Ловис Коринт, 1858 – 1925

Slike autora Ловис Коринт: 100 najpoznatijih dela, rangiranih

Najpoznatije delo umetnika Ловис Коринт je У кланицу (1893). Uz Wilhelmine with a Ball (1915) i Portrait of the Painter Paul Eugène Gorge (1908), to su tri dela koja svi prepoznaju. Naš katalog sadrži 501 dela umetnika Ловис Коринт; ovih 100 ispod su dela koja svet najčešće posmatra, svako sa navedenom godinom nastanka, muzejom u kojem se čuva i razlogom zašto je značajno.

Rangirano prema našem koeficijentu popularnosti, koji kombinuje pretrage, posete i porudžbine za svako delo. Ažurirano октобар 2026. Svako remek-delo na ovoj stranici može se naručiti kao ručno oslikana uljana reprodukcija muzejskog kvaliteta ili kao umetnička štampa, u dimenzijama koje odaberete.

Portret Ловис Коринт
Ловис Коринт · 1858 – 1925
Rođen · umro
1858 – 1925, Гвардејск
Pokret
Expressionism
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501
Najpoznatije
У кланицу (1893)
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Berlinische Galerie

10 najpoznatijih slika umetnika Ловис Коринт

У кланицу (1893) čiji je Ловис Коринт
1

У кланицу

1893 · Ulje na platnu

U svetu rada i industrije: "U klaonici" Lovisa Korinta Lovis Korintovo delo „U klaonici“ iz 1893. godine nije samo slika; to je snažan vizuelni zapis intenziteta i fizičkog napora koji su obeležavali poslove u industriji mesa tog vremena. Ova kompozicija, dinamična i gotovo hipnotična, nas uvlači u samu srž procesa, prikazujući radnike kako zajedno podižu veliki komad mesa – simbol težine i složenosti ovog posla. Korint je uspeo da uhvati…

Wilhelmine with a Ball (1915) čiji je Ловис Коринт
2

Wilhelmine with a Ball

Lovis Corinth’s “Wilhelmine with a Ball,” painted in 1915, stands as a poignant emblem of early 20th-century expressionism – an artistic movement driven by a fervent desire to convey inner psychological states rather than merely mirroring external reality. More than just a depiction of a young girl seated elegantly in a chair, the painting delves into themes of vulnerability and introspection, capturing a moment suspended between youthful innocence and the…

Portrait of the Painter Paul Eugène Gorge (1908) čiji je Ловис Коринт
3

Portrait of the Painter Paul Eugène Gorge

1908 · Acrylic On Canvas · Staatsgalerie Moderner Kunst, Minhen

Lovis Corinth’s “Portrait of the Painter Paul Eugène Gorge,” completed in 1908, transcends mere representation; it embodies a pivotal moment in German Expressionism and offers a profound glimpse into Corinth’s artistic vision. Housed within the Staatsgalerie Moderner Kunst in Munich, this oil on canvas painting isn't simply a likeness of another artist—it’s a carefully constructed meditation on identity, creativity, and the complexities of human experience.

Reclining Female Nude (1907) čiji je Ловис Коринт
5

Reclining Female Nude

1907 · Acrylic On Canvas · Austrian Gallery Belvedere, Beč

Reclining Female Nude – A Study in Expressionist Sensuality The painting “Reclining Female Nude,” created by Lovis Corinth in 1907, stands as a cornerstone of Expressionism’s exploration of the human psyche. More than just a depiction of nudity—though undeniably sensual—it delves into themes of vulnerability, desire, and the confrontation with primal instincts. Corinth's masterful technique employs bold brushstrokes and vibrant color palettes to convey not merely what is seen but…

Portrait of Georg Brandes (1925) čiji je Ловис Коринт
6

Portrait of Georg Brandes

1925 · Oil On Canvas · Koninklijk Museum voor Schone Kunsten, Antwerpen

Lovis Corinth’s “Portrait of Georg Brandes” stands as a cornerstone of German Expressionism, capturing not merely likeness but profound psychological insight. Painted in 1925, this monumental canvas – measuring 92 x 70 cm and currently residing at the Koninklijk Museum voor Schone Kunsten in Antwerp – transcends mere representation; it’s an immersive experience into Brandes' inner world and Corinth’s masterful artistic vision.

