Najpoznatije delo umetnika Салватор Роза je The Baptism of the Eunuch (1660), koje se nalazi u muzeju Chrysler Museum of Art, Norfolk. Uz Pythagoras Emerging from the Underworld (1662) i Landscape with St Jerome (1670), to su tri dela koja svi prepoznaju. Naš katalog sadrži 274 dela umetnika Салватор Роза; ovih 100 ispod su dela koja svet najčešće posmatra, svako sa navedenom godinom nastanka, muzejom u kojem se čuva i razlogom zašto je značajno.
Rangirano prema našem koeficijentu popularnosti, koji kombinuje pretrage, posete i porudžbine za svako delo. Ažurirano октобар 2026. Svako remek-delo na ovoj stranici može se naručiti kao ručno oslikana uljana reprodukcija muzejskog kvaliteta ili kao umetnička štampa, u dimenzijama koje odaberete.
A Baroque Drama of Conversion The painting “The Baptism of the Eunuch,” attributed to Salvator Rosa (1660), stands as a testament to the dramatic fervor characteristic of Baroque art—a movement that sought to overwhelm viewers with emotion and grandeur. More than just a depiction of biblical scripture, it’s an exploration of faith, humility, and divine grace rendered in exquisitely crafted oil on canvas. Rosa's masterful use of chiaroscuro – the…
Pythagoras Emerging from the Underworld: A Baroque Meditation on Mortality Salvator Rosa’s “Pythagoras Emerging from the Underworld” is more than just a depiction of myth; it's a profound exploration of philosophical ideas interwoven with masterful baroque artistry. Painted in 1662, this monumental canvas embodies the spirit of its time—a fascination with classical antiquity colliding with burgeoning anxieties about death and rebirth—themes central to Pythagorean thought itself. Rosa’s unwavering commitment to…
A rugged, mountainous gorge dominates the vertical composition, creating a sense of isolation through deep, narrow canyons. The landscape is defined by jagged, irregular rock faces and the skeletal, tangled branches of overhanging trees. Earthy tones of ochre, deep brown, and muted green establish a somber atmosphere, while a luminous patch of sky at the top center provides a sharp contrast to the shadows below. Within this untamed environment, a…
A single light source strikes the left side of a weathered face, carving it out of a heavy, ink-black void. The man’s gaze is steady, meeting the viewer with a quiet, stoic intensity. He wears a voluminous turban, its cream and ochre folds catching the light, revealing the coarse texture of the cloth. Deep shadows swallow the right side of his head, merging his beard and the nape of his…
The canvas holds a vertical tension, a sudden movement between the heavens and the earth. A celestial figure descends, cutting through a darkness that feels heavy and thick. This is the moment of intervention, where the divine enters the realm of the mortal. Light does not merely illuminate; it strikes. It catches the curve of a reaching hand and the pale skin of a kneeling figure, leaving the rest of…
A heavy, weathered stone structure anchors the left side of the canvas, its crumbling edges catching the light. Beside it, a gnarled tree leans into the frame, its dark branches reaching like fingers toward a vast, cloud-filled sky. In the lower foreground, rustic figures move through the shadows of the ruins. A man in white and blue stands amidst the earthy tones of ochre and sienna. Above this earthly realm,…
Salvator Rosa painted Daniel in the Lion's Den as a profound exercise in religious art. This oil on canvas work emerged after 1662, a period when the artist sought to expand his reputation beyond the rugged landscapes for which he was known. The composition belongs to a larger, cohesive cycle of five thematically linked Biblical stories. These paintings were executed for Carlo de' Rossi, intended to decorate a private chapel…
In this dramatic Baroque oil painting, we find ourselves witnessing a moment of profound martyrdom. The composition is built upon a restless diagonal, pulling the eye from a crowded, agitated group of figures in the lower left toward the central figure of Polyclitus, suspended upon the cross in the upper right. The landscape is not a place of peace; it is a rugged, mountainous terrain of craggy rocks and turbulent…
A heavy, wooden cross dominates the composition, its diagonal thrust cutting through a turbulent scene of physical and spiritual struggle. Christ is caught in a moment of intense exertion, his body strained under the burden of the timber. Around him, a crowd of onlookers and tormentors creates a sense of claustrophobic chaos. The arrangement of figures is agitated, driving the eye across the canvas in a series of sharp, conflicting…
The shadows deepen as we encounter Witches at their Incantations, a work that pulls the viewer into a dark, nocturnal ritual. Painted by Salvator Rosa about 1646, the scene captures a gathering of figures caught in the midst of a witches' sabbath. This macabre assembly unfolds beneath a heavy, cloud-covered sky, where the line between the human and the monstrous begins to blur. It is a moment of profound unrest,…
Group of Warriors is a dramatic Baroque-style painting that depicts a tightly clustered group of figures, likely warriors or soldiers, within a rugged and dark landscape. The composition…
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Salvator Rosa’s Silent Reflection: An Exploration of Philosophy and Landscape Salvator Rosa stands apart from his contemporaries as an artist who defied convention and embraced the raw beauty…
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The canvas presents a rugged, asymmetrical landscape dominated by a strong diagonal movement. On the left, dark and craggy cliffs rise sharply, their edges jagged and irregular. These…
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The Jordan River flows through a landscape of jagged edges and heavy shadows. Here, the water meets the shore under a sky filled with churning clouds. Saint John…
