Slika koja je proslavila Filip Aleksije De Lažlo je Andrew W. Mellon (1932). Lady Rachel Cavendish, later Viscountess Stuart of Findhorn i Professor Johann Nepomuk Oser (1904) slede nakon njih u srcima kolekcionara i posetilaca muzeja. Od 216 dela umetnika Filip Aleksije De Lažlo u našem katalogu, ovih 100 su najcenjenija, a svako je predstavljeno sa datumom nastanka, muzejom i onim što ga izdvaja.
Rangirano prema našem koeficijentu popularnosti, koji kombinuje pretrage, posete i porudžbine za svako delo. Ažurirano октобар 2026. Svako remek-delo na ovoj stranici može se naručiti kao ručno oslikana uljana reprodukcija muzejskog kvaliteta ili kao umetnička štampa, u dimenzijama koje odaberete.
In this 1932 bust-length depiction, Philip de László captures the presence of Andrew W. Mellon. The subject is presented in profile, his gaze directed slightly off to the right. A quiet dignity settles over the figure, suggesting a man of significant status and intellect. The composition focuses on the head and shoulders, isolating the sitter against a muted, tan background that offers no distraction from the man himself.
Philip de László rendered this portrait of Lady Rachel Cavendish, later Viscountess Stuart of Findhorn. The sitter, who would eventually become the Viscountess, is presented here in a likeness captured by the Hungarian-born artist during a significant period of transition in her life. The work was executed just before her marriage to James Gray Stuart on 4th August 1923.
In this portrait, Philip de László presents us with Professor Johann Nepomuk Oser, an intellectual figure captured with a quiet, commanding presence. Created about 1904, the work offers a glimpse into the dignified character of a man defined by his scholarly pursuits. The subject is dressed in formal attire, a choice that reflects his status and the professional gravity of his position. There is a certain stillness in his posture…
A heavy silence settles over the canvas. The Archbishop sits in a three-quarter pose, his body angled slightly away while his gaze drifts toward the left of the frame. He is a man of shadows and stark light. The darkness of the background presses inward, forcing the viewer to focus on the pale, steady presence of his face and the pale grip of his hands. It is a study in…
The oil on board painting titled Lt-Col. Risaldar Jagat Singh and Risaidar Man Singh was executed by the artist Philip de László in 1916. This work depicts two Sikh cavalry officers serving within the British Indian Army. The subjects are identified as Jagat Singh of the 12th Cavalry and Man Singh of the 21st Cavalry. The portrait captures the two men in a single sitting that lasted approximately two to…
Three men sit anchored around a wooden table, their silhouettes etched against the dim light of a tavern. The air in the room feels heavy, thick with the scent of spilled spirits and unspoken words. Bottles rest on the scarred surface, catching the pale light like glass eyes watching the quiet drama unfold. A single chair sits empty nearby, a silent witness to a presence that has already departed. The…
In this 1911 oil on canvas, the artist Philip de László turns the gaze inward. Titled Self-Portrait, the work presents a direct encounter with the painter himself, Philip Alexius de László. It is a quiet moment of introspection captured during a period of established professional standing. The subject and the creator are one and the same, offering a rare glimpse into the man behind the formal portraits of the European…
Philip de László captured the likeness of Count Albert Mensdorff-Pouilly-Dietrichstein in this oil on cardboard portrait. The sitter, an Austro-Hungarian diplomat who lived from 1861 to 1945, is presented with the quiet dignity characteristic of the era's high society. Created before 1907, the work reflects the artist's early period of establishing his reputation among the European elite.
Philip de László’s Portrait of Fürstin Dietrichstein zu Nikolsburg, née Princess Olga Dolgouruky presents an oval-shaped bust-length study of the subject. The composition centers on the face and upper shoulders of Princess Olga Dolgouruky, establishing an intimate connection through a direct, eye-level view. She is rendered in regal attire, distinguished by a delicate jeweled tiara that catches the light. The arrangement focuses the viewer's attention on her calm expression and…
The portrait presents an elderly gentleman, captured in a bust-length composition that emphasizes psychological depth. Positioned slightly off-center, the subject gazes toward the viewer's left, creating an intimate, quiet connection. The lighting is dramatic, utilizing a chiaroscuro effect where a strong light source from the upper left defines the facial structure, the texture of the white beard, and the deep wrinkles of age. This illumination contrasts sharply against the dark,…
Philip de László painted this portrait of Frank Billings Kellogg in 1925. The subject was a prominent American politician and statesman. His career reached a significant milestone in…
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The subject turns her face toward the viewer, a soft profile emerging from a shadow of ochre and deep brown. She wears a gown of luminous teal and…
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Philip de László presents Julian Byng, 1st Viscount Byng of Vimy, in this formal oil portrait executed about 1933. The subject, a high-ranking British Army officer, is rendered…
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The portrait titled Marguerite Alexandrine, duchesse du Gramont, née de Rothschild features the subject Marguerite Alexandrine, duchesse du Gramont, née de Rothschild. This work was executed by the…
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This portrait, titled H.S.H. Prince Louis of Battenberg, was painted by Philip de László in 1910. The sitter is presented in a formal captain's uniform, a choice that…
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This oil portrait depicts Arthur James Balfour, 1st Earl of Balfour. The subject lived from 1848 to 1930. The painting was executed by the artist Philip de László.
