Луи Токе, 1696 – 1772

Slike autora Луи Токе: 41 najpoznatijih dela, rangiranih

Najpoznatije delo umetnika Луи Токе je Portrait of Arnoldus van Rijneveld (1738), koje se nalazi u muzeju Rijksmuseum, Amsterdam. Uz Portrait of Frederik Christian Krag (1726-1763) (1761) i Portrait of Actor as Apollo (1755), to su tri dela koja svi prepoznaju. Naš katalog sadrži 41 dela umetnika Луи Токе; ovih 41 ispod su dela koja svet najčešće posmatra, svako sa navedenom godinom nastanka, muzejom u kojem se čuva i razlogom zašto je značajno.

Rangirano prema našem koeficijentu popularnosti, koji kombinuje pretrage, posete i porudžbine za svako delo. Ažurirano октобар 2026. Svako remek-delo na ovoj stranici može se naručiti kao ručno oslikana uljana reprodukcija muzejskog kvaliteta ili kao umetnička štampa, u dimenzijama koje odaberete.

Portret Луи Токе
Луи Токе · 1696 – 1772
Rođen · umro
1696 – 1772, Париз
Pokret
Rococo
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41
Najpoznatije
Portrait of Arnoldus van Rijneveld (1738)
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Ermitaž

10 najpoznatijih slika umetnika Луи Токе

Portrait of Frederik Christian Krag (1726-1763) (1761) čiji je Луи Токе
2

Portrait of Frederik Christian Krag (1726-1763)

1761 · Oil On Canvas · Statens Museum For Kunst, Kopenhagen

A young nobleman sits in a three-quarter pose, his body angled with a quiet, practiced poise. He wears a coat of cerulean blue velvet, a color so deep it seems to hold the weight of the fabric itself. Beneath this, a waistcoat of gold and multicolored brocade catches the light, its metallic threads catching the eye against the dark, atmospheric background. The lace at his neck and cuffs is a…

Portrait of Actor as Apollo (1755) čiji je Луи Токе
3

Portrait of Actor as Apollo

1755 · Oil · Ermitaž, Sankt Peterburg

A three-quarter length portrait from 1755 captures a figure transformed by the guise of the deity Apollo. Positioned slightly off-center, the subject gazes upward and to the left, a posture suggesting divine inspiration or celestial contemplation. The composition relies on a dramatic, directional light source from the upper left, casting sharp highlights across the forehead, cheek, and hands while leaving the background in a muted, atmospheric shadow of browns and…

Portrait of Alexis Piron (?) (1737) čiji je Луи Токе
4

Portrait of Alexis Piron (?)

1737 · Oil On Canvas · Norton Simon Museum, Pasadena

The Portrait of Alexis Piron (?) emerges from the shadows of the eighteenth century, a work that invites us to look closely at the man captured within the frame. This oil on canvas, titled Portrait of a Man (Possibly Alexis Piron), presents a face that seems to hold a lifetime of wit and sharp observation. The subject is widely believed to be Alexis Piron, a French poet and humorist who…

Portrait of Isaac van Rijneveld (1738) čiji je Луи Токе
5

Portrait of Isaac van Rijneveld

1738 · Oil On Canvas · Rijksmuseum, Amsterdam

The Portrait of Isaac van Rijneveld is an oil on canvas work by Jean Louis Tocqué, executed about 1738. The sitter, Isaac van Rijneveld (1706–92), was a Dutch subject and the brother of Arnoldus van Rijneveld. The two brothers were part of a family of prominent Amsterdam jewelers, the sons of Jan van Rijneveld.