Last Self Portrait (1925) čiji je Ловис Коринт
7

Last Self Portrait

1925 · Oil On Canvas · Kunsthaus Zürich, Zrich

Lovis Corinth's "Last Self Portrait," painted in 1925, isn’t merely a depiction of an individual; it’s a profound meditation on identity, mortality, and the very nature of self-awareness. Created during a period of intense personal struggle for the artist – marked by the loss of his beloved wife – the painting vibrates with a palpable sense of melancholy and introspection. Corinth, a master of capturing raw emotion through bold brushwork…

The Singer Frieda Halbe (1905) čiji je Ловис Коринт
8

The Singer Frieda Halbe

1905 · Oil On Canvas · Austrian Gallery Belvedere, Beč

Lovis Corinth's "The Singer Frieda Halbe," painted in 1905, is a captivating portrait that exemplifies the artist’s transition from late Impressionism towards early Expressionism. Measuring 120 x 90 cm and currently residing at the Österreichische Galerie Belvedere in Vienna, Austria, this oil on canvas piece offers a compelling window into the artistic sensibilities of the era and showcases Corinth's remarkable ability to capture both physical likeness and emotional depth.

Cesare Borgia (Arthur Kraft) (1914) čiji je Ловис Коринт
9

Cesare Borgia (Arthur Kraft)

1914 · Oil On Canvas · Alte Nationalgalerie, Berlin

In the evocative portrait Cesare Borgia (Arthur Kraft), created in 1914, we encounter a moment where history and raw emotion collide through the masterful hand of Lovis Corinth. This vertical oil painting transcends mere likeness, offering instead a theatrical and deeply psychological study of a man ensconced in the grandeur of traditional attire. The subject, captured with an intense presence, sits upon a chair that seems almost secondary to the…

Self-portrait in armor (1914) čiji je Ловис Коринт
10

Self-portrait in armor

1914 · Oil On Canvas · Hamburger Kunsthalle, Hamburg

A man stares directly through the canvas, his gaze steady and unyielding. He is encased in metallic armor, the silvery surfaces catching a sharp light that descends from the upper left. This light carves deep shadows into the folds of his skin and the contours of the breastplate, creating a sense of immense physical volume. The armor is not a smooth, polished surface but a landscape of heavy impasto, where…

Ловис Коринт, slike od 11 do 100

Homeric Laughter, First Version (1909) čiji je Ловис Коринт
#11

Homeric Laughter, First Version

1909 · Bayerische Staatsgemaldesammlungen

Lovis Corinth’s “Homeric Laughter,” painted in 1909, isn't merely a depiction of a gathering; it’s an invitation into a vibrant tableau of human connection and the intoxicating pleasure…

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Portrait of Frau Schreiber (1902) čiji je Ловис Коринт
#12

Portrait of Frau Schreiber

1902 · Staatliche Kunstsammlungen

Lovis Corinth's 1902 portrait, “Portrait of Frau Schreiber,” is more than a simple likeness; it’s a carefully constructed tableau of observation and emotion. Housed within the Staatliche Kunstsammlungen…

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Large Self Portrait at the Walchensee (1924) čiji je Ловис Коринт
#14

Large Self Portrait at the Walchensee

1924 · Bayerische Staatsgemaldesammlungen

Large Self Portrait at the Walchensee: A Reflection of Resilience and Artistic Vision Lovis Corinth’s “Large Self Portrait at the Walchensee,” completed in 1924, transcends mere representation; it…

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Porträt Albert Kaumann (1910) čiji je Ловис Коринт
#22

Porträt Albert Kaumann

1910 · Hamburger Kunsthalle

Albert Kaumann sits in a three-quarter length pose, his gaze fixed steadily upon the viewer. He is rendered from the waist up, clad in a heavy, dark olive-toned…

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Male Nude (1886) čiji je Ловис Коринт
#25

Male Nude

1886 · Yale University Art Gallery

A solitary male figure occupies the center of this 1886 oil on canvas, positioned against a dark, indistinct background. The subject is rendered in a full-length view, his…

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Self-Portrait (1917) čiji je Ловис Коринт
#28

Self-Portrait

1917 · Art Institute of Chicago

A single male figure emerges from a neutral, abstract void. The face is a landscape of heavy impasto, where the oil paint is applied with a sculptural thickness…

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Black Shadows (1903) čiji je Ловис Коринт
#55

Black Shadows

1903 · Hamburger Kunsthalle

The portrait titled Black Shadows is an oil on canvas work by Lovis Corinth. Created in 1903, the painting captures a single moment of stillness. The subject of…

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Grandmother and Granddaughter (1919) čiji je Ловис Коринт
#98

Grandmother and Granddaughter

1919 · Niedersächsisches Landesmuseum

In the quiet intimacy of Grandmother and Granddaughter, painted in 1919, we are invited into a private moment that transcends the boundaries of time. This evocative portrait, captured…

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Portrait of Frau Luther (1911) čiji je Ловис Коринт
#100

Portrait of Frau Luther

1911 · Niedersächsisches Landesmuseum

The painting Portrait of Frau Luther depicts a woman seated in a chair, dressed in an outfit that includes a blue dress with a pattern matching her large…

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Slike umetnika Ловис Коринт po periodima

Motivi koje je Ловис Коринт najčešće slikao

Četiri teme koje se najčešće pojavljuju među ovim remek-delima, sa najboljim primerom za svaku od njih.

