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Pomona
The artwork titled Pomona is a painting by the French artist Robert Tournières. This specific composition is a copy after the work of Aert de Gelder. The piece is dated to 1739.
Slika koja je proslavila Robert Tournières je Pomona (1739); nalazi se u muzeju Nationalmuseum, Стокхолм. Portrait of an Old Man (Guillaume de Lisle?) (1700) i Michel Corneille l'Aîné (1642-1708) (1702) slede nakon njih u srcima kolekcionara i posetilaca muzeja. Od 18 dela umetnika Robert Tournières u našem katalogu, ovih 18 su najcenjenija, a svako je predstavljeno sa datumom nastanka, muzejom i onim što ga izdvaja.
Rangirano prema našem koeficijentu popularnosti, koji kombinuje pretrage, posete i porudžbine za svako delo. Ažurirano октобар 2026. Svako remek-delo na ovoj stranici može se naručiti kao ručno oslikana uljana reprodukcija muzejskog kvaliteta ili kao umetnička štampa, u dimenzijama koje odaberete.
The artwork titled Pomona is a painting by the French artist Robert Tournières. This specific composition is a copy after the work of Aert de Gelder. The piece is dated to 1739.
A Glimpse of Aristocratic Life: Robert Le Vrac de Tournières’ “Count Ferdinand Adolf von Plettenberg and His Family” Robert Le Vrac de Tournières' 1727 painting, "Count Ferdinand Adolf von Plettenberg and His Family," is more than just a portrait; it’s a meticulously crafted window into the refined world of 18th-century European aristocracy. The scene unfolds within a richly appointed interior – likely a salon or drawing room – dominated by…
Robert Le Vrac de Tournières: Bridging Dutch Intimacy and Rococo Elegance Robert Le Vrac de Tournières (1667–1752) stands as an intriguing figure in the annals of French Baroque painting, embodying a pivotal transitional period where influences from the Netherlands intertwined with the burgeoning stylistic sensibilities of the Rococo era. Unlike many contemporaries who adhered rigidly to established conventions, Tournières skillfully blended elements of Dutch genre scenes—characterized by their candid portrayal…
The gaze of the subject in Portrait of Unknown Woman as Hebe meets the viewer with a quiet, steady presence. This work, painted by Robert Le Vrac De…
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8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Robert Tournières | Slike iz ovog spiska |
|---|---|---|---|
 Ermitaž |
Sankt Peterburg | 2 | Portrait of Unknown Woman as Hebe, Portrait of Unknown Woman as Hebe |
 Nationalmuseum |
Стокхолм | 1 | Pomona |
 Opera House |
Versailles | 1 | Michel Corneille l'Aîné (1642-1708) |
 Birmingham Museum and Art Gallery |
Birmingem | 1 | Portrait of Richard (Dicky) Bateman |
 Musée des Beaux-Arts de Dijon |
Dijon | 1 | Portrait of Chancellor Louis Phélypeaux, Count of Pontchartrain (1643-1727) |
 Szépművészeti Múzeum |
Budimpešta | 1 | Count Ferdinand Adolf von Plettenberg and his Family |
 Luvr |
Pariz | 1 | Concert |
 Musée d'Arts de Nantes |
Nantes | 1 | Portrait of the Maupertuis family |
Robert Le Vrac de Tournières: Bridging Dutch Intimacy and Rococo Elegance Robert Le Vrac de Tournières (1667–1752) stands as an intriguing figure in the annals of French Baroque…
The artwork titled Pomona is a painting by the French artist Robert Tournières. This specific composition is a copy after the work of Aert de Gelder. The piece…
Pomona (1739), Nationalmuseum, Стокхолм. Sledeći su Portrait of an Old Man (Guillaume de Lisle?) (1700) i Michel Corneille l'Aîné (1642-1708) (1702).
72 godina: Pomona datira iz 1739, a Robert Tournières je rođen/a 1667.