Marie Leczinska, Queen of France (1740) čiji je Луи Токе
6

Marie Leczinska, Queen of France

1740 · Oil On Canvas · Luvr, Pariz

In the grand tapestry of 18th-century French portraiture, few works capture the intersection of personal grace and political power as profoundly as Jean Louis Tocqué’s Marie Leczinska, Queen of France. Completed in 1740, this monumental oil on canvas serves as a breathtaking window into the opulent world of the Bourbon court. The portrait does not merely present a likeness; it orchestrates an encounter with royalty. As the viewer gazes upon…

Portrait of a Man (1747) čiji je Луи Токе
7

Portrait of a Man

1747 · Oil On Canvas · National Gallery, London

Portrait of a Man is an oil on canvas work by the French painter Jean Louis Tocqué. Created in 1747, the piece captures a moment of stillness through the artist's practiced hand. Tocqué, born in Paris, France, in 1696, brought the refined sensibilities of the Parisian Salon to this specific depiction. He remained in Paris until his death in 1772.

Луи Токе, slike od 11 do 41

Portrait of Ivan Shuvalov (1754) čiji je Луи Токе
#28

Portrait of Ivan Shuvalov

1754 · Ermitaž

The portrait presents a young man from the waist up, positioned in a three-quarter view against a dark, indeterminate background. He is oriented slightly off-center. The subject wears…

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Motivi koje je Луи Токе najčešće slikao

Četiri teme koje se najčešće pojavljuju među ovim remek-delima, sa najboljim primerom za svaku od njih.

Gde videti slike umetnika Луи Токе

8 muzeja u kojima se nalazi najviše slika sa ove stranice.

Muzej Grad Radovi umetnika Луи Токе Slike iz ovog spiska
Ermitaž, Sankt PeterburgErmitaž Sankt Peterburg 5 Portrait of Actor as Apollo, Portrait of Ivan Shuvalov, Portrait of Louis, Grand Dauphin of France
Rijksmuseum, AmsterdamRijksmuseum Amsterdam 2 Portrait of Arnoldus van Rijneveld, Portrait of Isaac van Rijneveld
Statens Museum For Kunst, KopenhagenStatens Museum For Kunst Kopenhagen 2 Portrait of Frederik Christian Krag (1726-1763), Portrait of Frederik Berregaard
National Gallery, LondonNational Gallery London 2 Portrait of a Man, Portrait of Mademoiselle de Coislin
Museum Mayer van den Bergh, AntwerpMuseum Mayer van den Bergh Antwerp 2 Portrait of a Young Officer, Portrait of a Young Lady with a Muffs
Muzej Carnavalet, ParizMuzej Carnavalet Pariz 2 Portrait of Abel Poisson, marquis de Marigny (1727-1781), superintendent of the King's buildings, Portrait of Mme Doyen, née de la Planche, sister-in-law of the painter Doyen
Opera House, VersaillesOpera House Versailles 2 Marie-Thérèse-Raphaëlle, Infanta of Spain, Dauphine of France, Portrait de Louis de France
Birmingham Museum of Art, BirminghamBirmingham Museum of Art Birmingham 2 Portrait of an Abbé, Madame de Livry

Najpoznatije delo umetnika Луи Токе u svakom deceniji

  1. 1730s
    Portrait of Arnoldus van Rijneveld (1738) čiji je Луи Токе
    #1 od 41

    Portrait of Arnoldus van Rijneveld

    Godine 34 – 43 · Rijksmuseum

    Louis Tocqué executed the Portrait of Arnoldus van Rijneveld about 1738. The sitter is the son of Jan van Rijneveld, a prominent Amsterdam jeweler. This portrait captures a…

  2. 1740s
    Marie Leczinska, Queen of France (1740) čiji je Луи Токе
    #6 od 41

    Marie Leczinska, Queen of France

    Godine 44 – 53 · Luvr

    In the grand tapestry of 18th-century French portraiture, few works capture the intersection of personal grace and political power as profoundly as Jean Louis Tocqué’s Marie Leczinska, Queen…

  3. 1750s
    Portrait of Actor as Apollo (1755) čiji je Луи Токе
    #3 od 41

    Portrait of Actor as Apollo

    Godine 54 – 63 · Ermitaž

    A three-quarter length portrait from 1755 captures a figure transformed by the guise of the deity Apollo. Positioned slightly off-center, the subject gazes upward and to the left,…