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The room feels quiet, held in a stillness that only the weight of authority can command. Seated within the dark, structured embrace of an ornate throne, Pope Pius…
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Philip de László captures the presence of John Loader Maffey, 1st Baron Rugby, in this 1923 oil on canvas. The subject sits with a quiet, dignified weight, his…
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William Richard Morris, Viscount Nuffield, is the subject of this 1937 portrait by Philip de László. Created in England, the work captures the likeness of the English motor…
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This oil on canvas portrait, titled Sir Thomas Gardner Horridge, was executed by the artist Philip de László. The work depicts Sir Thomas Gardner Horridge, who held the…
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In this 1927 portrait, we find ourselves face-to-face with Victoria Eugenie of Battenberg, captured in a moment of quiet, somber dignity. The composition is intimate, a vertical bust-length…
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Step closer to observe the quiet authority held within this vertical portrait. Here, King Alfonso XIII is captured in 1927, presented in a three-quarter length pose that feels…
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In this 1922 oil on canvas, Philip de László captures the likeness of Edward Drummond Libbey. The subject sits with a quiet, settled presence, his form defined by…
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The oil on canvas work titled Edwin Charles Clark, Professor of Civil Law was executed by the artist Philip de László. This portrait depicts Edwin Charles Clark, a…
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The Portrait of John H. McFadden by Philip de László is a three-quarter length oil painting. The subject is positioned slightly off-center, facing the viewer directly with a…
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In this 1927 portrait, Philip de László presents King Alfonso XIII in a moment of quiet dignity. The subject is depicted in military attire, a choice that speaks…
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In this 1929 oil on canvas, Philip de László captures Clara Cook Kellogg, a woman defined by the quiet gravity of her social standing. She sits as a…
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Philip de László presents Richard Burdon Haldane, Viscount Haldane, a portrait executed in 1928. The subject, Richard Burdon Haldane, 1st Viscount Haldane, was a prominent figure in British…
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This oil on canvas portrait depicts Henry Charles Keith Petty-Fitzmaurice, 5th Marquess of Lansdowne. Painted by Philip de László in 1920, the work captures the subject in formal…
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The brush captures Sir (Samuel) Luke Fildes in a moment of quiet dignity. Painted by Philip de László in 1914, this portrait brings the sitter into a direct,…
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The gaze of Sir William Pulteney Pulteney meets the viewer through this formal oil portrait, a work that captures the man in a moment of quiet, authoritative stillness.…
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In the year 1911, Philip de László painted Portrait of a Lady and her Daughter (Portrait of Anya and Lanya). The canvas captures two figures of high standing,…
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In this 1930 oil on canvas, Philip de László presents a formal portrait of Iphigenia Wise Ochs. Painted in London, Greater London, England, United Kingdom, the work captures…
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In this 1921 oil on canvas, Philip de László presents a formal study of Arthur Hamilton Lee, 1st Viscount Lee of Fareham. The sitter, born in 1868, is…
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This oil on canvas, titled Portrait of Marshal Lyautey, was executed by the artist Philip de László in 1929. It presents a formal study of Maréchal Louis Hubert…
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In this 1926 oil on canvas, Philip de László captures the likeness of Adolph Simon Ochs. Painted in New York City, United States, the work presents the subject…