Pomona, Portrait of an Old Man (Guillaume de Lisle?), Michel Corneille l'Aîné (1642-1708), Portrait of Chancellor Louis Phélypeaux, Count of Pontchartrain, Count Ferdinand Adolf von Plettenberg and his Family, Portrait of Richard (Dicky) Bateman, Portrait of Chancellor Louis Phélypeaux, Count of Pontchartrain (1643-1727), Dibutade Drawing, by the Light of a Lamp, the Portrait of His Lover, Count Ferdinand Adolf von Plettenberg and his Family i Concert. Gornji rang prikazuje godinu i muzej za svako od njih.
Naš katalog sadrži 18 dela umetnika Robert Tournières, datiranih od 1690 do 1750.
Većina njih se nalazi u Ermitaž (Sankt Peterburg), Nationalmuseum (Стокхолм) i Opera House (Versailles). U tabeli iznad su muzeji navedeni jedan po jedan.
U periodima 1720s: 3 od ukupno 18 dela na ovoj stranici datiraju iz tog vremena, od čega je Portrait of Chancellor Louis Phélypeaux, Count of Pontchartrain.
Najstarije delo na ovoj stranici je iz Concert (1690), a najnovije iz Portrait of Chancellor Louis Phélypeaux, Count of Pontchartrain (1643-1727) (1750).
Portraiture (3), Portraits (3) i Family (2), od ukupno 18 dela na ovoj stranici.
Oil On Canvas: 3 od ukupno 18 dela na ovoj stranici.
Rococo, kao što pokazuju slike na ovoj stranici.
Portrait of Unknown Woman as Hebe i Portrait of Unknown Woman as Hebe su među 2 dela na ovoj stranici koja se nalaze u Ermitaž, Sankt Peterburg.
Da. Svaku sliku sa ove stranice možete naručiti kao ručno oslikano ulje na platnu muzejskog kvaliteta ili kao umetnički print, u veličini koju odaberete, direktno sa stranice te slike.
Robert Le Vrac de Tournières was born in Caen, France, in 1667. His artistic journey began with studies under Lucas Delahaye, a respected painter of the time. He further honed his skills under the tutelage of Bon Boullogne and Rigaud, both prominent figures in French painting, setting the stage for a successful career.
Tournières’ artistic style reflects a fascinating transitional period within French art. He skillfully blended elements of Dutch intimacy – particularly evident in his genre scenes – with the emerging lightness and elegance that would come to define the Rococo style. His palette was noted for its delicate coloring, and he demonstrated a keen talent for capturing both pose and drapery. While not considered among the most powerful painters of his era, critics acknowledged his careful technique and refined execution.
Tournières achieved significant recognition during his lifetime, being received into the Académie royale de peinture twice. The first acceptance in 1702 was based on his portraiture skills, specifically portraits of fellow artists Pierre Mosnier and Michel Corneille. His second reception in 1716, as a history painter, came with his work Invention of Drawing (1716), depicting a romantic scene illuminated by candlelight. Although many of his large-scale paintings have been lost to time, numerous smaller works survive, showcasing his mastery of detail and character portrayal.
Tournières was deeply influenced by Dutch masters such as Godfried Schalken and Gerard Dou, dedicating considerable study to their techniques. This influence is visible in his attention to light, shadow, and the intimate portrayal of everyday life. He also drew inspiration from his teachers, incorporating elements of their styles into his own unique approach.
In 1737, Tournières was promoted to professeur auxiliaire, further solidifying his position within the artistic community. He continued to exhibit successfully at the Salon of 1742. However, he returned to Caen in 1749 and ceased painting. His father, an engraver, had familial connections through marriage to François Lemoyne. Despite fading from active practice, Tournières left behind a considerable body of portraits that remain highly regarded and are found in notable collections today.
Robert Le Vrac de Tournières occupies an important place as a transitional figure in French art. He embodies the shift from the more formal Baroque style towards the lighter, more decorative Rococo aesthetic. His ability to synthesize Dutch realism with emerging French sensibilities makes his work particularly valuable for understanding the evolution of 18th-century painting.