  4. 1760s
    Portrait of Frederik Christian Krag (1726-1763) (1761) čiji je Луи Токе
    Rang 2 od 41

    Portrait of Frederik Christian Krag (1726-1763)

    Godine 64 – 73 · Statens Museum For Kunst

    A young nobleman sits in a three-quarter pose, his body angled with a quiet, practiced poise. He wears a coat of cerulean blue velvet, a color so deep…

Pitanja o slikama umetnika Луи Токе

Koje je najpoznatije delo umetnika Луи Токе?Prikaži odgovor

Portrait of Arnoldus van Rijneveld (1738), Rijksmuseum, Amsterdam. Sledeći su Portrait of Frederik Christian Krag (1726-1763) (1761) i Portrait of Actor as Apollo (1755).

Koliko je godina imao/la Луи Токе kada je slika Portrait of Arnoldus van Rijneveld nastala?Prikaži odgovor

42 godina: Portrait of Arnoldus van Rijneveld datira iz 1738, a Луи Токе je rođen/a 1696.

Koja su 10 najboljih slika umetnika Луи Токе?Prikaži odgovor

Portrait of Arnoldus van Rijneveld, Portrait of Frederik Christian Krag (1726-1763), Portrait of Actor as Apollo, Portrait of Alexis Piron (?), Portrait of Isaac van Rijneveld, Marie Leczinska, Queen of France, Portrait of a Man, Presumed Portrait of Madame de Graffigny (1695-1758), Writer, Portrait of a Young Officer i Portrait of Countess Loménie de Brienne. Gornji rang prikazuje godinu i muzej za svako od njih.

Koliko je slika stvorio/la Луи Токе?Prikaži odgovor

Naš katalog sadrži 41 dela umetnika Луи Токе, datiranih od 1734 do 1761.

Gde se nalaze najpoznatija dela umetnika Луи Токе?Prikaži odgovor

Većina njih se nalazi u Ermitaž (Sankt Peterburg), Rijksmuseum (Amsterdam) i Statens Museum For Kunst (Kopenhagen). U tabeli iznad su muzeji navedeni jedan po jedan.

Kada je Луи Токе naslikao svoja najpoznatija dela?Prikaži odgovor

U periodima 1740s: 15 od ukupno 41 dela na ovoj stranici datiraju iz tog vremena, od čega je Marie Leczinska, Queen of France.

Koja su najranija i najnovija poznata dela Луи Токе?Prikaži odgovor

Najstarije delo na ovoj stranici je iz Jean-Louis Lemoyne (1734), a najnovije iz Portrait of Frederik Christian Krag (1726-1763) (1761).

Šta je Луи Токе najčešće slikao?Prikaži odgovor

Man (7), Portraits (7) i Lace (6), od ukupno 41 dela na ovoj stranici.

Koji je medij Луи Токе najčešće koristio/la?Prikaži odgovor

Oil On Canvas: 9 od ukupno 41 dela na ovoj stranici.

Kojem umetničkom pravcu pripada Луи Токе?Prikaži odgovor

Rococo, kao što pokazuju slike na ovoj stranici.

Koje slike umetnika Луи Токе mogu videti u muzeju Ermitaž?Prikaži odgovor

Portrait of Actor as Apollo, Portrait of Ivan Shuvalov i Portrait of Louis, Grand Dauphin of France su među 5 dela na ovoj stranici koja se nalaze u Ermitaž, Sankt Peterburg.

Mogu li da kupim reprodukciju slike od Луи Токе?Prikaži odgovor

Da. Svaku sliku sa ove stranice možete naručiti kao ručno oslikano ulje na platnu muzejskog kvaliteta ili kao umetnički print, u veličini koju odaberete, direktno sa stranice te slike.