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This oil on canvas portrait, titled Sir (William Matthew) Flinders Petrie, was executed by the artist Philip de László in 1934. The work depicts the archaeologist in his…
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In the quiet light of 1902, Philip Alexius De László captures a private moment in this Portrait of a Lady and her Daughter. The scene unfolds from a…
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A Glimpse into Aristocratic Life: Vita Sackville-West by Philip de László This captivating oil on canvas portrait, "Vita Sackville-West," painted in 1910 by the renowned Philip Alexius de…
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#2 Lady Rachel Cavendish, later Viscountess Stuart of Findhorn
#4 Cosmo Gordon Lang (1864–1945), Baron Lang of Lambeth, Scholar (1882), Honorary Fellow (1928), Archbishop of York (1908–1928), Archbishop of Canterbury (1928–1942)
#5 Lt-Col. Risaldar Jagat Singh and Risaidar Man Singh
#7 Self-Portrait
#9 Portrait of Fürstin Dietrichstein zu Nikolsburg, née Princess Olga Dolgouruky
Četiri teme koje se najčešće pojavljuju među ovim remek-delima, sa najboljim primerom za svaku od njih.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Filip Aleksije De Lažlo | Slike iz ovog spiska |
|---|---|---|---|
 National Portrait Gallery |
London | 11 | Count Albert Mensdorff-Pouilly-Dietrichstein, Sir George Henschel (Isidor Georg Henschel), Julian Byng, 1st Viscount Byng of Vimy |
 Mađarska nacionalna galerija |
Budimpešta | 9 | Self-Portrait, The Storyteller, At Vesper Bell |
 National Portrait Gallery |
Vašington, D.C. | 7 | Frank Billings Kellogg, Clara Cook Kellogg, Iphigenia Wise Ochs |
 Музеј Прадо |
Мадрид | 4 | Victoria Eugenie of Battenberg with mantilla, Alfonso XIII in Hussar Uniform, Alfonso XIII |
 Courtauld Gallery |
London | 4 | Viscount Lee of Fareham, Sketch for Portrait of the Viscountess Lee of Fareham |
 Ermitaž |
Sankt Peterburg | 2 | Portrait of a Lady and her Daughter (Portrait of Anya and Lanya), Portrait of a Lady and her Daughter |
 Musée d'Orsay |
Pariz | 2 | Portrait of Marshal Lyautey, Countess Anna de Noailles |
 Nacionalni muzej u Varšavi |
Varšava | 2 | Lady with a pearl earring, Portrait of a lady in a large hat |
Three men sit anchored around a wooden table, their silhouettes etched against the dim light of a tavern. The air in the room feels heavy, thick with the…
In this portrait, Philip de László presents us with Professor Johann Nepomuk Oser, an intellectual figure captured with a quiet, commanding presence. Created about 1904, the work offers…
The oil on board painting titled Lt-Col. Risaldar Jagat Singh and Risaidar Man Singh was executed by the artist Philip de László in 1916. This work depicts two…
Philip de László painted this portrait of Frank Billings Kellogg in 1925. The subject was a prominent American politician and statesman. His career reached a significant milestone in…
In this 1932 bust-length depiction, Philip de László captures the presence of Andrew W. Mellon. The subject is presented in profile, his gaze directed slightly off to the…
Andrew W. Mellon (1932). Sledeći su Lady Rachel Cavendish, later Viscountess Stuart of Findhorn i Professor Johann Nepomuk Oser (1904).
63 godina: Andrew W. Mellon datira iz 1932, a Filip Aleksije De Lažlo je rođen/a 1869.
Andrew W. Mellon, Lady Rachel Cavendish, later Viscountess Stuart of Findhorn, Professor Johann Nepomuk Oser, Cosmo Gordon Lang (1864–1945), Baron Lang of Lambeth, Scholar (1882), Honorary Fellow (1928), Archbishop of York (1908–1928), Archbishop of Canterbury (1928–1942), Lt-Col. Risaldar Jagat Singh and Risaidar Man Singh, Regret (also known as Love Spurned), Self-Portrait, Count Albert Mensdorff-Pouilly-Dietrichstein, Portrait of Fürstin Dietrichstein zu Nikolsburg, née Princess Olga Dolgouruky i Sir George Henschel (Isidor Georg Henschel). Gornji rang prikazuje godinu i muzej za svako od njih.
Naš katalog sadrži 216 dela umetnika Filip Aleksije De Lažlo, datiranih od 1891 do 1937.
Većina njih se nalazi u National Portrait Gallery (London), Mađarska nacionalna galerija (Budimpešta) i National Portrait Gallery (Vašington, D.C.). U tabeli iznad su muzeji navedeni jedan po jedan.