Gde videti slike umetnika Ловис Коринт

8 muzeja u kojima se nalazi najviše slika sa ove stranice.

Muzej Grad Radovi umetnika Ловис Коринт Slike iz ovog spiska
Berlinische Galerie, BerlinBerlinische Galerie Berlin 10 Portrait of the Painter Fritz Rumpf, Angelica with Dragon, Portrait of a Man
Hamburger Kunsthalle, HamburgHamburger Kunsthalle Hamburg 15 Self-portrait in armor, Male Portrait, Porträt Albert Kaumann
Alte Nationalgalerie, BerlinAlte Nationalgalerie Berlin 20 Cesare Borgia (Arthur Kraft), Hans Rosenhagen, Magdalena Weeping
Niedersächsisches Landesmuseum, HanoverNiedersächsisches Landesmuseum Hanover 17 Italian Woman in a Yellow Chair, Standing Nude, Grandmother and Granddaughter
Staatliche Kunstsammlungen Dresden, DrezdenStaatliche Kunstsammlungen Dresden Drezden 8 Study for the Painting "Die Totenklage", Group of Women (Friends, large version), Draft for Orpheus
Austrian Gallery Belvedere, BečAustrian Gallery Belvedere Beč 11 Reclining Female Nude, The Singer Frieda Halbe, Still Life with Chrysanthemums and Amaryllis
Lenbachhaus, MinhenLenbachhaus Minhen 15 Portrait of a Woman with hat, Hymn to Michelangelo
Bayerische Staatsgemaldesammlungen, MinhenBayerische Staatsgemaldesammlungen Minhen 5 Homeric Laughter, First Version, Large Self Portrait at the Walchensee

Najpoznatije delo umetnika Ловис Коринт u svakom deceniji

  1. 1870s
    Male Portrait (1879) čiji je Ловис Коринт
    13 od 100

    Male Portrait

    Godine 12 – 21 · Hamburger Kunsthalle

    A face emerges from a void of deep blacks. The light strikes the forehead and the bridge of the nose, carving the features out of a heavy, grayscale…

  2. 1880s
    Anny Schaumberg with a doll (1886) čiji je Ловис Коринт
    #23 od 100

    Anny Schaumberg with a doll

    Godine 22 – 31 · Narodni muzej u Varšavi

    There is a profound stillness in this 1886 oil portrait of Anny Schaumberg. Seated amidst a verdant, soft-focus landscape, the young girl holds a doll close to her,…

  3. 1890s
    У кланицу (1893) čiji je Ловис Коринт
    1 od 100

    У кланицу

    Godine 32 – 41

    U svetu rada i industrije: "U klaonici" Lovisa Korinta Lovis Korintovo delo „U klaonici“ iz 1893. godine nije samo slika; to je snažan vizuelni zapis intenziteta i fizičkog…

  4. 1900s
    Portrait of the Painter Paul Eugène Gorge (1908) čiji je Ловис Коринт
    Rang 3 od 100

    Portrait of the Painter Paul Eugène Gorge

    Godine 42 – 51 · Staatsgalerie Moderner Kunst

    Lovis Corinth’s “Portrait of the Painter Paul Eugène Gorge,” completed in 1908, transcends mere representation; it embodies a pivotal moment in German Expressionism and offers a profound glimpse…

  5. 1910s
    Wilhelmine with a Ball (1915) čiji je Ловис Коринт
    2 od 100

    Wilhelmine with a Ball

    Godine 52 – 61 · Niedersächsisches Landesmuseum Für Kunst Und Kulturgeschichte Oldenburg

    Lovis Corinth’s “Wilhelmine with a Ball,” painted in 1915, stands as a poignant emblem of early 20th-century expressionism – an artistic movement driven by a fervent desire to…

  6. 1920s
    Portrait of Georg Brandes (1925) čiji je Ловис Коринт
    Rang 6 od 100

    Portrait of Georg Brandes

    Godine 62 – 67 · Koninklijk Museum voor Schone Kunsten

    Lovis Corinth’s “Portrait of Georg Brandes” stands as a cornerstone of German Expressionism, capturing not merely likeness but profound psychological insight. Painted in 1925, this monumental canvas –…

Pitanja o slikama umetnika Ловис Коринт

Koje je najpoznatije delo umetnika Ловис Коринт?Prikaži odgovor

У кланицу (1893). Sledeći su Wilhelmine with a Ball (1915) i Portrait of the Painter Paul Eugène Gorge (1908).