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Salvator Rosa's Jeremie pulled from the cistern, executed in 1622, belongs to the genre of religious art. The composition centers on the biblical narrative of the prophet Jeremiah…
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Armed Robbers in Rocky Countryside is a reproduction of a Baroque-style landscape painting by Salvator Rosa. Created in 1644, the work reflects the artist's departure from the idealized,…
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The oil painting depicts a central figure, Jonah, positioned with arms outstretched toward a gathered crowd. He wears a light-colored robe that catches a strong, directional light source…
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The oil on canvas work titled Prometheus on the Rock was executed by the artist Salvator Rosa. This painting is dated 1644. The piece is a product of…
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In Salvator Rosa's 1644 "Mountain Landscape," a massive, twisted tree trunk anchors the left side of the frame. This dark, organic pillar reaches upward, carving a boundary against…
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This oil on canvas painting, dated 1662, presents a rugged, untamed wilderness dominated by a massive, craggy rock formation. The central and right portions of the frame are…
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In the grand, turbulent theater of the Baroque era, few moments capture the tension between the divine and the mortal as poignantly as Salvator Rosa’s 1665 masterpiece, Astraea…
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The painting titled The Martyrdom of Saint Januarius and his Fellows is an oil work created by the artist Salvator Rosa. This specific composition dates to 1650. It…
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In the heart of a jagged, primordial landscape, Salvator Rosa captures a moment of breathless tension that feels less like a static painting and more like a frozen…
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This oil on canvas portrait, dated 1650, presents a man in a three-quarter view against a dark, nondescript background. The subject is positioned so that his gaze meets…
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In this 1673 portrait, we find ourselves in the presence of Saint Simon the Apostle. The composition centers on a man of profound gravity, his face framed by…
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The rugged terrain of Landscape with Armed Men unfolds before the viewer, a scene where the wildness of nature meets the tension of human presence. Painted by Salvator…
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Salvator Rosa's "St. Francis in Ecstasy," painted circa 1647, isn’t merely a depiction of a saint; it’s a profound meditation on the intersection of earthly experience and divine…
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Salvator Rosa produced Saint Humphrey (Onuphrius) circa 1660. This religious art piece focuses on the ascetic life of the hermit, a figure traditionally associated with extreme solitude and…
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A massive, dark rock formation dominates the view, acting as a heavy frame for the world beyond. This natural archway creates a deep sense of enclosure, casting the…
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Salvator Rosa (and Studio) executed Odysseus and Nausicaa as an oil on canvas. The work dates to circa 1655. This composition captures a mythological encounter on a coastal…
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Sleeping Warrior is an oil on canvas painting by the Italian artist Salvator Rosa. Created in 1644, the work emerged during a period when Rosa was establishing his…
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In the evocative depths of Salvator Rosa’s 1662 masterpiece, Ceres and Phytalus, we are transported into a realm where the boundaries between the divine and the mortal dissolve.…
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The shadows of a nocturnal ritual unfold in Witches at their Incantations, a work by the Italian artist Salvator Rosa. Created about 1646, the scene captures a gathering…
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The painting A Cavalry Battle, created in 1652, presents a scene of intense and chaotic combat. Within this Baroque composition, a group of people are engaged in fighting…
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A broken, gnarled branch cuts diagonally across the canvas, a splintered limb reaching from the upper right toward the center. It hangs suspended in a heavy, dark atmosphere,…
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In this 1652 composition, we find ourselves drawn into a landscape that feels less like a setting and more like a living, breathing entity. The scene is dominated…
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In this 1644 landscape, we find ourselves looking up from a low vantage point, a perspective that forces the eye to contend with the sheer scale of a…
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Landscape with Armed Men is an oil on canvas painting created by Salvator Rosa. The work dates to 1640. It is categorized as both a landscape and a…
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Salvator Rosa's "Glaucus and Scylla," executed around 1661, is not merely a depiction of a classical myth; it’s a visceral exploration of desire, loss, and the perilous allure…
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The Raising of Lazarus is an oil on canvas work by the artist Salvator Rosa. It captures a singular moment of divine intervention from the New Testament, specifically…
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Salvator Rosa produced Still Life in 1673. This work belongs to the Baroque era, specifically categorized within the vanitas genre. Such compositions utilize symbolic objects to contemplate the…