O Луи Токе

Jean Louis Tocqué: A Portraitist of the French Court

Jean Louis Tocqué, a name perhaps less familiar than some of his contemporaries, stands as a significant figure in 18th-century French portraiture. Born in Paris in 1696 and tragically passing away in 1772, Tocqué’s life was marked by both artistic apprenticeship and the privilege of capturing the likenesses of royalty and nobility. His career unfolded within the vibrant, yet often turbulent, world of the Parisian Salon, a crucial platform for artists to showcase their work and gain recognition. Tocqué's legacy rests primarily on his exquisite portraits, characterized by a refined elegance and an ability to imbue his subjects with a sense of both dignity and charm – qualities that resonated deeply within the court circles he served.

Early Life and Artistic Training

Jean Louis Tocqué’s artistic journey began in the shadow of his father, also a painter, whose untimely death in 1710 at the age of fourteen profoundly shaped young Louis's trajectory. This early loss propelled him into the care of Jean-Marc Nattier, a renowned portraitist already established within the French court. Nattier’s atelier became Tocqué’s formative environment, where he honed his skills under the tutelage of masters like Hyacinthe Rigaud and Nicolas Bertin. These influential figures instilled in him not only technical proficiency but also an appreciation for classical ideals and a meticulous approach to rendering form and detail. Tocqué's initial training was deeply rooted in Nattier’s style – a blend of realism, elegance, and a subtle theatricality—but he quickly developed his own distinctive voice, influenced by the more dynamic compositions of Hyacinthe Rigaud and the refined sensibilities of Nicolas de Largillière.

Royal Commissions and Salon Recognition

Tocqué’s rise to prominence was inextricably linked to his ability to secure commissions from the French court. His most celebrated work, the portrait of Louis XV (circa 1740), commissioned by his great-grandfather, King Louis XIV, stands as a testament to his skill and the esteem in which he was held. This monumental painting, now housed in the Louvre, exemplifies Tocqué’s mastery of light, color, and composition—a harmonious blend of regal authority and youthful charm. Beyond this grand commission, Tocqué consistently produced portraits of significant figures, including Marie Leszczyńska, Queen of France (1740), and infanta Maria Teresa Rafaela of Spain (1745). His work regularly appeared in the prestigious Salon exhibitions from 1737 to 1759, solidifying his reputation as one of the most sought-after portraitists of his time. These appearances weren’t merely displays; they were crucial for establishing connections and securing further patronage.

A Journey East: The Portrait of Empress Elizabeth Petrovna

In 1757, Tocqué embarked on a remarkable journey to the Russian Empire at the invitation of Empress Elizabeth Petrovna. This unprecedented opportunity allowed him to create a ceremonial portrait of the empress, an undertaking that cemented his international standing and resulted in a masterpiece now residing in the Hermitage Museum in Saint Petersburg. The portrait is notable for its intricate detail and the subtle portrayal of the empress’s power and grace—a testament to Tocqué's ability to capture not just physical likeness but also personality and status. This commission demonstrated Tocqué’s willingness to travel and adapt his style to suit different cultural contexts, showcasing a remarkable versatility as an artist.

Influence and Legacy

Tocqué’s influence extends beyond the portraits he created; he played a role in shaping the artistic landscape of Denmark during the 1760s. Invited to Copenhagen, he accepted a position at the Royal Danish Academy of Fine Arts, where he not only taught but also produced stunning portraits of the Danish royal family. His work in Denmark further broadened his stylistic range and demonstrated his ability to adapt to new environments while maintaining his signature elegance. While Tocqué’s output was relatively modest compared to some of his contemporaries, his portraits—particularly those commissioned by royalty—remain valuable examples of 18th-century French art. They offer a glimpse into the lives and personalities of influential figures, showcasing Tocqué's technical skill, artistic sensitivity, and ability to capture the essence of his subjects. His work continues to be studied and admired for its refined beauty and historical significance.

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