Koliko je godina imao/la Ловис Коринт kada je slika У кланицу nastala?Prikaži odgovor

35 godina: У кланицу datira iz 1893, a Ловис Коринт je rođen/a 1858.

Koja su 10 najboljih slika umetnika Ловис Коринт?Prikaži odgovor

У кланицу, Wilhelmine with a Ball, Portrait of the Painter Paul Eugène Gorge, Self Portrait with a Glass, Reclining Female Nude, Portrait of Georg Brandes, Last Self Portrait, The Singer Frieda Halbe, Cesare Borgia (Arthur Kraft) i Self-portrait in armor. Gornji rang prikazuje godinu i muzej za svako od njih.

Koliko je slika stvorio/la Ловис Коринт?Prikaži odgovor

Naš katalog sadrži 501 dela umetnika Ловис Коринт, datiranih od 1879 do 1925.

Gde se nalaze najpoznatija dela umetnika Ловис Коринт?Prikaži odgovor

Većina njih se nalazi u Berlinische Galerie (Berlin), Hamburger Kunsthalle (Hamburg) i Alte Nationalgalerie (Berlin). U tabeli iznad su muzeji navedeni jedan po jedan.

Kada je Ловис Коринт naslikao svoja najpoznatija dela?Prikaži odgovor

U periodima 1910s: 42 od ukupno 100 dela na ovoj stranici datiraju iz tog vremena, od čega je Wilhelmine with a Ball.

Koja su najranija i najnovija poznata dela Ловис Коринт?Prikaži odgovor

Najstarije delo na ovoj stranici je iz Male Portrait (1879), a najnovije iz Portrait of Georg Brandes (1925).

Šta je Ловис Коринт najčešće slikao?Prikaži odgovor

Man (10), Portrait (7) i Woman (5), od ukupno 100 dela na ovoj stranici.

Koji je medij Ловис Коринт najčešće koristio/la?Prikaži odgovor

Oil On Canvas: 24 od ukupno 100 dela na ovoj stranici.

Kojem umetničkom pravcu pripada Ловис Коринт?Prikaži odgovor

Expressionism i Impressionism, kao što pokazuju slike na ovoj stranici.

Koje slike umetnika Ловис Коринт mogu videti u muzeju Berlinische Galerie?Prikaži odgovor

Portrait of the Painter Fritz Rumpf, Angelica with Dragon i Portrait of a Man su među 8 dela na ovoj stranici koja se nalaze u Berlinische Galerie, Berlin.

Mogu li da kupim reprodukciju slike od Ловис Коринт?Prikaži odgovor

Da. Svaku sliku sa ove stranice možete naručiti kao ručno oslikano ulje na platnu muzejskog kvaliteta ili kao umetnički print, u veličini koju odaberete, direktno sa stranice te slike.

O Ловис Коринт

A Life Forged in Paint: The World of Lovis Corinth

Lovis Corinth, born Franz Heinrich Louis on July 21, 1858, in the Prussian province of East Prussia, was a figure who embodied the tumultuous transition from the 19th to the early 20th-century art world. His journey wasn’t one of immediate acclaim but rather a gradual evolution fueled by relentless study, diverse influences, and ultimately, personal tragedy. Corinth's beginnings were rooted in the rural landscapes of his birthplace, Tapiau, where his father worked as a tanner. This early exposure to the physicality of labor and the raw beauty of nature would subtly permeate his later work, even amidst more sophisticated stylistic explorations. He initially pursued studies at the Academy of Königsberg in 1876, but quickly realized that academic tradition alone wouldn’t satisfy his artistic ambitions. A period of travel followed, taking him to Munich, Antwerp, and finally Paris – each city serving as a crucial stepping stone in his development. In Munich, he absorbed the meticulous realism championed by Ludwig von Löfftz, honing his observational skills and mastering technique. Antwerp introduced him to the dramatic Baroque intensity of Rubens, while Paris exposed him to the burgeoning Impressionist movement, though his initial response was one of cautious observation rather than immediate embrace. He wasn’t interested in idealized beauty; instead, he sought to capture the untamed power and inherent drama of the landscape. Corinth's formative years instilled in him a profound appreciation for both classical tradition and naturalistic representation—a duality that would shape his artistic vision throughout his life. His early paintings, like “In the Slaughterhouse” (1878), demonstrated an uncompromising commitment to depicting reality with unflinching honesty, confronting viewers with uncomfortable truths about mortality and decay. Yet even within this stark realism, a nascent emotional depth hinted at a willingness to explore psychological complexities—a characteristic that would become increasingly prominent in his later oeuvre. The influence of Courbet’s earthy palette and expressive brushwork was palpable in these early works, establishing Corinth as a disciple of the Barbizon School and signaling his initial engagement with avant-garde currents.

