, što joj je omogućilo da nastavi da slika uz očuvanje plemićkog statusa. Ovaj aranžman je pokazao kraljevo poštovanje prema njenoj umetnosti i njegovu želju da osigura njenu dalju dobrobit. Kasnije se ponovo udala nakon Monkadine smrti, nastavljajući da slika tokom celog života.

Nasleđe pionira: Uticaj i istorijski značaj

Dostignuća Sofonizbe Anguizole prevazilazila su okvire španskog dvora. Njen rad je izazvao konvencionalne umetničke norme i otvorio put budućim generacijama umetnica. Dokazala je da žene ne mogu samo da se istaknu u umetnosti, već mogu postići i međunarodno priznanje i zaštitnike. Njen uticaj se vidi u delima kasnijih slikarica koje su sledile njen primer, rušeći barijere i prkosiv društvenim očekivanjima. Ključni uticaji na Anguizolu uključivali su lombardsku školu slikarstva, posebno rad Bernardinoa Kampija i Bernardinoa Gatija, ali je ona na kraju stvorila sopstveni jedinstveni stil koji karakterišu realizam, intimnost i psihološki uvid. Njeni autoportreti ostaju moćni simboli ženskog umetničkog delovanja, inspirišući umetnike i naučnike i danas.

Trajno priznanje

Danas je Sofonizba Anguizola zasluženo priznata kao jedna od najvažnijih figura Renesansa. Njena dela se čuvaju u prestižnim kolekcijama širom sveta, uključujući Museo del Prado u Madridu, Galeriju Uffizi u Firenci i Muzej Izabele Stjuart Gardner u Bostonu. Njena priča nastavlja da odjekuje kod publike, podsećajući nas na moć umetnosti da prevaziđe društvene granice i na neprolazno nasleđe žene koja se usudila da prkos očekivanjem i prati svoju strast. Sposobnost da uhvati ne samo fizičku sličnost, već i unutrašnji život svojih subjekata, osigurava da njeno delo ostane očaravajuće i relevantno vekovima nakon njegovog stvaranja.
  • Njena dela se mogu videti u: Bostonu (Muzej Izabele Stjuart Gardner), Milvaukiju (Muzej umetnosti u Milvaukiju), Bergamu, Brešiji, Budimpešti, Madridu (Museo del Prado), Napulju i Sijeni.
  • Đorđo Vazari je hvalio njenu sposobnost crtanja, bojenja, slikanja iz prirode, izvrsno kopiranje i stvaranje prelepih slika.

All 46 works by Софонизба Ангвисола →