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Salvator Rosa's "Youth with an Effigy of Diana of Ephesus," painted in 1657, is not merely a portrait; it’s a carefully constructed tableau brimming with symbolic weight and…
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In the sweeping expanse of Salvator Rosa’s 1655 masterpiece, River Landscape with Apollo and the Cumean Sibyl, the viewer is transported into a world where the boundaries between…
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In the dramatic expanse of Salvator Rosa’s "Rocky Landscape with a Huntsman and Warriors," the viewer is not merely observing a landscape, but is instead thrust into a…
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In the heart of the Baroque era, few artists captured the intersection of human emotion and divine intervention as powerfully as Salvator Rosa. His masterpiece, "The Finding of…
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In the mid-17th century, the Italian Baroque era was defined by its thirst for drama, tension, and the sublime. Salvator Rosa’s “Bandits on a Rocky Coast,” painted around…
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The artwork titled Standing Warror with Shield was created by the artist Salvator Rosa. Completed in 1657, this piece is categorized within the portrait genre. It is a…
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Salvator Rosa executed Saint John the Baptist Revealing Christ to the Disciples in 1655. This oil on canvas represents a significant moment in the artist's development during the…
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In the grand tapestry of the Italian Baroque, few voices resonate with as much rebellious spirit and intellectual depth as that of Salvator Rosa. His 1662 masterpiece, Pythagoras…
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is a painting by Salvator Rosa, executed in 1644. The canvas captures a rugged terrain, a scene shaped by the hand of an artist born in 1615. This…
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The canvas known as Christ resurrected, or Le Christ réssuscité, captures a moment of profound divine triumph. Salvator Rosa presents the Resurrection of Christ, a central narrative from…
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In the quiet intimacy of Salvator Rosa’s Portrait of the Artist's Wife, Lucrezia, we encounter more than just a likeness; we enter a profound moment of shared history…
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8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Салватор Роза | Slike iz ovog spiska |
|---|---|---|---|
 Bavarske državne slikopisne kolekcije |
Minhen | 21 | Group of Warriors, Armed Robbers in Rocky Countryside, Prometheus on the Rock |
 Musée Condé |
Šantije | 9 | Landscape with St Jerome, Tobias and the Angel, Daniel in the Lion's Den |
 Statens Museum For Kunst |
Kopenhagen | 10 | Jonah Preaching to the People of Niniveh, The Founding of Thebes, Landscape with an "Arco Naturale" |
 Los Angeles County Museum of Art |
Los Anđeles | 7 | Landscape with Armed Men, Odysseus and Nausicaa, Ceres and Phytalus |
 Cleveland Museum of Art |
Klivlend | 5 | Scenes of Witchcraft: Night, Scenes of Witchcraft: Evening, Scenes of Witchcraft: Day |
 National Gallery |
London | 7 | Witches at their Incantations, Self-Portrait as Philosopher of Silence, Landscape with Mercury and the Dishonest Woodman |
 Kunsthistorisches Museum |
Beč | 4 | Return of Astrea, Astraea Leaves The Earth |
 John and Mable Ringling Museum of Art |
Sarasota | 4 | Allegory of Study, Three Marys at the Tomb |
A heavy, weathered stone structure anchors the left side of the canvas, its crumbling edges catching the light. Beside it, a gnarled tree leans into the frame, its…
A single light source strikes the left side of a weathered face, carving it out of a heavy, ink-black void. The man’s gaze is steady, meeting the viewer…
A Baroque Drama of Conversion The painting “The Baptism of the Eunuch,” attributed to Salvator Rosa (1660), stands as a testament to the dramatic fervor characteristic of Baroque…
A rugged, mountainous gorge dominates the vertical composition, creating a sense of isolation through deep, narrow canyons. The landscape is defined by jagged, irregular rock faces and the…
The Baptism of the Eunuch (1660), Chrysler Museum of Art, Norfolk. Sledeći su Pythagoras Emerging from the Underworld (1662) i Landscape with St Jerome (1670).
45 godina: The Baptism of the Eunuch datira iz 1660, a Салватор Роза je rođen/a 1615.
The Baptism of the Eunuch, Pythagoras Emerging from the Underworld, Landscape with St Jerome, Head of a Man with a Turban, Tobias and the Angel, Return of Astrea, Daniel in the Lion's Den, Crucifixion of Polyclitus, Jesus carrying the cross i Witches at their Incantations. Gornji rang prikazuje godinu i muzej za svako od njih.
Naš katalog sadrži 274 dela umetnika Салватор Роза, datiranih od 1627 do 1673.
Većina njih se nalazi u Bavarske državne slikopisne kolekcije (Minhen), Musée Condé (Šantije) i Statens Museum For Kunst (Kopenhagen). U tabeli iznad su muzeji navedeni jedan po jedan.
U periodima 1640s: 36 od ukupno 100 dela na ovoj stranici datiraju iz tog vremena, od čega je Return of Astrea.
Najstarije delo na ovoj stranici je iz A Pass with Travellers attacked by Bandits (1627), a najnovije iz Cavalieri in Marcia (1673).
Sky (20), People (18) i Landscape (14), od ukupno 100 dela na ovoj stranici.
Oil On Canvas: 35 od ukupno 100 dela na ovoj stranici.
Baroque, kao što pokazuju slike na ovoj stranici.
Group of Warriors, Armed Robbers in Rocky Countryside i Prometheus on the Rock su među 21 dela na ovoj stranici koja se nalaze u Bavarske državne slikopisne kolekcije, Minhen.
Da. Svaku sliku sa ove stranice možete naručiti kao ručno oslikano ulje na platnu muzejskog kvaliteta ili kao umetnički print, u veličini koju odaberete, direktno sa stranice te slike.