From Naturalism to a Synthesis of Styles

Corinth's artistic development wasn't marked by swift revolutions but by a gradual assimilation and synthesis of diverse influences. His unwavering dedication to mastering technique—combined with an acute sensitivity to color and composition—allowed him to transcend stylistic boundaries and forge his own distinctive path. The Impressionist movement, initially viewed with skepticism, ultimately captivated Corinth’s imagination, prompting him to experiment with broken color and fleeting light effects. However, he didn't simply adopt these techniques wholesale; instead, he integrated them into his existing artistic framework, creating a style that blended impressionistic vibrancy with a distinctly German sensibility. This synthesis—evident in paintings like “Female Semi-Nude with Hat” (1906)—represented a pivotal moment in Corinth’s artistic evolution and foreshadowed the emergence of Expressionism as a dominant force in European art. He skillfully combined Rubensian dynamism with Impressionist luminosity, achieving unparalleled expressive power while maintaining compositional rigor.

A Master of Portraiture and Landscape

Corinth's oeuvre encompassed a remarkable range of genres—from biblical scenes to mythological subjects—but he is perhaps best remembered for his portraits and landscapes. His approach to portraiture extended beyond mere likeness; it was an attempt to penetrate the psychological depths of his sitters, revealing their inner lives through subtle gestures, expressive eyes, and carefully considered poses. He possessed a remarkable ability to convey character and emotion with astonishing economy of means—a hallmark of Corinth’s artistic genius. Similarly, his landscapes weren't merely scenic representations; they were emotional responses to nature—infused with Corinth’s own passionate engagement with the natural world. The Walchensee region in Bavaria became a particular source of inspiration, providing him with a wealth of motifs that he explored repeatedly throughout his later years. These paintings—characterized by their bold colors, dynamic brushwork, and palpable energy—represent Corinth's mature style at its most powerful and expressive.

Tragedy, Resilience, and Lasting Legacy

A transformative event in Corinth’s life occurred in December 1911 when he suffered a debilitating stroke that left him paralyzed on his left side. Despite facing immense physical challenges—and the looming threat of professional ruin—Corinth demonstrated unwavering determination and resilience, refusing to succumb to despair. With Charlotte Berend-Corinth by his side, he embarked upon a grueling regimen of rehabilitation exercises, relearning to paint with painstaking effort and adapting to his limitations—a testament to Corinth’s indomitable spirit. This period yielded some of his most poignant and emotionally resonant works—including “Self-Portrait” (various years)—reflecting the artist's profound introspection and confronting him with the realities of mortality. The experience profoundly deepened his artistic vision, prompting him to embrace a looser brushstroke and intensify color palette—anticipating many of the stylistic innovations that would define Expressionism. Corinth’s influence extended beyond his own painting; he served as president of the Berlin Secession from 1915 until his death in 1925, championing progressive artistic ideals and fostering a vibrant creative community. Lovis Corinth's legacy transcends mere aesthetic achievement—he remains a pivotal figure in German art history, embodying the spirit of artistic integrity and transforming personal adversity into profound expressive power. His enduring influence continues to inspire artists today, securing his place as one of the most significant painters of the early 20th century. ## Key Works & Their Significance
  • In the Slaughterhouse (1878): Demonstrates Corinth’s early mastery of technique and unflinching commitment to depicting reality with honesty—a bold confrontation with mortality and decay.
  • Self-Portrait (various years): Offers a chronicle of Corinth's evolving self-perception and artistic style—revealing profound introspection and fearless exploration of identity.
  • Female Semi-Nude with Hat (1906): Exemplifies Corinth’s blending of classical motifs with Impressionistic techniques—creating a sensuous portrait imbued with psychological complexity.
  • Walchensee Series (various years): Represents Corinth's mature style at its most powerful and expressive—characterized by bold colors, dynamic brushwork, and palpable energy.

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