U periodima 1910s: 42 od ukupno 100 dela na ovoj stranici datiraju iz tog vremena, od čega je Lt-Col. Risaldar Jagat Singh and Risaidar Man Singh.
Najstarije delo na ovoj stranici je iz The Storyteller (1891), a najnovije iz William Richard Morris, Viscount Nuffield (1937).
Man (26), Portrait (15) i Woman (10), od ukupno 100 dela na ovoj stranici.
Oil On Canvas: 25 od ukupno 100 dela na ovoj stranici.
Academic realism i Realism, kao što pokazuju slike na ovoj stranici.
Count Albert Mensdorff-Pouilly-Dietrichstein, Sir George Henschel (Isidor Georg Henschel) i Julian Byng, 1st Viscount Byng of Vimy su među 11 dela na ovoj stranici koja se nalaze u National Portrait Gallery, London.
Da. Svaku sliku sa ove stranice možete naručiti kao ručno oslikano ulje na platnu muzejskog kvaliteta ili kao umetnički print, u veličini koju odaberete, direktno sa stranice te slike.
Filip Aleksije de Lašlo, rođen kao Fülöp Laub 30. aprila 1869. godine u Budimpešti, u Mađarskoj, izdigao se iz skromnih početaka da postane slavni portretista evropskih plemića i kraljevskih porodica. Njegovi roditelji, Adolf i Johana Laub, bili su krojač i krojačica jevrejskog porekla. Svoje prve umetničke korake napravio je kroz zanat fotografa, dok je istovremeno pohađao umetničke studije. Uspešno se upisao na Nacionalnu akademiju umetnosti u Budimpešti, gde je crtao pod mentorstvom majstora kao što su Bertalan Székely i Károly Lotz. Kasniji studiji u Minhenu i Parizu dodatno su proširili njegove umetničke vidike i obogatili njegov stil.
Rani rad de Lašloa pokazivao je izuzetnu osetljivost za detalje i rastuće majstorstvo u realizmu. Njegov stil oblikovan je akademskom tradicijom naučenom na akademiji, ali i prevazlazilačkim trendovima portretistike krajem 19. i početkom 20. veka. Brzo se istaknuo sposobnošću da na platno prenese ne samo fizičku sličnost, već i samu srž ličnosti i društveni status svojih modela. Ključni trenutak dogodio se 1900. godine, kada je njegov portret papice Lava XIII donio Veliku zlatnu medalju na Međunarodnoj izložbi u Parizu, čime je utvrđena njegova međunarodna slava.
Nakon pariskog uspeha, de Lašlo se 1903. godine preselio u Beč, a potom se 1907. skrasio u Londonu, gde je proveo ostatak života. Postao je izuzetno tražen portretista među evropskom elitom, a njegovi klijenti uključivali su monarhe, plemiće, industrijere, naučnike i istaknute ličnosti iz različitih sfera.
Godine 1900, de Lašlo se oženio Lusi Madlen Ginis, članicom istaknutog bankarskog roda. Njihov brak donio je šest dece i sedamnaest unučadi. Iako je ranije pokazivao interesovanje za katoličanstvo, nakon venčanja prešao je u anglikansku crkvu. Uprkos britanskom državljanstvu i stabilnom životu u Engleskoj, tokom Prvog svetskog rata (1917–19rt18) suočio se sa interniranjem zbog sumnji u vezi sa njegovim austrijskim vezama, što je bilo period velikih životnih nedaća.
De Lašlov stil prepoznatljiv je po realizmu, pedantnom detalju i živopisnoj paleti boja. Bio je majstor u dočaravanju tekstura tkanina, nakita i nijansi kože. Njegovi portreti često prožimaju osećaj elegancije, sofisticiranosti i društvene prestiža. Iako je prvenstveno poznat po portretima, stvarao je i pejzaže i žanrovske scene.
Rad Filipa de Lašla pruža dragocen uvid u živote i izgled evropskog visokog društva krajem 19. i početkom 20. veka. Njegovi portreti služe kao istorijski dokumenti koji beleže specifičnu eru i njenu društvenu dinamiku. Iako je ponekad bio kritikovani jer je prvenstveno bio portretista visokog društva, njegova tehnička veština i sposobnost da oživi karakter su neosporni. Njegov opus obuhvata skoro 4.000 dela, uključujući crteže, a katalog svih njegovih radova je u pripremi. Preminuo je 22. novembra 1937. godine u Londonu, ostavivši za sobom trajno nasleđe kao jedan od najznačajnijih portretista svog vremena.
